Who’s Afraid of Virginia Woolf? 1966

Based on a stage play of the same name, Who’s Afraid of Virginia Woolf? is a masterful example of how vital blocking is in movies. The film takes place in a few locations–a New England home, the yard, and a roadhouse a few miles away–and is shot in simple black and white. There are only four characters here. And yet, the film feels dynamic, volcanic even–every scene erupts with so much anger, passion, love, and frustration. The characters move about like they’re in a highly charged dance, and each of their lines feels like a dagger straight to the heart. You could easily see how this worked as a play, but Mike Nichols (The Graduate, Charlie Wilson’s War) translates it smartly into film. The camera is as restless as the characters, and each frame is a thoughtful decision of what to show and what not to show, betraying their actual ignorance despite their academia. Who’s Afraid of Virginia Woolf? remains a classic for a reason: it set the standard for a lot of dialogue-heavy, raw-honest films these days, but it’s also simply a riot to watch.