In the Gloaming

In the Gloaming has the expected constraints of a made-for-TV movie. It is set in only a handful of places, features even fewer characters, and utilizes that all-too-familiar cheesy soundtrack present in (I swear) every family drama produced in the ‘90s. That said, In the Gloaming feels more like a precious indie than a cheap TV movie. Mostly, it has the leading performances of Glenn Close and Robert Sean Leonard to thank for that. The two don’t have the big performances you’d expect from a film about AIDS, but their simple and subtle approach works even better than that. First-time director Christopher Reeve (yes, Superman) does well to stay on Close’s face for a few beats longer to show how much pain and doubt she’s hiding beneath her facade of calm. I only wish the film could’ve tied its many loose ends and that we got to know more about Leondard’s character—really know him, beyond his being gay. This would’ve made the film stronger, though it is already a moving watch.

Danny, dying of AIDS, returns home for his last months. Always close to his mother, they share moments of openness that tend to shut out Danny's father and his sister.