It’s always refreshing to see people in esteemed positions let their guard down, not to mention smoke a vape or gossip feverishly, as we mere mortals do. But Conclave is more than just a candid look at what goes down in a process as elaborate as a papal election. It’s a portrait of man’s innate thirst for power. And since it has more to do with humanity than divinity, it’s also rightfully silly. Cardinals are scrambling for votes and fighting over politics. They can be peaceful and reasonable, but they can also be petty and spiteful, just like any person pressured to vote for their future (or just like any person, period). Conclave is far from perfect—its intentions are murky at times and the visuals, though beautiful, are oddly sparse—but it works because no one in the film, not even the protagonist, is infallible. It’s a welcome reminder of our limitations, regardless of faith.
After the unexpected death of the Pope, Cardinal Lawrence is tasked with managing the covert and ancient ritual of electing a new one. Sequestered in the Vatican with the Catholic Church’s most powerful leaders until the process is complete, Lawrence finds himself at the center of a conspiracy that could lead to its downfall.
As cardinals convene to elect the new Roman Catholic Pope, tensions rise when the competition gets fierce.
I read someone say that this was like an episode of RuPaul's Drag Race: Untucked, and I haven’t seen it as anything else since.
Priests, they’re just like us!

Oscars
1 win, 7 nominations

Golden Globes
6 nominations

BAFTA
4 wins, 8 nominations

SAG Awards
1 win, 1 nomination

DGA
1 nomination

Nat. Board of Review
2 wins

European Film Awards
1 nomination