40 Best Uplifting Movies on Netflix Right Now

A popular chef loses his job and respect after a bad review. He ends up with a food truck and tries to show the world he still has his creative side, while at the same time trying to fix his broken family. Chef is a heartwarming feel-good movie, after you finish it you will want to cook, love your family, travel, and spread the love. One of my favorite movies, I see myself happily watching it again numerous times.

In a global movie industry of children’s entertainment that often feels like it isn’t even trying, this little Peruvian bear coming to England is a wonderful reminder that films aimed at younger audiences aren’t inherently limited. If anything, Paddington challenges itself to come up with a far more creative (and effective) way to talk about the lingering scars of colonialism manifesting as discrimination in everyday “civil” society. It sounds like heavy stuff, but Paddington approaches its fish-out-of-water story with the exact counterbalance of silliness, and a riotous cast that’s far funnier than anyone would have expected them to be.

Doris Miller is an unassuming sixty-something office worker whose life takes an unusual turn after her mother passes away. We find out over the course of the film that Doris’ life was put on hold early when she had to give up her dreams and ambitions to take care of her mother. Something is awakened in Doris though when she falls head over heels for John, a much younger co-worker, and Doris dives head first into the world of social media, electro-pop, and Brooklyn hipsterdom. Sally Field is an absolute delight here — her Doris is sweet, lovable, and tragic in equal measures. And the chemistry between her and John is palpable; you can see why they eventually strike up a friendship. In many ways this is a late in life coming-of-age story, and while there are moments of uncomfortable humor, you will find yourself rooting for Doris to come out of her shell and embrace her new life to the fullest.

There’s a lot of good to be found in the charming, poignant, and endlessly quotable Marcel the Shell With Shoes On. It follows a documentarian named Dean, who has as his subject the one-inch talking shell that is Marcel. Marcel looks after an empty house along with his grandma Connie, and together they run a delightfully intricate system subsisting on electric mixers, tennis balls, and the occasional human hair.

Despite his small size, Marcel unwittingly makes big observations about life and the world around him, often moving Dean (and this writer) close to tears. It’s a simple film with a grand message, with lots to say about the importance of participating in life as opposed to merely observing it. But ultimately this is a movie with a precocious talking shell at the heart of it all, so really, what’s not to like?

Although Descendant is built around the finding of the Clotilda—the last ship to bring African slaves to the United States—this documentary knows that there’s so much more potent drama in the stories of the ordinary people of Africatown, Alabama. As this painful reminder of the roots of their community is salvaged from the water, their view of history itself begins to change. Now they face the responsibility of making sure that the Clotilda doesn’t just become a tourist attraction, and that their call for reparations unites the Mobile region of Alabama more than anything else. Its a gripping, complex documentary that feels like reading a great novel.

You don’t need to know a lot about baseball to appreciate The Saint of Second Chances. It has enough going on to keep you hooked from start to end, beginning with Jeff Daniels’ inimitable voice as the narrator and Charlie Day’s inspired casting as the younger Veeck, all the way down to the Veecks’ fascinating ties with American sports history and Mike’s inspiring and heartwarming second-chance philosophy. It all gets a bit too much at times, as if the filmmakers themselves were overwhelmed with their abundant material and creative decisions, but it’s executed with so much care and love that it seems as if this is the only way it could’ve come out: a wonderful mess. 

Given the title, it isn’t surprising that Falling in Love Like in Movies would be a metanarrative with the main romance mirroring the filmmaking and the filmmaking reflecting the main romance. It’s a familiar approach, and at first, Falling seems to follow the inevitable ending where the couple falls in love, but right on time, in around Sequence Four, writer-director Yandy Laurens chooses a more honest, less chosen path– a path that plenty of previous romance films hasn’t examined– that still falls within the eight sequence screenplay structure Bagus talks about. While Bagus is pitching his film to Hana, and to his producer, Jatuh Cinta Seperti di Film-Film pitches a new way of thinking about love, grief, and of course, filmmaking.

Man on Wire is a true technical masterpiece. You can almost feel the director telling the cameraman what angle to choose, or thinking about the questions that will generate the most resounding answers. However, this does not diminish the story this documentary tells one bit. It’s one that is glorious, riveting, and fun. It’s one where you feel like an insider to a world lived on and below wires, with high-stake risks. Hopefully the edge of your seat is comfortable, because this is where the movie will keep you till the very end.

This animated movie is absolutely wonderful. It’s an Irish production, and the drawings/graphics are so beautiful and different from what you usually see in this genre. This alone, along with the music, would be good reasons to watch this.

But what really makes this worth your time is the story – it’s about a boy dealing with the loss of his mother. He embarks on an adventure into a parallel world of feelings to save his sister.

I found it to be refreshingly original, sometimes quite intense (I cried, but I easily cry), and heartwarming. The details are great. And I love the way the story was interwoven with Irish mythology, making it magical.

This movie’s energy is completely intoxicating.

It’s the directorial debut of renown British/Nigerian actor Chiwetel Ejiofor, but it feels like the work of a veteran.

In a true story told in English and Chichewa (a language from Malawi), a young boy is expelled from school because his parents couldn’t afford tuition. At the same time, his village is struck by a variety of natural circumstances that bring them the threat of drought and famine.

The young boy sneaks into the library in the hopes of making a windmill and saving his village, and you can guess what follows from the title.

The triumph of engineering and a boy with a dream; mix in an incredibly interesting culture, full of unique family dynamics and a thought-provoking intersection between religion, tradition, and technology. The result is a delicate but uplifting movie, not to be missed.