Anora (2024) | agoodmovietowatch
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Anora 2024

An exciting and heartbreaking fairy tale with a modern, class-centric twist

Our Take (by Renee Cuisia)

One thing about director Sean Baker’s movies is that everything is rooted in class. Anora might charm as a romance, delight as a comedy, and dazzle as a realistic look into sex work, but at the end of the day, it’s a movie about labor, specifically exploitation labor, making the movie as painfully realistic as it is hopelessly romantic. It’s like the anti-Pretty Woman in that way. There’s no doubt it will have the same cultural impact (it’s already starting heated discourses on the internet) and will be remembered for just as long. The heated performances, breathtaking cinematography, and subtly hilarious script are all bonuses to this gem of a film.

Notable Critics

"Baker shoots and choreographs like a punk Cassavetes, toying with dynamics, colours and textures while always creating chunky knots of overlapping dialogue in a bid to heighten tensions to breaking point and beyond."

— David Jenkins

"By turns swoony, funny, panicky and sad, this is the director’s most vivid creation yet."

— Jessica Kiang

Synopsis

A young sex worker from Brooklyn gets her chance at a Cinderella story when she meets and impulsively marries the son of an oligarch. Once the news reaches Russia, her fairytale is threatened as his parents set out to get the marriage annulled.

More about it

What happens

Ani (Mikey Madison), a sex worker, agrees to marry Ivan (Mark Eidelstein), an ultra-wealthy heir to a Russian oligarchy. But when Ivan’s parents find out about the marriage, they send bodyguards to undo their union.

What sets it apart

Baker always goes above and beyond when it comes to casting, making sure to honor authenticity over everything else. But here, he hit the jackpot. I can’t imagine the film working the way it does and having the same intoxicating effect with different actors.

TL;DR

Right after it ended, I had an overwhelming urge to watch it all over again (and again and again).

Awards

Oscars

5 wins, 1 nomination

Won: Best ActressWon: Best DirectorWon: Best EditingWon: Best Original ScreenplayWon: Best PictureNominated: Best Supporting Actor

Cannes

1 win

Won: Palme d'Or

Golden Globes

5 nominations

Nominated: Best DirectorNominated: Best Motion Picture: Musical or ComedyNominated: Best Performance by a Female Actor in a Motion Picture – Musical or ComedyNominated: Best Performance by an Actor in a Supporting Role in any Motion PictureNominated: Best Screenplay

BAFTA

2 wins, 5 nominations

Won: Best CastingWon: Best Leading ActressNominated: Best DirectorNominated: Best EditingNominated: Best FilmNominated: Best ScreenplayNominated: Best Supporting Actor

SAG Awards

3 nominations

Nominated: Outstanding Performance by a Cast in a Motion PictureNominated: Outstanding Performance by a Female Actor in a Leading RoleNominated: Outstanding Performance by a Male Actor in a Supporting Role

Spirit Awards

3 wins, 1 nomination

Won: Best DirectorWon: Best FeatureWon: Best Lead PerformanceNominated: Best Supporting Performance

WGA

1 win

Won: Original Screenplay

Nat. Board of Review

2 wins

Won: Breakthrough PerformanceWon: Top Films

NYFCC

1 win

Won: Best Screenplay

LAFCA

3 wins, 2 nominations

Won: Best Lead PerformanceWon: Best PictureWon: Best Supporting PerformanceNominated: Best DirectorNominated: Best Screenplay

César Awards

1 nomination

Nominated: Best Foreign Film

Comments

  1. it’s a meh. probably the best given the selection of films that year but you had “an overwhelming urge to watch it all over again (and again and again).” lol don’t you have taste?

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About the author

Renee Cuisia

Renee Cuisia

Renee Cuisia is the lead curator at A Good Movie to Watch. In her spare time, she likes to watch K-dramas and analyze them to death. She's also seen You've Got Mail one too many times but is still convinced it's one of the greatest films out there.