Netflix is undoubtedly one of the best film services out there. However, the list of movies on Netflix India might seem limited or at least somewhat different from other countries.
As you’re reading through our list, you’ll come to understand that there is no shortage of great movies available to viewersfrom India. Each of the entries on this list is a highly rated, little known movie that was handpicked by our staff of movie enthusiasts. This page is also frequently updated so you never run out of great movies to watch.
Here’s our countdown of the best movies for Netflix India. You can browse all of our suggestions here.
A heart-breaking examination of a decaying shell of a once-bright marriage, this sad and erotic story uses juxtaposition between happy flashbacks and the grim reality of an ordinary and dull life. This film features electrifying performance from Michelle Williams and Ryan Gosling, who seamlessly combine tenderness, rage, lust and sadness. This is a guaranteed tear-jerker, so make sure you’ve brought your Kleenexes!
Good Bless America is a deeply ironic and violent action comedy from folk legend Bobcat Goldthwait. In a turn of events sure to ring true to many viewers, the protagonist, Frank Murdoch (Joel Murray), after being informed of his terminal brain cancer, sets out on a killing spree out of sheer distaste for the vile, rude, and materialistic culture that surrounds him. Large swaths of the movie are pure rage fantasy, a cathartic blend of violence and humor as the cretinous bogeymen of the modern era are gleefully dispatched. Obviously not a fantastic date movie, but perhaps a good one for a bad mood.
The 1868 semi-autobiographical novels of Louisa May Alcott have been adapted into film, television and theatre so many times: 6 movies, 4 TV shows, even a broadway musical. It’s a compelling story to watch as it unfolds, and it’s easy to see why many hold this one as the best adaptation of the novels. For one, the cast is top-notch and perfect for the roles: Christian Bale as Laurie, Susan Sarandon as Mrs. March, and Winona Ryder, Trini Alvarado, Claire Danes and a very young Kirsten Dunst as the four sisters.
Little Women is the story of these four girls living in post-civil war America. We watch them grow together, find love, have their little fights, and try to find their place in the world. Everything from the costumes and settings to the dialogue do an excellent job of conveying the heartwarming story and the emotional impact behind it.
A documentary about the rise and fall of the Enron Corporation, the energy-trading and utilities conglomerate that gained worldwide attention in 2001 upon its headline-grabbing bankruptcy. Detailing the massive amount of fraud and malfeasance committed by the organization’s top executives, the film delves into the many intricate strategies and “special purpose” entities that were manufactured in order to hide enormous losses and debt from shareholders and the general public. It’s a fascinating and distressing examination of hubris and greed, with so many ethical considerations laid aside in the pursuit of financial gain. The film is as pertinent today as it was when it was released in 2005—perhaps even more so in this post-financial collapse era of increased distrust in corporate agendas.
Thithi is a 2015 Kannada film from India that begins with the death of 101-year old Century Gowda, and follows his family as they prepare for his funeral celebration 11 days later. The story-line focuses on 3 generations of his descendants, as his son, grandson and great-grandson are caught up in individual dramas related to the impending funeral as well as their own personal aspirations. His son Gaddappa, an elderly wanderer, absconds with a traveling family of shepherds, his grandson Thammanna hatches an elaborate plan to claim the family land for himself, and his great-grandson Abhi becomes enamored by a young shepherd girl whom he pursues doggedly. Filmed using non-professional actors recruited from villages in the southern Karnataka state of India, Thithi is a humorous and enjoyable portrait of life in a rural part of South Asia rarely seen by the world-at-large. As a realistic slice-of-life, the film gives the viewer an outsider’s glimpse into not just the lifestyle of many residents of rural India, but also their elaborate customs and rituals related to death according to Hindu tradition. Thithi is the type of film that moves at its own deliberate pace, but ultimately provides a winning experience in both its storytelling and its cultural significance.
A deeply affecting and meaningful documentary, directed by the woman who it revolves around. Jennifer Brea, a Harvard Ph.D student, begins suffering from unusual symptoms: prolonged and extreme fatigue, mental confusion, full-body pain, etc. When she goes to the doctor she is dismissed for being dehydrated and depressed. Later she finds an extended community suffering from her exact same symptoms, all of which fall under the umbrella of Myalgic Encephalomyelitis, more widely known as Chronic Fatigue Syndrome. She decides to tell their stories from her bed, and as such this movie is a collection of videos from her and her partner, added to the stories of others living with the disease. An important and inspiring movie that sheds a light on the lives of the millions affected by CFS around the world. Watch the trailer.
This is the first film directed by actor Macon Blair (so good in both Blue Ruin and Green Room), and while it is shaggy and tonally all over the place, there is a lot to recommend here. First off, I’m a huge fan of the (underrated) Melanie Lynskey, so I was primed to like this movie from the get-go. After Ruth’s (Lynskey) home is broken into, she seeks revenge against the perpetrators with help from her martial arts obsessed neighbor Tony (Elijah Wood, sporting an impressive rat-tail). What starts out as an empowering journey for Ruth & Tony quickly teeters into dangerous and increasingly violent territory. This movie is probably not for everyone, but if you’re a fan of 90s indie films and don’t mind some violence mixed in with your dark humor, then you will enjoy this small, well-acted film.
The White Helmets, the 2016 Academy Award for Best Documentary Short Subject, is a concise but riveting documentation of the titular rescue organization that formed in Syria in 2012. Set primarily in the war-torn city of Aleppo, the film captures the day-to-day efforts of the White Helmet volunteers as they respond to the sites of airstrikes and bombings in order to remove survivors and victims from demolished buildings. Director Orlando von Einsiedel (Virunga) clearly put himself in the face of it to capture remarkable footage of war and ruin, illuminating the unimaginable destruction and death beset upon the Syrian people over the course of nearly 6 years of civil war. It’s a remarkable effort, highlighted by the profound one-on-one interviews with members of The White Helmets. They each express their heartfelt desire to save the lives of other human beings, even as they yearn for peace and the safety of their own families and friends. Indeed their official credo from The Quran, as explained in the film, reads “Whoever saves one life, saves all of humanity.”
A beautifully intertwined love story showing the ups and downs of a father, his ex-wife, and their children experiencing love. The film weaves the three love stories of the different generations seamlessly and leaves you caring deeply about the characters. It has an amazing soundtrack added to fantastic acting that will make you feel as though you are living the same experiences as the quirky, screwed up family. It’s a movie for anyone in the mood for a romantic comedy with a little more substance than your average rom com.
This is not what you are looking for if you are not into slow movies. It ambles along like the East-Texas drawls that populate it, taking its sweet time and letting the story gradually roll out. This true-story-based film is driven by a strong and witty performance from Jack Black –just not the Jack Black you know. A different kind of movie, Bernie is an entertaining mix of true crime and comedy.
Tickled is a documentary about competitive tickling with a very dark underbelly. As ridiculous as that sounds, it’s true. Director David Farrier is a journalist who specializes in reporting on unusual internet phenomenons. When he comes across a video on competitive tickling he casually reaches out to the organizers (on Facebook) to make a quick video with them. Their response is disproportionate and angry – which prompts him to dig deeper. What he finds is both legitimately terrifying and very surprising given the nature of the underlining theme. A suspenseful, rewarding and just straight out weird movie. A great watch.
A thoughtful drama about the financial crisis, Margin Call is gripping. Seriously, even something as convoluted as the 2008 global economic meltdown is not only accessible and understandable, but it’s gripping. Margin Call transports you to the heart of Wall Street, both the financial institutions and the street, literally. It is exciting, well-acted and informative. Uh, also: Kevin Spacey.
Authentic and filled with great performances, Mud is a beautiful tale of love, loss, and growth. While you had probably thought you couldn’t be more impressed with him than in Dallas Buyers Club, Interstellar, or True Detective, Mathew McConaughey’s performance here is probably his best, and is nothing short of a masterpiece. It takes the entire movie to an unprecedented level of authenticity and power as well as give his character’s interaction with two young boys in the South the perfect balance between uneasiness and sorrow. The story is also very thrilling, and will keep you at the edge of your seat more times than not.
The Fundamentals of Caring is an offbeat comedy/drama starring Paul Rudd as Ben, a man attempting to overcome tragedy and looming divorce by becoming the caretaker for a teenager with muscular dystrophy (Craig Roberts, Submarine). The two develop an unconventional relationship based largely on sarcasm and profanity, delivering many laugh-out-loud moments, while also slowly exposing the pain each is carrying inside. Together, at Ben’s urging, they embark on a road trip across the western United States for Craig to see the world beyond his wheelchair and television. It’s a formulaic yet fun and touching road movie that covers much familiar ground, but also offers a fine illustration of caregiving, personal growth, and emotional healing. Paul Rudd is as good ever, and Roberts is utterly superb. One of the best movies on the Netflix Originals catalogue, and an undeniable winner, all-in-all.
Watching Carol is like reading a really interesting book while relaxing on a Sunday afternoon. It is one of those movies that you probably heard about during its Oscar run, and have since delayed actually viewing it. Well now that it is on Netflix and other streaming services you have no excuse! It’s refreshingly unique, incredibly charming, and features a kind of story that hasn’t been told very often – a love story between two women. Both characters played by Cate Blanchett and Rooney Mara attempt to live true to their own principles while facing unjust yet severe backlash from society. If you are open to it, the love story in this will stay with you forever.
How to Change the World is an insightful and candid documentary about the formation of Greenpeace in 1971 by a small group of environmentalists and activists in Vancouver, British Columbia. Beginning with their attempt to disrupt U.S. nuclear testing in Amchitka, Alaska, the film follows their subsequent efforts to thwart commercial whaling in the Pacific, their anti-sealing campaign in Newfoundland, and their ongoing efforts to defend the natural world against what they perceive as excessive human intervention and abuse. How to Change the World is as much a poignant tale of inspired activism as it is an interesting study of the organization’s early tribulations: idealism vs. anarchy, social movement vs. organizational structure (or lack thereof) and leadership vs. disunity. The voice of co-founder Robert Hunter (de facto leader of Greenpeace from inception) is heard posthumously throughout via narrator Barry Pepper, and it adds an impassioned air of gravitas to the film, detailing the many complexities Greenpeace experienced over the course of its early years of growth and development. A compelling and educational viewing experience.
If you like any of the following: Irish accents, Woody Harrelson, Pulp Fiction, or dark comedy; then this is the movie for you. This mix of violence, mafia, existential talk, and painfully comical situations might not be for everyone, but it has every component to make its target audience very pleased. And given how chaotic and crazy it can get, it should be enjoyed one take at a time, focusing on each delightful scene rather than the overall plot. Directed by Martin McDonagh, Seven Psychopaths makes a perfect comeback after In Bruges, without veering very much from it (consequently if you like this movie make sure you check out In Bruges too).
The Grand Seduction, a remake of 2003 French-Canadian film La Grande Séduction (2003), is a lighthearted comedy about the residents of the small fishing village of Tickle Head, Newfoudland attempting to convince a young doctor to become its long-term caregiver in order to secure a contract for a new petrochemical facility. Desperate to guide the town out of its impoverished conditions and lack of employment opportunities, the citizens band together to pull ever bit out of deceit and chicanery out of their hats (in often laugh-out-loud fashion) in order to sway the young doctor Paul (Taylor Kitsch) into believing that Tickle Head is where he belongs. It’s a lighthearted and funny story, despite undeniably familiar shades of The Shipping News, Doc Hollywood and Funny Farm. Brendan Gleeson is particularly good as the new mayor of town and Paul’s head “seducer”. He gives the film that extra bit of humanity and wry humor that lifts it above the familiar plot points and into “notable recommendation” territory.
Stressed by adolescence, 16-year-old Craig Gilner checks himself into a mental-health clinic. Unfortunately, the youth wing is closed, so he must spend his mandated five-day stay with adults. One of them, Bobby, quickly becomes his mentor — and him his protege, while Craig finds himself drawn to a fellow teen, Noelle, who just may be the cure he needs to forget an unrequited crush. Starring Keir Gilchrist and Zack Galifianakis, It’s kind of a Funny Story is based on a novel of the same name.
A man accidentally gets into a time travel machine and travels one hour back in time. He finds himself stuck in a series of disasters of unforeseeable consequences, with unusual and thrilling moments at every corner. Similarly to Primer, this movie goes to prove that with intelligence and attention to detail, you don’t need a big budget to create an unforgettable story. Great acting, great story-line, and a great thriller.
Nebraska is a poem distilled into a film. Peter Travers from Rolling Stone says “is it a comedy or a drama? Both at the same time, as life itself.” Everything about it is perfect: the acting, the photography, the story. In case that’s not enough and you need to know the plot to get convinced, I’ll tell you that it’s a road movie about a senile old man and his son. If you still want more information, you can Google it, but come on! You’ll just be wasting time that would be better spent on watching this masterpiece.
An American romantic comedy, Beginners is told through a series of flashbacks telling the story of Oliver and his complicated and difficult relationship with his father. The film is gorgeously heartbreaking, demonstrating how hurtful we are to those we love, while showing the ties of mutual need that bind people. In the way it also takes on the process of finding one’s happiness, through the character’s eyes and his father’s, what that process has in common for both, and how one is inspired from the other. Beginners is lovely, funny, interesting, and above all very enjoyable.
On par with the best documentaries of the 21st Century thus far, “Requiem for the American Dream” is an essential viewing for the discerning viewer in search of a more complete understanding of how American society has evolved to such a dramatic point of polarization, and how both politics and big business have played a role in this process. In his introductory remarks to the film, celebrated intellectual and linguistics professor Noam Chomsky expounds: “Inequality has highly negative consequences on society as a whole, because the very fact of inequality has a corrosive, harmful effect on democracy.” Chomsky spells out his perspective regarding the modern political machine and the downfall of democracy, with a keen eye to the historical decisions and influences that have sabotaged the “common good” and shaped America’s current political, financial and social landscape.
Featuring a Pre-Bond Daniel Craig, Layer cake can be described as a mix between Lock Stock, Two Smoking Barrels and Scarface—a darkly funny and incredibly violent film. It features great acting from Craig and the rest of the cast, action that will keep you on the edge of your seat once it gets moving and a complex and deep theme that can make you reconsider your worldview. This is a true action movie for the thinking man (or woman).
An earnest, simple documentary with an equally as simple premise: four friends travel to Guatemala for 8 weeks and try to live on one dollar a day each. What starts as an experiment for them quickly becomes an illustration of levels of poverty some of us will luckily never experience. More than 1.1 billion people (almost four times the population of the U.S.) do live on less than one dollar a day, and this film is a journey into their world. Other than making you realize the luxury you live in, this film will leave you wanting to do more for your fellow humans.
Danny (Callum Turner) is a young man struggling to make ends meet in New York. His brother, spending the night in jail, urges him to take his place in a small heist. His job is simple : He would meet Ellie (Grace Van Patten), she would drive him to take a briefcase, and then to a train station where he would exchange the briefcase with a woman holding a green purse. You’ve probably guessed what might go wrong in a plan like this: another woman with another green purse. Danny makes the trade quickly and, being the nervous guy that he is, storms off only to find later that he had taken the wrong briefcase. This is how Danny and Ellie’s little adventure begins as they track down the woman with the green purse throughout New York.
Tramps is a simple romantic comedy filled with genuine charm that will make you fall in love with the characters, and maybe even the two first-time actors that portray them – as they slowly grow closer to each other. The lively soundtrack and engaging writing are all the more reason to watch this lovely little film.
The Centre Will Not Hold explores the life of the famous Joan Didion – professional observer and cultural spectator. The film gives only a small window into the complexity of her mind and the space in which she processes and understands the world, which stems from her capacity to sit above everything that is happening around her and just observe. From writing for Vogue, to war journalism, to her famous novels – from watching a child do acid, to reporting on the first gulf war – Didion is as prolific as she is insightful and majestic in her writing. Throughout the documentary she gives her first hand perspectives on love, relationships, motherhood, and grief – beautifully articulating it as “a place we do not know unless we’ve been there.” A beautiful woman, and an incredible film.
This movie is distilled horror. A teenager sleeps with her boyfriend for the first time, after which he tells her that he was the latest recipient of a curse that is transmitted through sexual contact. After she becomes completely paranoid without any manifestations, the curse manifests itself in assassins that kill their way to her. A genuinely creepy film that’s also very smart.
Blue Ruin is a superbly acted, visually striking drama about a man’s poignant and brutally violent journey for revenge when the culprit responsible for the murder of his father is released from prison. While it might seem like any other revenge tale, it is so well-told and smart that any other similarities with its crowded genre gently fade away.
The first 15-20 minutes are pretty slow, but the pay-off is hot fire.
Revealing the gaps in the social safety net, I, Daniel Blake, is a tale centered around a blue collar worker navigating the welfare system in England. At a time where class and social mobility could not be more politically salient, this film calls into question the notion of the “citizen” and exposes the inaccessibility to the social protections in which one presumes entitlement.
At the forefront of this, is a heart-warming parable of paternal companionship between Daniel (played by Dave Johns) and a single mother – Katie – (played by Hayley Squires) who is wading through similar terrain. The acting in the film is unfathomably raw which cultivates the deepest source of gut wrenching compassion. Ken Loach has created a film that exposes the true power of empathy, leaving you feeling helplessly human.
When asked to play Andy Kaufman, Jim Carrey decided that he would get into character and never get out, even when the camera was not rolling. This was extremely frustrating to everyone at first, especially the director, who had no way of communicating with Jim Carrey, only Andy Kaufman or Tony Clifton (an alter ego created by Andy Kaufman). At the same time, Carrey had allowed a camera crew to follow him in order to create a behind-the-scenes documentary. The footage was never released because Universal Studios expressed concerns that “people would think Jim Carrey is an asshole”. Jim & Andy is that footage being displayed for the first time since it was recorded 20 years ago, finding Carrey at a very unique point in his life. Sick of fame and almost sick of acting, he displays his true self – an unbelievably smart, fragile, and complex person. His commentary, when it’s not funny impressions, is extremely emotional and grounded – sometimes philosophical. This is one of the best documentaries that Netflix has ever bought the distribution rights for, and certainly a mind-blowing portrayal of a complex mind.
Twinsters is a documentary about a young Asian American actress, Samantha Futerman (also co-director), who is contacted over the internet by a young French-Asian woman, Anaïs Bordier, who has been shown a video of Samantha on the internet — and cannot believe their remarkably similar physical appearance. After initial perplexity and uncertainty, Samantha and Anaïs are soon embroiled in excited correspondence and travel to meet one another in their respective countries — eventually confirming via DNA testing that they are in fact long-lost twin sisters given up for adoption 25 years earlier in South Korea. A remarkable true story with a wonderfully beating heart, Twinsters does a lovely job of not just spelling out the amazing story of the sisters’ unlikely connection, but also finding and exploring the growing love and affection between both the two girls, as well as their extended families and groups of friends. A truly touching and humanistic film-viewing experience.
An insightful documentary that profiles several video game developers who have eschewed mainstream opportunities in order to pursue their dreams of self-employment and independent game production. The film follows four developers over the months, days and hours leading up to looming launch dates for their creations, and captures many of the difficulties and anxieties therein. It’s an incisive peek inside the minds and hearts of four incredibly talented individuals, providing a unique perspective on their creative processes as well as their individual motivations, vulnerabilities and aspirations. You don’t need to be a gamer or have ever purchased a game console in order to enjoy this one — it’s a far more universal depiction of hard work, resiliency and accomplishment that virtually any viewer is bound to appreciate.
Horror movies have always been creepier to me when they play on our fear of the “unknown” rather than gore. Under The Shadow does exactly that. The story is based around the relationship of a woman, Shideh, and her daughter, Dorsa, under the backdrop of the Iran-Iraq war. As widespread bombings shake the ground beneath their feet, the two grapple with a more insidious evil that is faceless and traceless, coming and going only with the wind. The movie’s dread-effect plays strongly on feelings of isolation and helplessness. The scares are slow and it’s obvious the director takes great care in making every single second count and in raising the unpredictableness of the action. Like the bombs, the audience never knows when or how the next apparition will materialize. The former is always on the edge of fear, wondering what is no doubt there, but is yet to be shown on the frame. In terms of significance, Under The Shadow features too many symbolisms to count and will most likely resonate with each person differently. But one thing remains relatively unarguable: this is a wonderful movie.
Last Days in Vietnam is a documentary that recounts the final weeks of the conflict in 1975, as North Vietnamese forces surged toward Saigon and U.S personnel anxiously awaited word of an evacuation plan. At the time, U.S. Ambassador Graham Martin was reluctant to accept defeat, and delayed a U.S. withdrawal in his (rapidly diminishing) hopes that a solution could be reached. Once the fall of Saigon became imminent, U.S. diplomatic, military and intelligence personnel were left piecing together a bare bones plan to escape via military helicopter support. The moral dilemma they soon faced was the harsh reality of leaving behind so many South Vietnamese citizens who had supported the American effort—many of whom faced likely imprisonment and/or death. Featuring remarkable footage and first-hand accounts from many involved, the film recounts those final days of chaos and confusion in stunningly dramatic fashion. Director Rory Kennedy has put together a gripping and emotionally compelling film that balances broad historical exposition with concise detail related to the evacuation complexities—all of it punctuated by remarkable examples of bravery and heroism.