In this romance from 1997, a photographer and a poet meet in an upscale nightclub in Chicago.
They quickly get together and connect on music, poetry, and photography, but Nina, the photographer, decides to go to New York to mend her relationship with her ex-fiance.
It’s so well-acted, funny, and because it’s been enough time that this has become noticeable, a great depiction of big-city life in the 90s. There is smoking inside, riding a motorcycle without helmets, and top-notch fashion.
The producers said they wanted to make “a contemporary film about African-American life that did not deal with guns and drugs,” and probably because they didn’t make compromises, the film was a commercial failure. In recent years, however, it has been quietly growing into a cult classic.