Our take
This Mexican movie set between Queens, New York, and Monterrey, Mexico is a stunning and profound work of art.
Ulises is the leader of a street dancing group that loves Cumbia, an Afro-Colombian style of music. Dancing is an alternative to being sucked in into gang life, which Ulises and his bandmates have ties to.
Ulises is good, and his town starts noticing. But just when his community is flourishing and his dancing is becoming famous, a wrong-time/wrong-place situation has a gang force him to leave everything behind and immigrate to the U.S. He suddenly finds himself lonely and living a life of undocumented existence.
But that is not the progression of I’m no Longer Here, which intertwines scenes of Ulises thriving in Monterrey and alone in New York. The difference is stark and depressing, but the camerawork and great performances are a constant source of cinematic brilliance.
The story
In Monterrey, Mexico, a young street gang spends their days dancing to slowed-down cumbia and attending parties. After a mix-up with a local cartel, their leader is forced to migrate to the U.S. but quickly longs to return home.
Elsewhere
"Frías de la Parra proves himself a gifted visual storyteller, but he's also not one to handhold us through a narrative."
— Bilge Ebiri
"So gorgeously shot and offers such a rich sense of place that it's always visually compelling, even when the narrative tends to sag a bit."
— Christy Lemire
The details
Who picked it
The Staff is the editorial team at A Good Movie to Watch, contributing reviews, recommendations, and streaming guides across film and television. Based in Las Vegas, Nevada, we track over 100 streaming services in the US. Founded in 2014 by Bilal Zouheir, the team is built around human curation rather than algorithmic recommendations.
