It’s hard to pin point exactly what makes this movie so good. It’s an all-around “movie” movie. I think it can be called a buddy comedy because it is about two best friends who are also movers. It’s about their day-to-day, their families and their relationships. They’re both from the underclass of Oakland, and one of them is black, the other is white. And that’s where it stops being a comedy and becomes a more hard-hitting film. It illustrates gentrification better than any other movie I’ve ever seen. It has relevant and striking commentary on the main characters’ race, upbringing, and identity. But at the end of the day, it has a great plot, and for the most part it’s an easy-flowing movie. It’s half entertainment, half social commentary, and both parts are equally well-done. It’s like movie unicorn, and it’s perfection. One of the two friends is played by Daveed Diggs, who you might know from Hamilton.
"Like all great movies, Blindspotting is a force to be reckoned with and wrestled with. No matter where you land in your assessment, your expectations are guaranteed to be shattered."
— Odie Henderson
Collin must make it through his final three days of probation for a chance at a new beginning. He and his troublemaking childhood best friend, Miles, work as movers, and when Collin witnesses a police shooting, the two men’s friendship is tested as they grapple with identity and their changed realities in the rapidly-gentrifying neighborhood they grew up in.
DGA
1 nomination
Spirit Awards
1 nomination
Sundance
1 nomination
