Contributions by: Emil Hofileña on Youtube (Page 2)

A truly bizarre comedy that shoots far beyond the boundaries of what should probably be considered good taste, The Twentieth Century stands as one of the strangest movies ever made based on a historical figure. Adapted from the real Mackenzie King’s (Canada’s longest-serving prime minister) diaries, the film replaces any traces of reality with psychological […]

Joel Coen’s minimalist vision of the Scottish play emphasizes that these monstrous acts of hubris and violence are carried out not because of madness or magical prophecy, but out of the rational yet selfish decisions made by grown adults. It’s a distinctly character-focused interpretation of Shakespeare that should be insightful for students and fans alike, […]

Despite being based on a 19th-century serial novel, Lost Illusions feels remarkably close to contemporary concerns about fake news and the devaluing of art for profit. But as the story is also, obviously, set in the 19th century, all this bribery and these backdoor dealings are done entirely through the written word and by sending […]

Shot on a hand-cranked silent camera with all the sound and dialogue added in during post, Bait immediately stands out as a film that appears lost in time. With the visual texture and slightly displaced audio of an independent film made during Hollywood’s infancy, the movie manages to convey its character and class conflicts with […]

The sooner you accept that Bottoms is not, in fact, rooted in reality in any way, the easier it should become to get on its wavelength for its uniquely absurd brand of comedy. This is ostensibly a satire, though it isn’t totally clear what exactly the film is trying to comment on. And its loosely […]

For better or worse, The Reason I Jump isn’t a documentary made for autistic viewers but for a neurotypical audience that may not be very knowledgeable about autism. This means the film doesn’t really offer anything new to the conversation, and it misses the opportunity to truly let its main characters express themselves in their […]

Despite the fact that this isn’t the light fantasy romcom it seems to present itself as at the onset, Paging Mr. Darcy nevertheless becomes a breezy, likable little TV movie because it allows its main characters to be adult human beings. The story is still mostly fluff that ends far too abruptly, but for the […]

Similar in spirit and in subject matter to the Oscar-winning documentary 20 Feet from Stardom, The Wrecking Crew pulls back the curtain on the recording of many of the greatest American songs of the 1960s and ’70s: that a single group of unassuming session musicians were responsible for bringing out the sound in these tracks. […]

Hallmark is the last place you’d expect to find a low-budget movie that decries excessive automation and advocates for local businesses, but for some reason this is the setting against which Love & Jane’s story is told. And the movie doesn’t come across as insincere either, as it uses a familiar romcom template to actually […]

As exciting as it sounds to have a real person transported into a fictional story, An American an Austen really doesn’t do much with its protagonist’s foreknowledge of the plot, nor is it particularly clear about the rules or consequences of Harriet’s situation, if any. This means that much of the film consists of watching […]

There isn’t a single moment of unnecessarily exaggerated emotion or comedy in this French-Danish animated film, which may keep its world very small compared to its peers, but it portrays everything with arguably more depth and beauty. Long Way North moves with a stately pace, giving it more dramatic heft and allowing us to take […]

Even if Crimes of Fashion: Killer Clutch faithfully sticks to the general template of a mystery film, that doesn’t guarantee its quality. It may have structure and suspects and motive but it doesn’t inject its own color into the expected story beats. Maybe it’s a consequence of the film being made for a network that […]

Filled with dense conversations about classical music and cryptic suggestions of a guilty conscience, Tár makes for a challenging watch that rewards patient viewing. The film is ultimately a study of power in an industry built on preserving centuries-old traditions—which makes the character of Lydia Tár, as a queer woman and as a proud, egotistical […]

The atmosphere communicated within the title Hurricane Season comes off incredibly clearly on screen: this is a film that just feels humid and full of foreboding for a coming storm, with people feeling all manner of guilt while secluded in their own homes. Cinematographer María Secco’s gorgeous colors and brown tones fill the 4:3 aspect […]

There is a world where all of Little Wing’s ideas make thematic sense, as a story about a young woman reeling from the difficulty of her home life. But as it is now, the film just isn’t tightly woven enough, with various characters and subplots making little effect on the whole and major conflicts barely […]

It’s not that being similar to another, successful, animated franchise is a bad thing, but The Tiger’s Apprentice hurries to practically every plot point without properly establishing its setting, its characters, or their relationships. It all means well, and once you get used to its lower production values, it becomes clear that the film has […]

Painfully intimate and told with very, very little dialogue, All Dirt Roads Taste of Salt resembles the experience of flipping through a photo book and pausing to admire every page. Which is to say that this is a film that requires not only one’s complete attention but—like many other arthouse dramas—a willingness to sit with […]

It’s admirable how A Taste of Love keeps to the gentle pace of a slice-of-life story instead of blowing things up with unnecessary drama, but it’s ultimately just too thinly drawn for any of its moments to become charming in their simplicity. There’s nothing particularly wrong with any of its plot threads—emotionally they’re all pretty […]

Written like a stage play, directed like the viewer is a fly on the wall, and shot with a love for deep shadows and warm candlelight, Flowers of Shanghai is about as immersive a chamber drama as one could ask for. Having most of the “action” take place off screen, director Hou Hsiao-hsien draws our […]

Even those who aren’t baseball aficionados should find something interesting and human in this straightforward, brainy documentary Fastball looks at the titular type of pitch not just from a place of scientific curiosity but as a symbolic goal that players all over the world chase after. Through many clear-eyed discussions and testimonials, we begin to […]

Hallmark movies aren’t automatically bad if they’re cheesy and on the cheaper side; there are ways to make these characteristics work, of course. But these qualities definitely don’t help if the story they’re telling is uninteresting and if the actors in front of the camera couldn’t be compelled to deliver convincing emotions if their lives […]

As a sluggishly paced, three-hour spiritual drama with little dialogue and even less plot, Inside the Yellow Cocoon Shell certainly won’t convert anybody who isn’t already interested in slow cinema. Even those who don’t mind these types of films in which “nothing happens” might feel that it doesn’t weave its themes of faith and suffering […]

Composed of archival footage of the titular musical legend and testimonials from those who worked with him or whose lives were profoundly impacted by his courage, Little Richard: I Am Everything feels comprehensive but is also oddly lacking. The documentary makes a bold, confident claim: that all popular music today can be directly traced to […]

Taking place entirely on beachside farmlands in Denmark, Land of Mine takes a particularly intimate—and visually distinct—approach to war. The fighting may be over, but the film remains a tense and emotionally distressing, with all the pain and violence being carried over onto these German boys being forced to clear the beaches of live explosives […]

Filmed with a perfect blend of realism and embellished style, Fresh is a coming-of-age story set in the poverty of the New York City projects, wherein the protagonist “grows up” only by learning to become dangerous and losing his sense of self. There’s no satisfaction in watching 12-year-old Michael (or “Fresh,” as he’s called) use […]

Though it borrows from some of the oldest genre tropes—stoic but kind-hearted hero finding a heart in a community that needs his help—Jigen Daisuke still manages to carve out a visual identity that has one foot rooted in its Lupin III manga origins, and another in noir fiction. The world of the film is beautifully […]

Those looking for a nature documentary or cultural deep dive into the ways that sharks really behave and have been perceived throughout human history are likely to be disappointed by this. Sharksploitation only occasionally takes a greater interest in the actual animals that have become staple movie monsters since 1975’s Jaws—which makes all of the […]

Already featuring some of the desperation and melancholy that would go on to characterize most of his work, Paul Thomas Anderson’s Hard Eight manages to draw palpable suspense and drama out of, essentially, three characters and a couple of seedy locations. We learn perhaps too little about these characters and why this veteran gambler is […]

Though it’ll likely have more to offer for those who enjoyed the original Nickelodeon series that ran from 2014 to 2018, The Thundermans Return still does mournfully little with its feature length. There are some promising ideas here relating to what one’s responsibility should be as members of a family, but any heart in the […]

Although this adaptation of the 1960s TV show feels like four episodes of material crammed into a feature runtime, Shin Ultraman really does squeeze as much as it can out of every scene, sometimes to the point of exhaustion. Not only are the action scenes as ridiculous as they should be—still imitating the clunkiness and […]

To be fair to this visibly low-budget adaptation of H. G. Wells’ seminal science-fiction novel, it doesn’t always settle for the cheap way out. Though it still leaves much to be desired in its visual effects, awkward action scenes, and generally unimaginative direction, Fear the Invisible Man makes a valiant effort to deepen its story […]

Filmmaking is a difficult thing. And there are countless filmmakers—the directors of this film included—who have strong ideas and just need the right time and support to have their vision realized. But there’s no other way around it: Colonials was not ready to leave the pre-production phase, much less ready to be released on streaming. […]

There’s a way to get tragedy right, in a way that keeps the drama engaging even as bad things continue to happen. The Damned Don’t Cry gets its approach half-right, with the lead performances by Aïcha Tebbae and Abdellah El Hajjouji remaining sturdy all throughout, and never slipping into easy histrionics. But as the cycle […]

This is a textbook example of a film with all the right ingredients and the right attitude, but ultimately no game plan for what to do with its material. The first half of Love in Taipei does a good job of setting an inviting tone: a confident cast, attractive locations and production design, and dynamic […]

Trying to make a mostly two-hander drama with one primary location is much harder than it looks, and What If unfortunately doesn’t succeed in taking on the challenge. It has a list of relationship issues that it wants to address (which, to be fair, come off as plausible sources of tension once they’re finally brought […]

As a story, Bruiser isn’t the most tightly written thing in the world, with a somewhat long-winded first half and a conclusion that feels too easy given the complicated things we learn about each character. But at its core, it remains impressively perceptive about how men perform their masculinity as a game of aggression and […]

Despite a solid premise that should lead to compelling drama—about men scarred by war and the morally grey inner workings of the police—Confidential Informant devolves into a half-baked thriller that’s as dull as its title. Flat direction, a lack of connective tissue between scenes, and an unfortunately visible lack of production resources suck the life […]

You can tell that Blaze director Del Kathryn Barton is an award-winning visual artist first and foremost. The images that she puts together in this film are frequently stunning—making use of the camera in fascinating, freeing ways, and with lots of practical and computer-generated/animated effects that paint her young protagonist Blaze’s world in glitter and […]