Many films have been made about that uniquely taut mother-daughter bond, but maybe none is as delicate as Janet Planet. The film, written and directed by playwright and first-time filmmaker Annie Baker, explores that relationship in a way that may jar viewers, initially. The pauses are heavy and long as Baker lingers on mood, expressions, and the tiniest of details, like a flicker of light or a sudden movement. There are more scenes without dialogue than with it. The plot is also nonexistent as it simply follows Lacy and Janet for the whole summer, and a little during the fall. But that’s not the point. The point is that we can feel that palpable love-hate tension between mother and daughter, and relate to it too. You only need to know where to look.
"Annie Baker’s first feature conceals its depth of experience under a narrow array of details."
— Richard Brody
"This is not just one of the great films of its year, but one of the finest first films in the annals of the medium."
— Charles Bramesco
In rural Western Massachusetts, 11-year-old Lacy spends the summer of 1991 at home, enthralled by her own imagination and the attention of her mother, Janet. As the months pass, three visitors enter their orbit, all captivated by Janet.
In 1991, Massachusetts, 11-year-old Lacy (Zoe Ziegler) drops out of camp to spend more time with her mother, Janet (Julianne Nicholson), who’s also going through a coming-of-age of her own.
I love the sunlit colors of the film.
It’s slow and mostly silent, but if you don’t mind, then you’re in for a treat.
Berlin
1 nomination
Spirit Awards
3 nominations
NYFCC
1 win
