60 Best Coming-of-Age Shows to Watch Right Now

Compared to all the meaty and daring shows coming out right now, Primo is relatively lighthearted fare. Its easygoing, PG humor hews closer to network rather than cable television, but the series isn’t without its merits. 

Primo is candid and charming as it tackles the realities of school, family, and work. It takes a somewhat progressive approach as it centers on a Latino family, occasionally and importantly bringing up issues of class and race, but it also feels comfortingly familiar. It follows the classic sitcom formula of everyone getting along before the credits roll all while adding its own modern and multicultural twist to it. 

If you ever longed for an old-school sitcom that keeps up with the times, then this just might be what you’re looking for. 

Simple yet captivating, Skip and Loafer is a slice-of-life anime with a refreshing approach to the high school experience. While the anime genre is mostly known for its bright, high-saturated colors and action-filled, fantastical plots, this show celebrates the ordinary, with its pastel toned design, sweet humor, and clean animation. The series is centered around the main duo Mitsumi and Sosuke, but it never skimps on their friendships with their group. In fact, despite the classmates’ different backgrounds, the show’s thoughtful introductions make it easy to see why they would all care for each other, even as we get to know their insecurities. Skip and Loafer feels like a hug from the childhood best friend you had (or the one that you wished you had) – the one who you hung out with after school, the one who inspired you, and the one that changed your life for the better. Every episode is just full of pure, simple joy.

Most people wouldn’t think that math is a transferable skill to the culinary arts, and in reality, it probably is. Fermat’s Cuisine disputes that, as Gaku Kitada makes the unique career shift from becoming a mathematician to becoming the head chef of the restaurant. While most people (ourselves included) won’t really understand what kind of calculations he makes in order to succeed, it’s easy to sympathize with Gaku’s troubles as he tries to make a new start. It’s also an intriguing mystery to try and figure out what happened between this start and his later success. Choosing a career path, finding a good mentor, and trying to learn something new are things everyone goes through. Fermat’s Cuisine confidently suggests math is the answer.

With a ludicrous amount of cash, and one of the perpetrators escaping into a luxurious European life posted on Facebook, it’s no wonder Netflix decided to create Baby Bandito. The source material practically writes itself, and it’s easy to fictionalize some details for added drama. The show does this, turning the original robber into a well-meaning skateboarder Kevin Tapia that steals the plans of a mob in order to escape his rough neighborhood, but some of the characterization falters, specifically when it involves his girlfriend Génesis. There are moments it goes into generic territory, but the series is certainly well-shot, full of charm, and daring in the way it focuses more on the consequences rather than the heist itself.

Children’s television isn’t likely going to be controversial, daring, or particularly groundbreaking, but certain shows acknowledge that they can impact the way their audience views the world. Luz: The Light of the Heart has a familiar Disney-esque plot of a child going on an adventure to learn more about her roots, but through that basic formula, the first Brazilian Netflix kid series takes the opportunity to respectfully portray the indigenous Kaingang community in their plot, who takes care of and is more knowledgeable about the natural land, and whose teachings may be acknowledged if Luz, potential land heiress, manages to find out the truth. There are some of the standard childish shenanigans, like privileged boarding school drama that occurs when Luz enters the school, but overall, Luz: The Light of the Heart isn’t a bad choice if you’re looking for something to watch with children.

White creators handling African stories rarely turn out well, so thankfully, Disney decided to collaborate with pan-African Kugali Studio for their newest series Iwájú. This collaboration, instead of working alone, proves to be fruitful, as Iwájú dreams up of a futuristic world that is distinctly Nigerian, that still captures the real inequalities but also unique art styles and some genuine heart through its relatable characters. The series still does go through its recycled formula, with the familiar precocious pre-teen protagonist and their cute animal sidekick, but to Disney’s credit, it’s great to see them collaborate with, rather than shut down, smaller international studios, even ones that once wanted to “kick Disney’s arse” (Kugali’s words, not mine).

When teens are superheroes, it can be tough to balance the regular teen drama along with saving the city (or maybe the world), but it’s a fairly common premise for a teen show. Miraculous: Tales of Ladybug & Cat Noir may take some familiar super teen tropes, like the secret identities, awesome suit-up moments, and cool powers, but unlike most shows, the enemies they fight are teens just like them, trying to deal with regular teen problems… except they’ve been given power and bad influence from Hawk Moth, an overdramatic supervillain that somehow keeps up-to-date to the latest drama in Marinette and Adrien’s Parisian high school. Playing with new powers and switching up the tropes, Miraculous is a fun gem of a kid’s show, one that pays genuine attention to kid’s issues, even if they solve it with the most ludicrous of powers and catchiest of songs.

Genderbending isn’t a completely foreign trope for Western audiences, but it’s rare to see the shenanigans that happen in Ranma ½, which takes a genderbending water curse to form a complicated web of relationships, that starts out as a casual romance comedy (albeit with plenty of kicks) and eventually evolves into a ridiculous fighting fantasy adventure. It’s rather revolutionary for its time, in part due to Ranma’s queer gender, but also due to its precursor of the harem trope, as well as its then-new take on the tsundere in Ranma’s intended fiancée Akane Tendo. Ranma ½ is eccentric, but the chaotic comedy is also so entertaining to watch.

While Western viewers are more acquainted with gay representation in Western media, Asia also has its fair share of gay portrayals in the Asian BL and Japanese yaoi genres. While mistakenly viewed by some as explicit, there are some BL titles that are more on the sweet side, and I Cannot Reach You is one of them. The show might go through the typical childhood best friends to lovers plotline, in overly soft lighting and too many flashbacks, but the cheesy approach can come across as charming to romance fans, as Yamato and Kakeru go through the classic coming-of-age moments other straight teen romances have. The romance isn’t particularly deep, but viewers wanting something easy and lighthearted to explore the genre might appreciate this live action adaptation of the widely popular BL manga.

Understandably, people get nervous when delinquent boys team up into groups and start beating the hell out of people, but in WIND BREAKER, masculine strength isn’t used for aggression– instead, the boys of Furin High use their fighting skills and penchant for violence into protecting the town. Of course, with this premise, there’s fun fight sequences and all the youthful misdemeanors that kids probably should not do in their real lives, but at the heart of all the action is the question as to how boys can positively grow into the strength they are granted. It also never forgets to show the goofy, endearing side that’s often forgotten and rarely encouraged when talking about young men of today.