2010 Movie
Dir. Gilles Paquet-Brenner · France · English, French
A journalist brings up the past in this absorbing, if uneven, novel adaptation
Most people can easily acknowledge the atrocities Nazi Germany did in World War II, but Germany didn’t do them alone. It is a world war, after all. Sarah’s Key confronts that painful past through a journalist investigating a possible Holocaust survivor. Admittedly, alternating between 2009 and 1942 made the film a bit uneven, with the well-researched past proving to be more compelling than the present. Still, the film adaptation of the powerful novel powerfully reckons with the way Vichy France was complicit in this terrible time. Sarah’s Key isn’t perfect, but it’s an important reminder to acknowledge the history that continues to shape us, especially when it’s something we would rather forget.
On the night of 16 July 1942, ten year old Sarah and her parents are being arrested and transported to the Velodrome d'Hiver in Paris where thousands of other jews are being sent to get deported. Sarah however managed to lock her little brother in a closet just before the police entered their apartment. Sixty years later, Julia Jarmond, an American journalist in Paris, gets the assignment to write an article about this raid, a black page in the history of France. She starts digging archives and through Sarah's file discovers a well kept secret about her own in-laws.

"Comprising prestige names and unknowns, the ensemble cast acquits itself well."
— Alissa Simon
While moving to an apartment in France, journalist Julia Jarmond discovers the story of Sarah Starzynski, a Jewish girl who locked her brother up in the same apartment to save him.
The 2009 storyline doesn’t really work for me as much as the 1942 storyline but Kristin Scott Thomas does well with what she has, delivering a powerful performance as her character goes through the investigation.
Hope we continue to remember our history. Hope we don’t repeat it again.

César Awards
1 nom
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