This six-episode whodunit isn’t breaking any new ground, but it’s entertaining and engaging, especially with the rebellious Lidia Poët (Matilda De Angelis) as the lead. She’s smart and determined but not wholly immune to weaknesses—a sort of Enola Holmes for the more mature crowd. Her story is also a timeless reminder of the uphill battle women have fought (and are continuing to fight) for visibility and equality.
The familiar setup might also work for classic mystery fans. It’s a treat to dive into each episode knowing a new case is to be solved and a new lesson to be learned. The ending might be predictable at times, but this is one of those shows where the journey matters more than the destination. Italy in the early 20th century was a surprisingly restrictive and patriarchal society, making Lidia’s successes all the more noteworthy and resonant.
In late 19th-century Turin, the young Lidia Poët, fights against everything and everyone to get what is rightfully hers: to be enrolled in the official register of lawyers. A profession, at the time, reserved exclusively for men. Nevertheless, nothing could stop her dream of becoming the first female lawyer in Italy.
