This startling debut from Chinese director Bi Gan is a mesmerizing synthesis of cinema and poetry. A man searching for his nephew goes on a journey that blurs the boundaries between time and space, and dreams and reality. All this is expressed through gorgeous and understated camerawork reminiscent of Apichatpong Weerasethakul’s languorous lens. However, Bi Gan’s style is all his own, including spectacular long takes whose sophistication and complexity only become apparent once they are done.
Kaili Blues’ hypnotic aesthetics are like a mud bath for you to soak and luxuriate in. There are no easy answers for putting together its past/present/future puzzle-box, and it’s best to leave the deconstructions for later viewings as repeated trips to Bi Gan’s dreamy recreation of his hometown will reveal even more.
"A doctor travels to his hometown to rescue his nephew, in the process confronting his traumatic past, in Chinese director Bi Gan's aesthetically remarkable debut."
— Nick Schager
Chen Sheng goes off in search of his nephew who has been abandoned by his father. Along the way, he encounters numerous people from his past and also those from his future.
"Yet the voice resonating behind these familiar motifs is one of such dazzling originality, it's hard to emerge from this waking dream of a film without feeling the shock of the new."
— Andrew Chan