When something like a World War happens, the generation that grew up at the time inevitably would be changed, and this change sticks to that generation, even if the ones that follow don’t immediately understand. The Last Suit is centered on this idea, but it does so through a relatively lighthearted and humorous way, as Abraham Bursztein goes on a cross-continental trip to see a childhood friend from the war, and meet people with different perspectives along the trip. With at least six different languages, two different timelines, and a compelling protagonist, The Last Suit is a new take on the Holocaust that might be a tad too sentimental for some viewers, but is a poignant reminder of the history that still haunts the world today.
"[A] touching, albeit occasionally heavy-handed, drama..."
— Alissa Simon
Cranky, crafty and always immaculately dressed, aged master tailor Abraham Bursztein finds himself facing his winter years in a retirement home after discovering his children have sold his home out from under him. Not one to go quietly, Abraham unexpectedly travels to Poland in order to deliver a suit to a childhood friend who saved his life during the Nazi occupation.
After his children sold his house, 88-year-old Jewish tailor Abraham Bursztein travels to Poland to deliver a suit for the childhood friend that saved him during the Nazi occupation.
With the protagonist being a tailor, it was slightly expected that his suit would be great, and the film delivered. I need to hear what Derek Guy has to say about this suit.
It’s sweet and straightforward, but somehow it’s a new perspective on the Holocaust that’s rare to see on film.
