A hilarious and smart comedy that is almost impossible to hate. It doesn’t matter if you liked The Room or not; or if you’ve even heard of it, you will find The Disaster Artist extremely enjoyable. Same applies for James Franco, it’s irrelevant if you think he’s the hottest man walking or a complete waste of screen-time - this movie is better approached without any preconceived ideas. It follows the true events surrounding Tommy Wiseau’s making of The Room, a movie so bad it actually became a worldwide hit. Tommy’s character, played by Franco, is 100% mystery. He pops out of nowhere and does and says things that contain little to no logic. Capitalizing on this, the movie is both absolutely hilarious and intriguing from beginning to end.
It's often said that trying to make a comedy movie featuring a character with cancer is just a bad idea. And while there may be a good share of failed attempts in that category, 50/50 is not one of them. In a movie that comes closer to a believable real life situation than most, 50/50 manages to mine humor, pathos and simple honesty from a dark and traditional situation. Starring Seth Rogan and Joseph Gordon-Levitt, this film isn't afraid to 'go there' but you'll enjoy the journey.
Charlotte Rampling and Tom Courtenay both won Berlinale Best Actress and Best Actor for this movie. They play a couple who are only a few days away from their 45th marriage anniversary when they learn that the remains of the husband’s first lover have been found. He then starts obsessing about his previous relationship, to the extent that when the day of the anniversary comes, there might not be a marriage left to celebrate. This is a very ‘adult’ movie – it’s quiet, sometimes slow, very well-executed, and overall a fascinating look at marriage.
The Reader is a German-American drama from 2008, based on the best-selling novel by author Bernhard Schlink. The storyline begins with adult Michael (Ralph Fiennes) reminiscing about his adolescence in post-World War II Berlin and his fateful relationship with an older woman named Hannah (Kate Winslet). 15-year old Michael is beset by Scarlet Fever and helped off the street one day by Hannah. Taken into her care, they soon begin a passionate affair, quickly forsaking family and friends for every opportunity to ensconce themselves in a world of lust and desire. As their time together progresses, Hannah begins urging Michael to read to her daily—to which he draws from many classic novels and delights in their rich interchange. Hannah suddenly disappears from Michael’s life, however, only reappearing several years later when young law student Michael is stunned to find her facing a World War II war-crimes tribunal. Tied to a real-life series of trials against former Auschwitz employees, The Reader is a strikingly original and exceptionally well-made film that is recommended to those who appreciate sophisticated, emotionally mannered cinema.
Twisted yet deep. Sad yet interesting. Slow yet exhilarating. A Ghost Story is an incredible artistic achievement. With hardly any dialog, and breathtakingly long takes in its first half, it manages to bring you in its own creepy world and not let go until you feel completely lonely. Starring Rooney Mara and Casey Affleck as a loving couple who are hit with a horrible tragedy, the beginning is slow, and it's not a plot driven movie, but if you give it a chance it will blow your mind.
The Fountain is a highly compelling science-fiction/fantasy film told in three interwoven parts related to the mythical concept of the Tree of Life. Hugh Jackman and Rachel Weisz star in a triad of roles that alternate along the film’s narrative: 1) an ancient conquistador assigned by the Queen of Spain to locate the legendary tree within the jungles of South American, 2) a modern medical doctor desperately striving to find a cure for his wife’s terminal brain cancer, and 3) a futuristic space traveler transporting the sacred tree across the cosmos with spectral images of his wife as his companion. In this, his 3rd feature feature-length film, writer/director Darren Aronofsky has crafted a strikingly ambitious depiction of the search for, manifestation of and preservation of the oft-fabled key to eternity. It’s highly philosophical and at times strikingly abstract visual storytelling, aided immeasurably by Jackman’s and Weisz’s heartfelt, aggrieved performances. The passion and the earnestness they deliver helps to buoy a complicated plot that isn’t always entirely cohesive, but comes together as a wonderfully compelling amalgamation of sights and sounds bound to inspire the viewer. Kudos to Aronofsky for eschewing simple fantasy in lieu of something so dynamic, original and emotionally commanding.
Watching Carol is like reading a really interesting book while relaxing on a Sunday afternoon. It is one of those movies that you probably heard about during its Oscar run, and have since delayed actually viewing it. Well now that it is on Netflix and other streaming services you have no excuse! It’s refreshingly unique, incredibly charming, and features a kind of story that hasn’t been told very often – a love story between two women. Both characters played by Cate Blanchett and Rooney Mara attempt to live true to their own principles while facing unjust yet severe backlash from society. If you are open to it, the love story in this will stay with you forever.
Lion is the award-sweeping movie based on the true story of a kid in India who gets lost in a train and suddenly finds himself thousands of kilometers away from home. 25 years later, after being adopted by an Australian couple, he embarks on a journey through his memory and across continents to reconnect with his lost family. Dev Patel plays Saroo, and Nicole Kidman plays his Australian adoptive mother. Two truly amazing performances that will transport you to the time and place of the events, as well as its emotions spanning tear-jerking moments and pure joy. An uplifting, meaningful, and beautiful movie.
This is the type of famous movie that doesn't feel like one. So if you haven't yet seen it, avoid watching the trailer. Kate (Emily Blunt) is an FBI agent who is enlisted to aid in the war on drugs at the Mexican border. She is introduced to Alejandro (Benicio del Toro), a quiet and secretive agent working on the Mexican side. The reason you shouldn't watch the trailer is that Sicario is much more than just another crime action movie, which its marketing will lead you to believe. It's gorgeously made, with scenes that will catch your breath starting from the color composition to the amazing performances by Blunt and Del Toro. It's intense, intelligent and very realistic in its approach to action sequences. Directed by Denis Villeneuve (Prisoners, Incendies, etc.)
This is right up your alley if you have a thing for gangster films. Actually, if you have a thing for stupendous acting and just Robert de Niro in general, then A Bronx Tale might do the job for you. The 1960’s was a tough time for Lorenzo (de Niro), father to conflicted Calogero (Lillo Brancato), who seems to have befriended Bronx’s big man, Sonny (Chazz Palminteri). Torn between his moral integrity and a few other factors in the mix, the young boy’s leap to the crazed world of mobsters doesn’t get any more real than this. Tragedy and fascination take human form through the eyes of De Niro’s directorial debut and Palminteri’s work of art, leaving you with a gripping feeling long after the credits have stopped rolling.
Is an innocent child’s life worth millions of other civilian casualties? In a modern-day drone warfare led by Colonel Katherine Powell, played by the very versatile Helen Mirren, she is conflicted to order the target of the Somali terrorist organization when she spots Alia, a young girl who just happens to be selling bread within the premises of the Kill Zone. Her icy exterior, however, is a far cry from Lieutenant General Frank Benson’s profound sympathy, the portrayal of the late Alan Rickman in his last onscreen role being one of his most remarkable ones to date. Eye in the Sky is a thriller that will have you questioning your morals while gripping your seats in what appears to be a battle of the best choice and the only one. Do the ends always justify the means?