Miracle in Milan (1951) | agoodmovietowatch
Back
Movie

Miracle in Milan 1951

A surprisingly hopeful, but no less compassionate, fantastic follow-up to Bicycle Thieves

Our Take (by Isabella Endrinal)

Best known for Italian neorealist classic Bicycle Thieves, Vittorio De Sica followed it up with a surprisingly hopeful fantasy comedy in Miracle in Milan. It’s very charming. It’s much more cheerful than his previous work, with fairytale-like happening and wishes coming true by angels. It’s also pretty funny to see the landlords and police fall flat in the face of magic. But underneath the town’s endearing optimism is a sadness that understands the magic’s improbability, a melancholy that playfully laughs at life’s sorrows with compassion reminiscent of Charlie Chaplin. Miracle in Milan might be happier than Bicycle Thieves, sure, but it’s no less powerful in depicting the common man.

Notable Critics

"This satire on the cravings of rich and poor alike is also a cry of despair; De Sica's celestial visions suggest that nothing short of a miracle will save those in need."

— Richard Brody

"This beautiful and moving film may seem to some the most impressive thing de Sica has yet done; at any rate it is a further stage in the development of one of the cinema’s most outstanding artists."

— Sight & Sound Staff

Synopsis

Once upon a time a wise and kind old woman discovers a baby in her cabbage patch. She brings up the child and, when she dies, the boy, Totò, enters an orphanage. Totò leaves the orphanage a happy young man, and looks for work in post-war Milan. He ends up with the homeless and organizes them to build a shanty town in a vacant lot. But when greedy developers threaten the community’s land, Totò will need all the help he can get in order to find an impossible way out.

More about it

What happens

After being discovered in an old woman’s cabbage patch, Totò grows up to be a happy young man, looking for work in post-war Milan. His happiness inspires his fellow homeless people to build their own shanty town in a vacant lot. However, greedy developers threaten to take over their land for profit.

What sets it apart

Vittorio De Sica is best known for his neorealist style, so when a whole town flies away on broomsticks, the story automatically stands out in his filmography.

TL;DR

Oh, if only we can find the cabbage field orphan that would grant wishes to our town.

Awards

Other

1 nomination

Nominated

Comments

Add your review

Your email address will not be published.*

About the author

Isabella Endrinal

Isabella Endrinal

Isabella Endrinal is a curator at A Good Movie to Watch. She's now free from the corporate night shift. Previous articles have been published in outlets such as NANG Magazine. She's currently catching up on some classic films… if she isn't coping with the fact that the Haikyu anime will end soon.