15 Best Action Movies on Netflix

This is the type of famous movie that doesn’t feel like one. So if you haven’t yet seen it, avoid watching the trailer. Kate (Emily Blunt) is an FBI agent who is enlisted to aid in the war on drugs at the Mexican border. She is introduced to Alejandro (Benicio del Toro), a quiet  and secretive agent working on the Mexican side.  The reason you shouldn’t watch the trailer is that Sicario is much more than just another crime action movie, which its marketing will lead you to believe. It’s gorgeously made, with scenes that will catch your breath starting from the color composition to the amazing performances by Blunt and Del Toro. It’s intense, intelligent and very realistic in its approach to action sequences.  Directed by Denis Villeneuve (Prisoners, Incendies, etc.)

The Siege of Jadotville is a different kind of war movie. It doesn’t recount famous battles or portray renowned heroes – instead, it’s about heroes and events that went completely unnoticed. Namely, the Irish 35 Battalion ‘A’ Company – a group of youngsters who are sent out on a U.N mission to the Congo. What was supposed to be a simple positioning quickly becomes one of the most sought-after locations and the battalion of 150 ‘war-virgins” find themselves up against 3000 mercenaries led by experienced French commandants. And what a tribute this film is: it’s well-paced, powerfully shot, and the acting, led by Jamie Dornan on one side and Guillaume Canet on the other, is absolutely perfect.

Director Bong Joon-ho (Snowpiercer) does something quite amazing with the $50 million budget Netflix gave him: he makes a simplistic movie. But man, is it good. Okja tells the story of a “super pig” experiment that sends genetically modified pigs to top farmers around the world. In Korea, a farmer’s granddaughter forms a special relationship with one of these super pigs (Okja). When the company who originally ran the experiment want their pig back (performances by Jake Gyllenhaal and Tilda Swinton) – the two find an ally in an animal advocacy group led by Jay (Paul Dano). This is a straightforward movie, but nevertheless it is entertaining and full of thought-provoking themes and performances from an excellent cast.

A zombie virus breaks out and catches up with a father as he is taking his daughter from Seoul to Busan, South Korea’s second-largest city. Watch them trying to survive to reach their destination, a purported safe zone.

The acting is spot-on; the set pieces are particularly well choreographed. You’ll care about the characters. You’ll feel for the father as he struggles to keep his humanity in the bleakest of scenarios.

It’s a refreshingly thrilling disaster movie, a perfect specimen of the genre.

While based on the Mononoke series, which is in turn, a spin-off of Ayakashi: Samurai Horror Tales, it might seem that Mononoke The Movie: The Phantom in the Rain would require some background reading for people new to the story. Thankfully, there’s no need to do homework for this beautifully designed masterpiece, as the Medicine Seller takes on a new case with every installment. 2024’s Phantom in the Rain (also known as Paper Umbrella) unfolds its world with ease, with doors opening and closing to a select few for a high-pressure, hierarchical imperial household. Immediately, the visuals are stunning, with traditional ukiyo ink and paper mixed with modern kaleidoscopic fill and movement, but even without the gorgeous art, the first Mononoke movie works with its eerie horror, intense sound design, and a compelling mystery driven by court intrigue and vengeful spirits.

Set in 1920s India, RRR follows two revolutionaries who strike up an unlikely bond and fend off the British regime from their home. In their epic journey to protect their people, they encounter a number of setbacks that prompts them to put their incredible combat skills on full display.

Despite its three-hour run, RRR never drags, thanks in large part to its breathtaking action sequences and eye-popping visuals. It may contain all the familiar beats of a blockbuster, but RRR is notably grounded in its central, political theme of anti-colonialism, the sincerity of which keeps the film’s big heart beating palpably throughout.

Animated in every sense of the word, The Mitchells vs. the Machines is a fun and lively watch for anyone of any age. On the surface, it’s about a tech company’s AI going haywire as it turns against humans and takes over the world (an obvious and much-deserved dig at Big Tech). It also immediately stands out as an energetic and inventive film bursting with love for the animation genre.

But at its core, it’s about family and learning to love them even and especially when the going gets tough. Teenager Katie and her father Rick are at that precarious moment in their relationship where everything they do seems to annoy the other, while Katie’s mother Linda tries and fails and tries again to keep the peace. The Mitchells are filled with love, but they’re not quite sure how to express it to each other, and it’s both funny and relatable how it takes a literal apocalypse for them to realize that. This is a family story elevated by dynamic animation and a bizarro storyline. Expect it to go off the rails in the best possible way.

Gangster films have an issue of glorifying organized crime, and in some ways The Pig, The Snake, and The Pigeon does the same. There are excellent, action-packed fight scenes that makes Ethan Juan as Chen Kui-lin look so damn cool, and the journey Chen takes as a stern criminal out for his legacy definitely romanticizes the character, but it’s so compelling to see him contemplate the purpose of his life through confronting those like him, who tend to move for the ideas of love and spiritual detachment. There are some moments when the pacing falters, but The Pig, The Snake, and the Pigeon delivers on its ending and reimagines the gangster as something to remember.

They Cloned Tyrone is a genre-bending gem. It combines Deep State conspiracy theories with sci-fi and social commentary, all while looking like a futuristic 1970s Blaxploitation film. It’s outrageous good fun and pleasing to look at (here is a film that knows how to properly light Black actors), but there are times when it feels too far fetched. The science can get wonky and its commentary on gentrification lacking, but all is forgiven when you have such a strong trio of leads. One of the smartest things They Cloned Tyrone does is pair Boyega with Teyonah Parris, who plays the call girl Yo-yo, and Jamie Foxx, who plays the pimp Slick Charles. They have a fun-loving no-nonsense chemistry about them that makes them easy to attach to and root for. They’re also just very funny, which might be expected of Foxx but it comes as a pleasant surprise for Parris, whose popular turns in Mad Men and WandaVision prove that she’s been severely underutilized as a comic.

Familiarity breeds contempt, and Swedish Netflix’s new horror-comedy takes this idea to the extreme. Based on the novel by Mats Strandberg, who’s known as the Swedish Stephen King, The Conference is centered around a group of employees on their company retreat. With its ensemble, the film crafts a relatable dynamic, with the exact petty back-and-forth and the same exact corporate politics many adults have to deal with. It’s no wonder one of them snaps, and takes them out one by one. The film isn’t exactly new, with the decades’ collection of slashers all over the world, but this Swedish thriller is a fun take on it, with match cut transitions, quick paced sequences, and the gruesome murders of the group most adults spend time with – their colleagues. It’s an interesting watch as the world gets back to the office.

An all-female action comedy that doesn’t get self-serious about the way it’s subverting the genre — Wingwomen feels like a breath of fresh air. It wisely grasps that plot isn’t paramount for a movie like this, and so it joyously dunks on cerebral scenarios with its unabashedly silly story convolutions, like when its professional thieves take a brief pause from their momentous One Last Job™️ to sail to Italy and exact bloody, flamenco-delivered revenge on the gangsters who killed their beloved rabbit. Exotic Mediterranean location-hopping isn’t the only way Wingwomen milks Netflix’s finance department for all it can get, either: director-star Mélanie Laurent also packs in all manner of stunts, from spectacular base-jumping sequences to dramatic drone shootouts.

For all its breezy style, though, there is real heart here, and not the kind that feels crafted by an algorithm. It’s true that a late twist unwisely uses the movie’s embrace of implausibility for emotional ends, but otherwise, the relationship between its professional thieves — ostensibly platonic but very much coded otherwise (a la Bend It Like Beckham) — has surprisingly sincere warmth. Thanks to the cast’s natural chemistry and characters that feel human despite the ridiculous plot, Wingwomen is much more moving than you might believe possible for a Netflix action-comedy.

The Queenstown Kings is a sports film that has plot points we’re all familiar with – alcoholic father trying to seek forgiveness from his son, a tempting offer for fame and riches, the standard training montage and more. These plot points sometimes go into melodramatic territory, but the film’s relationships make these scenes feel sincere, especially with the family dynamic that drives the film. And as Buyile strives to better himself to become a good example to the team, and Fezile makes different choices from his father, The Queenstown Kings feels sincere as a reminder of the better side of South African men, one that can be uncovered if they, and their community, believe in a higher dream.

Released a month directly after Kyoto Inferno, Rurouni Kenshin Part III: The Legend Ends continues Kenshin’s journey, the same journey that revived the samurai chambara genre in recent years. As Japan made its shift towards a modern society in the Meiji era, Kenshin fights in promise to his master’s teachings, to wield his sword for life, rather than for the violence that once was the basis of power. The Legend Ends continues Rurouni Kenshin’s cinematic style with all the outstanding fight choreography, excellent production design, and exceptional cinematography, making it a must watch for fans of the genre as well as action fans in general, but those new to the franchise or those who have only watched the films might still find themselves lost with regards to the way this arc was structured.

The Sea Beast tells the story of Jacob, a legendary sea monster hunter, and Maisie, a wannabe monster hunter herself. When a dangerous encounter isolates them from the rest of the crew, they’re forced to team up and reconcile their opposing beliefs—Maisie believes there’s good in the beasts, but Jacob has yet to be convinced.

Action-packed, fast-paced, and thoroughly entertaining, The Sea Beast is a perfect weekend watch. The part-Moana, part-Pirates-of-the-Caribbean tale also has the added bonus of being age-appropriate (rated PG), making it suitable for those spending their precious movie time with kids.

Real life violence is usually not a good idea, but when those in power would do anything to gain more power at the expense of those more vulnerable, sometimes those with the strength should wreak violence. After a fruitful action-comedy collaboration with Netflix, writer-director Timo Tjahjanto teams up with them again for a darker crime thriller The Shadow Strays. It’s a straightforward rescue crime thriller that follows the trend set by John Wick, but with Tjahjanto’s insane horror-inspired, gore-filled kills and Aurora Ribero’s dynamic performance, The Shadow Strays is brutal, exciting, and a cathartic watch in a world betrayed by those at the top.