What’s Love Got to Do with It

Pick #1,393

What’s Love Got to Do with It

Dir. Brian Gibson · United States of America · English

Controversial for its graphic depictions of abuse, this Tina Turner biopic still finds soul in its powerful performances

6.9 Our score

1993 Movie Drama, History, Music

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Our take

With other available resources that tell a more well-balanced story of Tina Turner’s life (notably, the 2021 documentary Tina), What’s Love Got to Do with It shouldn’t, by any means, be used seen as the definitive portrait of the American-Swiss singer. Still, while this 1993 biopic, insists on depicting violence instead of dissecting it, there’s something to be said about how uncompromisingly it shows us what an abusive relationship can look like. As a plea to see beyond the public personas of celebrities, the film makes for an effective statement—especially because of a truly despicable turn from Laurence Fishburne, and the power that steadily builds within Angela Bassett.

What it won

Awards

Other

1 nom

Nominated

The story

What happens

Singer Tina Turner rises to stardom while mustering the courage to break free from her abusive husband Ike.

Elsewhere

What the critics said

Notable Critics

"Fishburne's astonishing portrayal of Ike is what holds the movie together. The actor builds, in precise increments, a devastating portrait of a macho control freak; he even finds a kind of ghastly humor in the character's madness."

— Terrence Rafferty

"A passionate personal and professional drama that hits both the high and low notes of an extraordinary career."

— Variety Staff

The details

About this pick

Year
1993
Type
Movie
Director
Brian Gibson
Cast
Angela Bassett, Jenifer Lewis, Laurence Fishburne, Vanessa Bell Calloway
Language
English
Country
United States of America

Streaming arrival

  • Philo
  • Tubi
  • Peacock
  • Starz
  • Hulu
  • Fubo
  • Pluto TV
  • The Roku Channel

Who picked it

About the author

Emil Hofileña

Emil Hofileña

Emil Hofileña is a curator at A Good Movie to Watch. He also writes as a theater critic, with work published in Rogue and Out of Print, among others. He’s probably crying over a movie or an episode as we speak.

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