25 Best Foreign Movies on Netflix Right Now

Wadjda is a smart, spirited 10-year-old girl who wants nothing more than to own her own bike, something that is frowned upon in the Saudi Arabian suburb where she lives. While it’s not technically illegal for women to own bikes, it is thought of as something that is “dangerous to a girl’s virtue,” and it’s worth noting that this is a society where women are also not allowed to drive their own cars. Wadjda devises numerous schemes to earn enough money to buy a bike (selling bracelets, making mixes of Western pop songs, delivering clandestine messages between men and women), before getting caught by the headmistress at her school. It is then that Wadjda hits on the ultimate money-making scheme: there is to be a Koran-reciting contest at her school with a hefty cash prize, and she’s determined to win. There is a subplot involving a growing rift between Wadjda’s parents; while there is clearly a lot of love between both parties, it becomes increasingly clear that her father may be leaving her mother for another woman who could potentially bear him a son (a common practice). This subplot is handled with respect and little judgement though, as it is simply the way things work in this culture. Yet, as Wadjda is coming-of-age and learning about the limitations placed on her as a girl, she is obviously negotiating ingenious ways of pushing back against those limitations. The film is subtle and humane in how it handles the slowly changing cultural and gender dynamics in a traditionally conservative, patriarchal society. It wouldn’t work without a strong central performance from first-time actor Waad Mohammed though -- she is never less than believable as a clever, determined and joyful 10-year-old, and her journey towards adulthood is both heartbreaking and inspiring.

A thrilling French movie about a nuclear submarine division that is confronted with a world-ending scenario.

One sonar agent is at the center of the story, his exceptional hearing capabilities are the main resource of the submarine commanders he works for (one of whom is played by the masterful Reda Kateb).

Wolf’s Call tries very hard to be a Hollywood movie, but even if it serves as a reminder that countries like France don’t have to always make arthouse films to be noticed, the visual effects and the writing fall short of that big-budget feel.

Still, if you’re looking for a fun movie that’s full of surprises, solid acting, and a great heroism tale, you’ll love this.

At the age of 17, Héctor runs away from a juvenile detention center and embarks on a journey to find a shelter dog he had befriended in a rescue center whom he has found out has just been adopted. Along his quest, he is joined by his ailing grandmother and older brother. 

Featuring beautiful landscapes of northern Spain, wonderful chemistry between the two central actors, and a simple yet dynamic story, Seventeen proves that what makes a movie great is the quality of its ingredients, not the quantity.

The Platform is the closest thing to Parasite released so far. This interesting Spanish movie is about 90% a science-fiction drama and 10% a horror movie. It’s an allegory set in a future where prisoners live in vertical cells, and each cell has to wait for the cell above it to eat to get food. Depending on the floor where prisoners wake up, they might not get any food at all. This creates for disturbing situations that are hard to see as not representative of our modern societies.

This slow romance is set in a Seoul bakery during the 1990s. A boy fresh out of juvenile detention and a part-time employee fall for each other while working there. For a while, their existence is joyful and quiet as they sell bread and bond. However, the Asian financial crisis of 1997 forces the bakery to close. This makes them seek different jobs away from each other. As a romance, Tune in for Love is not original but it doesn’t need to. It’s just easy and enjoyable.

In this unique Spanish drama-thriller, a famous 90s popstar called Lila loses her memory and forgets how to perform. A big fan of hers, Violeta, is offered the unique opportunity of helping her idol find herself again.

Quién te cantará, which translates to “who will sing to you” is a fascinating exploration of fandom and the relationship between fan and idol. And it definitely doesn’t hurt that Lila’s music, made specifically for the movie, is fantastic!

It's from a promising new Spanish director, Carlos Vermut. His last movie, Magical Girl, was widely acclaimed and won awards in almost every festival it showed in.

This atmospheric 82-minute French drama is set between 1995 and the present time, between a shy and lonely teenage version of the main character, Jonas, and an extroverted, chain-smoking one. The common thread between the two is a night gone wrong at a local gay bar.

I Am Jonas is a detailed portrait of a troubled, self-loathing character, and an exploration of the long-lasting impact of trauma experienced young.

This Danish thriller is about a man who gets into a car accident with a woman and, upon visiting her at the hospital, gets mistaken for her boyfriend by her wealthy family.

The man in question is Jonas, a family guy with two cheerful children who is also going through a text-book case of mid-life crisis. So when he realizes that Julia lost her memory and that she shows interest in him, he steps into the role of her boyfriend.

Things escalate very quickly, both as Julia starts to get some of her memory back and her actual boyfriend arrives. If you like Scandinavian noirs like Headhunters, you will love this.

Ask yourself how many Palestinian movies you have seen before. You will want to give this smart and twisty Academy Award nominee by Golden Globe winning director Hany Abu-Assad a chance to change your answer. Omar, a Palestinian baker, climbs the West Bank Wall to see his lover, Nadia, whom he wants to marry. When Israeli soldiers catch and humiliate him, he gets implicated in the shooting of an Israeli soldier, and eventually gets arrested and faces an extremely lengthy sentence. Later, his captors’ motives and his own get tangled up in politics, friendship, trust, and love. Omar is a highly realistic, compelling crime drama you don’t want to miss.

In this French movie based on a true story, a med-school graduate from Congo is offered a job as the doctor to the president of Zaire. He refuses and chooses instead to move to a small town in France in hopes of getting French citizenship and securing a better future for his children.

The story, which starts in 1975, is set in a village where people had never seen a Black person. To that, Seyolo, the doctor, says: “so what? Now they will.”

The culture clash is both villagers-to-new-arrivals and the other way. Seyolo tells his family that he was hired in a village “north of Paris”, but all they hear is “Paris”, only to be shocked by the state of the rainy and muddy countryside village.