Man with a Movie Camera (1929) | agoodmovietowatch
Man with a Movie Camera 8.0 1929 Movie

Man with a Movie Camera

Dir. Dziga Vertov · Soviet Union · No language

The pioneering experimental collage of everyday scenes that formed film language as we know it

Our take by Isabella Endrinal

With no dialogue, no intertitles, no hired cast, and barely a semblance of a plot, The Man with a Movie Camera doesn’t seem like the kind of film that today’s viewers would seem to enjoy. The film even warns you beforehand that it doesn’t have these things. But as the theater opens, the seats unfold, and the light bursts through the silver film, filmmaker Dziga Vertov presents a vision of the cinematic landscape that was to come, completely crafting a story of a cameraman’s day purely through the use of cinematography and editing alone. Essentially, it’s crafting these two elements completely from scratch, creating a whole body of signs and symbols (and a whole industry) that eventually formed the language of film as we know it today.

What happens

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

What the critics said

Notable Critics

"Fascinating enough as a social document, but genuinely thrilling in how its multifarious technical trickery whips up an ecstatically cinematic delirium."

— Trevor Johnston

More about it

What happens

While travelling through the cities of Moscow, Kiev, and Odessa, a cameraman documents and puts together snippets of daily life in this pioneering experimental film.

What sets it apart

The shots of ordinary people. Literature and theater were more likely to celebrate extraordinary events, places, and people, and it’s because of this that what we remember from history are mostly the rich and privileged. But this film recorded life, capturing the shift in the way we started to perceive and remember the world.

TL;DR

RIP Dziga Vertov, you would have enjoyed the day in the life videos that influencers love to make.

Awards

Berlin

1 nom

Nominated: Official Selection

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About the author

Isabella Endrinal

Isabella Endrinal

Isabella Endrinal is a curator at A Good Movie to Watch. She's now free from the corporate night shift. Previous articles have been published in outlets such as NANG Magazine. She's currently catching up on some classic films… if she isn't coping with the fact that the Haikyu anime will end soon.