2024 Show
Lee Eung-bok · South Korea · Korean
Humanity turns monstrous in this post-apocalyptic horror series
While it had a tumultuous end, there was a reason why Sweet Home was the first Korean drama to reach Netflix’s Top 10 Shows in the USA. The most obvious reason was that the apocalyptic horror eerily echoed humanity’s concerns at the time. What people would have seen as derivative from other apocalyptic stories actually felt relatable in the wake of a viral pandemic. However, we think that Sweet Home might have worked even without this coincidence. Forgoing zombies for multiple creature types reflecting their previous human lives pushed them to create a set of interesting neighbors. As a result, the farther it went from Green Home, and the farther it went from the Webtoon, Sweet Home had more difficulties. Nonetheless, it still deserved its kudos for the characters it crafted so well.
As humans turn into savage monsters and the world plunges into terror, a handful of survivors fight for their lives — and to hold on to their humanity.
"A ruthless, ripped-from-the-headlines seafaring thriller with a vintage turn from Tom Hanks."
— Adam Woodward
As humans turn into savage monsters and the world plunges into terror, a handful of survivors fight for their lives — and to hold on to their humanity.
Isabella Endrinal is a curator at A Good Movie to Watch. She's now free from the corporate night shift. Previous articles have been published in outlets such as NANG Magazine. She's currently catching up on some classic films… if she isn't coping with the fact that the Haikyu anime will end soon.
"[W]e're carried along not just by the momentum of events, but by the precision with which they're depicted."
— Jonathan Romney