The 50 Best Indie Dramas of All Time

First shown in 2021 Madrid International Film Festival, Support Group Olympus made its US debut early 2023 through Prime Video. Given the wacky premise, it was easy to assume that the film would be humorous, and there are moments when its dry humor shines. However, the film takes a more contemplative approach, as the unchanging gods refuse to change, though they crave the status and power they used to have. This slow-paced approach feels appropriate, and had the film’s internal logic worked, the film could have contemplated the changes that happened not just to the gods, but to human livelihood as well. It’s definitely a unique story that needed more work on its execution.

With inconsistent pacing and a deeply unpleasant protagonist, it’s hard to recommend The Seeding to every viewer. It’s really slow-paced, deeply uncomfortable, and it starts with, of all things, a baby eating a finger. But there’s an interesting style to this arthouse horror, a marriage of desert survival thriller and folk horror that restricts all possible modes of escape through its claustrophobic canyon. As Wyndham gradually discovers a secret community driven back to primitive instincts, director Barnaby Clay inverts the idea of what it means to be one’s fundamental self. Most viewers might not appreciate the story, and the ideas aren’t as cohesive as it could be, but horror fans looking for something new in the genre might find The Seeding fairly interesting.

With the success of Killers of the Flower Moon, there’s a renewed interest in authentic and respectful depictions of Native American stories. Low budget supernatural horror might not be the best approach, considering its history of stereotyping, but The Windigo is a fairly sincere stab at reframing the genre. The wicked looking, titular creature pulls together plenty of the issues Native Americans currently face, such as forgotten culture, violence, and institutional negligence, but the film also surprisingly delves into past collective trauma some of these communities have experienced. The Windigo plays out the way you would expect a creature feature to be, but the film could have been so much more with better execution.

Horror doesn’t have the best track record with homosexuality, as anything considered as the other are often alluded to in making its monsters, but in Ganymede, the script is flipped– Lee’s love for Kyle is portrayed in the most peaceful and calming of ways, while the harshly spat homophobic beliefs Lee’s dad beats into his family manifests into grotesque demons. It’s a novel idea, one that smartly suggests that forcing yourself in the closet forms a hell of one’s own making, but the way the film is executed gives Ganymede an uneven tone, especially since co-directors Colby Holt and Sam Probst don’t seem to know what to do with the film’s horror elements.

Frankly, In the Morning of La Petite Mort is not as provocative nor as erotic as implied by the title. Sure, there are sex scenes, with plenty of nude shots. But these scenes come about silently, nearly without dialogue, with a lack of passion in between most of the lovers, a lack of connectedness. It’s no less visceral, though, as it mirrors the same disconnection the characters feel, being at the margins of Taipei. While it’s sometimes muddled with certain subplots, the haunting, strikingly-shot images stirs some compassion, especially with the cast’s performances, but the indirect approach makes the film feel unclear and sometimes unrealistic.

When you know that you’re dying, it’s quite lucky to be stuck in a time loop, which is what happens to Zoya Lowe in the science fiction drama Omni Loop. It plays out in a familiar way, where going through the loop means having multiple tries to figure out how to end the loop, and learning the lesson the loop has to offer, but unlike other time loop stories, the lead purposely triggers the time loop, in order to stave off death. It’s an interesting addition, one that makes a well-worn, but understandable conclusion to let go and move on, but Omni Loop struggles to balance the comedy and the drama, muddling the film’s tone and being tame for a film primarily concerned about mortality.

Lovers share moments and memories intertwined with music, to the point that when the relationship ends, listening to an old track brings back the past. For Harriet in The Greatest Hits, this is literal, to the point that random music playing outside prolongs her grief. The story is familiar– it’s sort of similar to 2022’s Press Play– and frankly, the cinematography relies a bit too much on lens flares, but the cast makes the best of it, with Lucy Boynton having compelling chemistry with both Justin H. Min and David Corenswet. That being said, the film has a dated feel, with most of the tracks coming from the previous decade, and the conclusion it makes would feel totally insulting if they wrote Harriet’s relationship with Max in depth. But it’s still a fairly decent launching point for the cast and maybe a decent ad for silent disco spots and Spotify.

This movie depicts such an understated, beautiful love story. The cinematography around Cairo also made it beautiful to look at. It fully swept me away. Juliette (wonderfully played by Patricia Clarkson) travels to Cairo to meet her husband when she learns that he is blocked in Gaza and can’t meet her. Instead, he sends his friend Tareq to keep her company. As Juliette falls in love with the city, she also finds herself falling for Tareq, and him for her. A slow, composed and mature movie, Cairo Time is a love tribute to the city of Cairo and a celebration of great performances.

Even after browsing through the entire AGMTW this is still my favorite movie. It is the first movie that I watched where I felt so pulled in to an incredibly real, heartbreaking family drama. Not only is the movie beautifully shot, but the acting is terrific, tight and sharp. Contrary to her nice girl image, Anne Hathaway demonstrates serious acting chops and a hell of a dark side in this film. With a deep sense of legitimacy and honesty, this film will completely take you in.

There are some actors you feel you see a lot of until a role comes by that makes you think they are actually underused. That’s Ellen Page’s role as Tallulah, a young girl with seemingly little regard for anyone but herself. Travelling the country while living in a van with her boyfriend; with no one to turn to or any idea how to manage such a situation, she comes across a toddler abandoned by her mother. Inevitably, she takes her in. Page, who is also the executive producer of the film, shines through the character oriented script and direction by first-timer Sian Heder. A beautiful movie.

Stories like Il Mare and Your Name/Kimi no Na Wa work because, unlike other romances, the conflict is understandably difficult. After all, how the heck can anyone fight against time and space? Love You Long Time takes a stab at the unique time-bending premise, with one main difference: the movie’s main lovers can talk to each other directly through an old pair of two-way radios. There’s no need for the two to depend on physical letters or texts. This difference is interesting – immediately, it allows Director JP Habac to play with cinematography, editing, and acting, to make us fall in love with the couple. Split between 2018 and 2022, the film makes meaningful points about the past and present, the years lost to the pandemic, and separation. However, without spoiling anything, the film’s third-act plot twists don’t land as well as they could have. Having them back to back made the plot nearly incomprehensible, and sadly, doesn’t resolve the conflict driving the film.

This is not what you are looking for if you are not into slow movies. It ambles along like the East-Texas drawls that populate it, taking its sweet time and letting the story gradually roll out. This true-story-based film is driven by a strong and witty performance from Jack Black –just not the Jack Black you know. A different kind of movie, Bernie is an entertaining mix of true crime and comedy.

The Dirties is a Canadian drama that portrays the hot-button issue of high-school bullying and retaliation with a sensitive and realistic touch. When two bullied students start filming a “comedy” dramatizing their ideas for revenge, it becomes clear that there are darker issues and hidden violence beneath the surface. Filmed with only light scripting and often with a hidden camera, it achieves a naturalistic portrayal of high school students without any big name child stars.

In the same festival where she showcased her screenwriting chops, Rachel Sennott also showcased her dramatic side in I Used to Be Funny, a difficult drama that garnered less acclaim than Bottoms (2023). It’s understandable– while both films have a witty, gen-Z slant in its comedy, this drama is much harder to balance and heavy to watch, dealing with mental health and PTSD. The non-linear narrative occasionally does make the film feel a tad disjointed as well. However, there’s a care and a warmth from Ally Pankiw’s direction that makes this exploration of Sam’s complex trauma feel heartfelt, and Sennott holds each scene with compelling charisma.

While morbidly titled, there’s an unexpected playfulness to Sometimes I Think About Dying that makes a fairly mundane office relationship into a charming romance. Writer-director Rachel Lambert and lead Daisy Ridley capture Fran’s introversion in inventive ways, with score and image to make her daydreams of death more surreal than morbid, with quiet wistfulness of someone that hasn’t quite figured out how to create casual connection. Some viewers might not jive with the way the film focuses more on visual ideas rather than plot, but Sometimes I Think About Dying sweetly depicts social awkwardness and the alluring curiosity a crush can sometimes create.

Bree (Felicity Huffman) is an uptight transwoman who gets a phone call from her long lost son who is in trouble. She does not tell him she is his father but bails him out of jail and they end up on a long road trip to LA. Bree’s high strung conservative personality intersecting with a wild young man and people they meet along the way leads to some comical situations. Felicity Huffman’s performance is excellent. It is enjoyable to watch the characters develop over the film.

A bully (Josh Peck) is lured into a plot of revenge. The bullied victim (Rory Culkin), his brother and their friends then see the bully’s human side, and learn that revenge often comes with a greater price than imagined. Talented teen actors give fantastic performances in this absorbing and impactful coming-of-age tale, with a real moral compass and ability to demonstrate multi-sided characters.

I watch many movies and the great majority of them leave little impression on me. They are fun and entertaining, but quickly forgettable. Not Disconnect, though. This is a powerful and provocative film that not only keeps you pinned to your seat but also makes you think about the consequences of your actions. It should certainly be a required viewing not only for young people but also for any one who uses social media or communicates via the Internet. Disconnect is a timely, well-written, well-acted, and well-paced movie that stays with you long after you finish watching it. I was also pleased by the fact that the director and writer did not take the easy way out. No glib, predictable solutions here, which is one reason why the film’s events linger in your mind.

Set during the swingin’ seventies, two small town Connecticut families are the subject of this visually stunning and somewhat disturbing drama. With an all-star cast that includes Sigourney Weaver as Janey Carver, an unsatisfied housewife and mother of two and Elijah Wood as her eldest son, there’s plenty of star power and drama. In addition, director Ang Lee brings his signature sense of trial and unease while unleashing a quirky and pointed 70’s aesthetic.

With an ensemble cast featuring a young Natalie Portman and a less murderous Uma Thurman, Ted Demme’s “Beautiful Girls” recreates the worries and woes that thrive in the minds of a tight knit group of working class friends stuck in their own small town Massachusetts world. Warm, quirky and filled with champagne diamonds, both metaphorical and tangible, for anybody who’s ever walked the thirty something walk, it’s a film that’ll make you want to remember all the friends you wish you still had and actually still do.

Renton (McGregor), a Scottish twenty-something junkie, must choose to clean up and get out, or continue following the allure of the drugs and the influence of friends. Find out if he chooses life in this brutal yet entertaining Danny Boyle masterpiece. While definitely not for the faint of heart, Trainspotting still manages to be funny at times, and provides an overall very entertaining experience.

Waking Life is composed exclusively of a series of conversations involving the main character, with him sometimes participating and sometimes just as a spectator. The discussions revolve around issues such as metaphysics, free will, social philosophy or the meaning of life. The title refers to a quote from Jorge Santayana: “sanity is a madness put to good uses; waking life is a dream controlled.”, and the whole movie wanders around the state of a lucid dream, emphasized by the rotoscoping technique in which it was filmed. Waking Life is not just a movie worth watching, it is a movie worth watching a thousand times, because you will always notice something that you have previously missed out.

You know Anthony Hopkins as the evil Hannibal Lecter, but in this film he gives a warm and heartfelt performance portraying real life New Zealand motorcycle legend Burt Munro who set a land speed record in 1967 on a hand-built 1920 Indian. It’s a story of never giving up on your dream even in the face of ridicule and opposition. Hopkins’ performance turns what could have been just another schmaltzy formulaic story line into true gold. You’ll be cheering for Burt/Anthony by the end!

A group of male friends become obsessed with a group of mysterious sisters who are sheltered by their strict, religious parents after one of them commits suicide. Sofia Coppola does a great job taking the novel and turning it into a full featured movie. The movie is admittedly a bit slow, but it paints such a great picture into the characters lives and everyone around them, that your attention will quickly be turned to that. The casting is spot on and even though it may seem like a very dark subject matter, the film is very enjoyable to watch no matter your taste in movies.

Shot as a single day, it tells the story of college professor George (Colin Firth) who, unable to cope with the death of his partner months prior, resolves to commit suicide. The movie is not all dark, however, there are moving, deeply human encounters as George moves through his last day. Fashion designer Tom Ford’s directorial debut and set in 1960s Los Angeles, it speaks powerfully of the colour-stripping effects of grief and loneliness. Fantastic performance also by Julianne Moore as Charley, an equally lonely and desperate character, but with a markedly different story. A Single Man is a gorgeous film in every sense of the word.

Electrick Children is the debut film for director Rebecca Thomas and one of the most unique and visually stunning films I’ve seen in a while. This gem is about a teenager born and raised in a religious community who believes she has been impregnated with the son of God from a cassette tape she listened to. She decides to run away to neighboring Las Vegas in search of the real father, “the man who sings on the cassette tape.” Heavy stuff, man. Electrick Children is one of those films you see once and it stays with you. It deals with teenagers so delicately and accurately, depicting the butterflies, the excitement, the romance, the heartbreak, the trials and tribulations of this age and beyond. Its cinematography is hypnotizing and its soundtrack is divine (listen to Top of the Hill by Conduits on repeat and it’ll start to have an impact on your life.) Its plot is completely fresh and is able to grab and keep your attention from the first second until the very end. Watching this film made me want to go back in time and fall in love all over again. It made me feel lusty and gave me butterflies and made my heart flutter unlike any other film I’ve seen. You can’t pass this one up.

Not enough movies tell the stories of the down-on-luck, kind of uncool wolf-pack that still goes out into town with their wallets on chains hanging from their pockets and try their luck with the ladies. Mike, heart-broken actor-comedian pines over his ex long after she’s been gone, while his guys – Trent, Rob and Sue – try to help him get back in the game in a series of nights club-hopping and wingman-ing. You find yourself empathizing with Mike almost immediately if you’ve ever had a broken heart and root for him throughout his highs and fairly embarrassing lows. Sprinkled with clever references and subtle, refreshing humor, Mike’s journey to find closure is more than likely to warm your heart.

As a bonus, the flawed yet endearing gang of twenty-something struggling actors will take you to that charming 90’s nightlife in Los Angeles (with music to die for, by the way) and remind you that boys will be boys and that they’re just doing their best helping each other and themselves to keep it together with lots of “You’re so money, and you don’t even know it!”.

I was pleasantly surprised at how much I liked this film. I’ll be honest and say I did not really expect much given that it starred Jesse McCartney in the title role. Nevertheless, he managed to really surprise me. McCartney and Harnois have excellent chemistry as Keith and Natalie and you find yourself rooting for them to end up together. The film does a great job at building up their relationship and emotional connection, and it will definitely succeed in pulling at your heartstrings. If you enjoy films in the vein of A Walk to Remember, you should check this one out!

Nine years after his out-of-nowhere, mind-bending premier Primer, writer/producer/director/ star Shane Carruth returns with this exponentially more challenging feature—a neo sci-fi/drama/romance/thriller quite nearly impossible to describe effectively in words. Ostensibly focused upon a woman who has been drugged, brainwashed and robbed and is subsequently drawn to an unknown man who has experienced a similar theft, Carruth draws out the drama in a fractured narrative that challenges the viewer to piece together the dream-like story fragments and implications like a complicated puzzle. Certainly not “audience friendly” in any sort of traditional sense, I love how Carruth paints such an elaborate, intelligent tale in such a remarkably original manner. If this is the future of film, I’m definitely on board.

A late quartet is about a string quartet’s struggle to stay together, after illness, egos and infatuation get in the way. With powerful performances from Philip Seymour-Hoffman and Christopher Walken, this movie is very captivating and examines well the kind of dynamics that can take place in a group of people who have known each other for a lifetime.

Robert Duvall…Bill Murray…need I say more? This popped up in my Netflix feed as a suggestion. Almost skipped over it, but my husband and I were up late and took a chance. WHOA! The acting is superb and what we thought would be a movie about revenge is unexpectedly about redemption. Robert Duvall is a hermit, looking forward to death. Bill Murray is a funeral home director looking for someone to bury. It’s subtle, very subtle, comical and heartbreaking. Y’all will love it.

A true story based film about three girls whose lives become a tragedy shaped by the Rabbit-proof fence, which runs along Australia splitting it to two parts. These girls, daughters of an aboriginal mother and a white father who worked on building the fence and then moved on, get taken from their mother to a so-called re-education camp. This is the story of their escape to find the fence and then their mother, a journey of 1500 miles that they can only do on foot. Tragic, yes, but this is an honest film that sends clear messages without any excessive emotional dwelling.

Robyn Davidson decided to cross 1,700 miles in the Australian desert with four camels and her trusty dog, and this film recounts her real-life journey. In many ways this is a companion piece to Reese Witherspoon’s Wild, also released in theaters in 2014. While I enjoyed Wild, it went out of its way to make the protagonist’s journey understood to audiences. Tracks gives Robyn some light shading and backstory, but unlike Wild it almost focuses solely on her journey across the desert. And what a desert it is! The scenery is shot beautifully and we feel as though we are truly on this daring journey with her, traveling alien landscapes with little to depend on beyond our animal companions and our wits. We know the outcome (since this is a true story) but we are still thrilled to see how it unfolds. What does it all mean, and what was the journey’s purpose? Thankfully, in the end, the answer is left as enigmatic as the heroine herself.

City Island is a lighthearted comedy/drama about the Rizzo family, residents of the titular fishing community in The Bronx, New York. Andy Garcia plays the patriarch of the family who works as a corrections officer, and who decides one day to bring home a young ex-con named Tony under somewhat mysterious circumstances. Tony soon becomes entwined in the dysfunctional household as he develops varying relationships with each family member, even as each of them lives their own secret life apart from the rest. This secrecy drives much of the plot, as their personal mysteries play out in an unexpected and often amusing ways. It’s a lively slice-of-life full of boisterous characters, comedic misunderstandings and ultimately a warm embrace of family unity.

The Sessions is drama about Mark O’Brien (John Hawkes), a quadriplegic who is forced to live in an iron lung due to complications from childhood Polio. A poet by trade, Mark longs to experience the touch of a woman, and despite his condition, to ultimately lose his virginity at the age of 38. After consultation with his parish priest (William H. Macy), Mark begins to see a professional sex surrogate (Helen Hunt), who slowly opens his mind and his body to the pleasures of sexuality. A very frank depiction of sex and sensuality, The Sessions is unflinching yet utterly tender storytelling. Hawkes and Hunt are both wonderfully real and honest in their performances. It’s the type of film that will surprise you by the ending at how much it has moved you.

A beautiful and subtle masterpiece exploring the life of Alike, a teen in Brooklyn navigating her identity as a gay black girl. Caught between the traditional world of her family and the butch and sexual world of her friend who has already come out, director Dee Rees allows the audience to see the trials and tribulations of Alike’s attempts to be comfortable and sure of herself.  It’s a moving and raw coming-of-age story with many characters in the film being quite lovable and relatable making it easy for the viewer to become attached.

Joy Division, formerly known as Warsaw, was a brilliant rock group that served its time and something that has lived through decades with the help of their songs, love for fans, and legendary performances – unfortunately for his band-mates and singer Ian Curtis, this picture-perfect scenery was cut short. Control is an exploration of his personal and professional musings, adding to the woes of his romantic troubles and inner desire to somehow break free from his deteriorating health.
Thoroughly processed in black and white, this enthralling biopic starring the brooding, and then-relatively unknown Sam Riley is all parts gut-wrenching and borderline extraordinary.

Based on a play and taking place in the span of one afternoon, It’s Only the End of the World is about a successful writer returning to his hometown in rural Canada baring life-altering news. But before he can share anything, he is faced with the remnants of his life prior to moving out and his family members’ eccentric, but relatable, personalities. This is a movie by one of the most interesting directors working today, Canadian Xavier Dolan. Contrary to his plot-heavy Mommy (which earned him the Cannes Jury Prize at 25 years old), in It’s Only the End of the World the story unfolds in a far more important way. It’s an exploration of dynamics: between brother and sister, between son and mother, between brothers, etc. Don’t go into it expecting things to happen, or waiting for what will happen in the end. Instead, the purpose of this film can be found in how Xavier Dolan handles his usual themes of family through big talent: Mario Cotillard, Vincent Cassel, and Léa Seydoux among many others.

This is a complex yet wonderful sci-fi about a skeptical biologist who is fascinated by the human eye and its uniqueness. The cast is wonderfully chosen and the dialogues are impressive. But what really sets it apart is the underlying romance that it features. I would strongly recommend this film to those who enjoy intriguing debates between science and religion, and in equal measure not recommend it to anyone who wouldn’t be open to skepticism towards both religion or science.

A beautiful coming-of-age story that is mixed with one of the best depictions of a mother character in movie history both make Lady Bird an absolutely exquisite film. Its slice-of-life story taps into the universal issues, dreams, and frustrations that almost every small-town kid has faced; and it manages to do all of this without feeling forced or cliché. This is because of the attention and care that were given to it but also because of how tightly it’s based on the life of its writer / director Greta Gerwig. A wonderful movie.

One of the most memorable entries to the 2015 Sundance Film Festival, The Diary of a Teenage Girl caused considerable controversy for its story about a love affair between a 15-year-old wannabe cartoonist, Minnie (Bel Powley), and her mother’s boyfriend (Alexander Skarsgård). With the narrative never straying from Minnie’s point of view, the film deals with the usual problems of adolescence against the backdrop of 1976 San Fransisco. Taking a fresh perspective that is rare for American cinema, this dramatic comedy portrays adolescent sexuality as something movingly unremarkable.

Beautifully staged, vibrantly colored, and powerfully acted, Brother is an instant classic of a film. It tracks three timelines: Francis and Michael’s childhood, their coming of age in high school, and the present day, where we learn that Francis has long been dead, although we don’t find out how till much later in the movie. The suspense hangs in the air, but the build-up to the reveal is just as tense and filled with moments that are alternately lovely and heartbreaking. Largely, the film is about the immigrant experience and Blackhood, about how those unique experiences intertwine to define a person’s life, and so there is anger, resistance, and meaningful commentary to be found here. But Brother is also deeply intimate. As Francis and Michael come of age, they long for role models and true love, and through those ups and downs, they always come back to one another, each one the other’s best friend. Brother tackles heavy themes, but it never veers into melodramatic territory. Instead, it’s a strong, self-assured piece of work that will only find more love and acclaim in the future. 

As Nicole Holofcener’s directorial debut, Walking and Talking stands out not only for its honest dialogue and wonderful performance from the young Catherine Keener, but also for its portrayal of female friendship in a genre which too often portrays mindless cliches. The movie focuses on two best friends as one of them gets engaged and the other fears their friendship is getting lost in the middle of the excitement around her friend’s marriage. Catherine Keener does a brilliant job as the likable but depressed friend and Anne Heche does an equally as good job playing her sympathetic half. A great movie if you’re in the mood for something sweet, honest and sometimes sad.

Though it starts off somewhat slow, I was delightfully surprised at how much I loved this movie. A 28-year-old man ventures through Europe with a buddy, ending in Copenhagen, where he hopes to contact the last of his family. There he enlists a local girl to help him. An interesting relationship unfolds as they take a captivating journey through Copenhagen in search of William’s grandfather. The tag line of the movie is “When the girl of your dreams is half your age, it’s time to grow up” and William really does have to grow up when he’s faced with his own personal tumult.
The girl is played by Frederikke Dahl Hansen, who gives an exceptional natural performance, which adds even more to the abundance of charm in this film.

When a playboy is handed a child from a past fling he moves from Mexico to America to try and find the mother. Once in America he finds himself deep into the role of a father with his transition being one of those sweet moments you never see coming. The whole movie has that tone, of growth, dad-daughter love, charm, and drama to varying extents. The chemistry between the two actors who play father and daughter is beautiful, and adds the last touch to make Instructions Not Included a heartwarming, sweet, and very enjoyable movie.

I loved this movie. It starts a bit weird but gets so good. In a parallel world where human frequencies determine luck, love, and destiny, Zak, a young college student, must overcome science in order to love Marie, who emits a different frequency than his own. In an attempt to make their love a reality, Zak experiments on the laws of nature, putting in danger the cosmic equilibrium of fate and everything he holds dear. This unique and experimental drama blends science fiction and romance to create a futuristic tale where love, science, and fate collide.

In this raw, psychedelic drama, an American drug dealer living in Tokyo with his sister is killed at a night club. His spirit continues to float above the city and past, present, and future are woven together to complete the tale of his life. Taking a page from the Tibetan book of the dead, the film aims to explore one answer to life’s most epic question: What happens when we die? Definitely not for the faint of heart, there is drug use, gore, and challenging themes throughout the movie. Its unique cinematography also captures Tokyo quite well.

Tsotsi, a delinquent from Johannesburg, South Africa, realizes after shooting a woman and stealing her car, that her baby is on the back seat. A movie with very few words but which manages to be extremely touching. As you witness the transformation of Tsotsi, through his increasing affection for the baby, you will be astonished by the amazing actor, who manages to communicate so many feelings through his sight. This film won the 2006 Academy Award for Best Foreign Language Film.

Picked by Roger Ebert as the fifth best film of the decade. An observant, tender film about the little details in loneliness and then in relationships as we move through life. It’s funny, at times darkly so, and features a great performance by John Hawkes as Richard, an eccentric shoe salesman dealing with an ended marriage trying to turn his life around. He meets another eccentric character, Christine, played by the writer/director of the movie Miranda July. It’s a quirky film that wants you to relate to it, and the moment you do, gives you scenes that you might just remember forever.

Madeleine (Embeth Davidtz) runs a high-brow art gallery in Chicago and has to take a trip to North Carolina to meet with an artist she wants to sign. She uses this opportunity to also meet her husband’s family, who is originally from there.

She is introduced into the small world of rural North Carolina, personified in Ashley (Amy Adams), the wife of her husband’s brother. Ashley is a wide-eyed but good-hearted person who has never left her town and who is in a bad relationship but pregnant with her first child. 

Ashley is the true main character of this movie (even if all Adams accolades were for ‘best supporting’ awards). Her joyfulness, her pregnancy, and her interactions with Madeliene are studied closely in this subtle but touching family drama.