Intricately constructed and unbearably suspenseful from beginning to end, the first season of The Promised Neverland is a masterclass in using the episodic structure of TV to maximize the effect of a mystery-driven thriller. By placing us firmly within the perspective of its child protagonists (who are, to be fair, incredibly smart and determined), every […]

If all live-action superhero media stopped here, it would’ve been a triumphant conclusion. Carving its own path from the subversive Alan Moore classic and still so much gutsier than most superhero films and TV shows, Damon Lindelof’s Watchmen miniseries continues interrogating the idea of powerful masked vigilantes to explore institutionalized racism, America’s history of anti-Black […]

Two storylines take place in this Parisian animation: one of a Moroccan immigrant who works as a pizza delivery guy, and the other of his hand, somehow no longer part of his body, but also going on a trip around Paris. The hand storyline is not gory by the way, except for one or two […]

Jia Zhangke (who NPR critic John Powers once called “perhaps the most important filmmaker working in the world today”), directed this movie based on the story of a gangster he knew while growing up. And he is far from being the only noticeable talent here. Actress Tao Zhao shines as a character called Qiao, a […]

Like a Wes Anderson movie, The Last Black Man in San Francisco takes artistic risks and nails every one of them. There are many quirky, aesthetically well-studied, and even funny aspects to this moving story. Jimmie has been maintaining a typical San Francisco Victorian house, regularly painting the windows and watering the plants. One small […]

Warning: this workplace series takes everything you hate about corporate life and mirrors it back to you with alarming clarity. It takes place in a morally corrupt multinational called Hampton DeVille, and we mostly follow “junior executives in training” Matt and Jake in their daily goings-on in the office. Sometimes, they’re able to cope by […]

As has become typical of a David Simon series, The Deuce manages to bring myriad characters and perspectives into one setting, but somehow without resulting in information overload or stale drama. Simon’s work (most famously, The Wire) has always been arguably more ethnographic than traditionally dramatic, and here it’s no different: the portrait he and […]

Far more self-aware than one might think, Dear White People isn’t just a progressive comedy that puts its politics front and center—it’s also heavily critical of its own so-called “woke” characters and their hypocrisy, but never in a cruel way that betrays its own beliefs. It’s a show all about the contradictions of existing as […]

There is a very good case to be made for Veep being, pound-for-pound, the best American comedy to air on TV. Because while many other workplace sitcoms comment also comment on current events and satirize bureaucratic processes, no other show has committed this deeply to the inherent corruption and stupidity of every single one of […]

Though it may be self-serious nearly to the point of parody, Line of Duty is that rare hard-boiled police show that actually works because of its commitment to being cold and clinical. As each season focuses on a new case of corruption within the police, it chooses not to focus on character but on packing […]

A true Cinderella story on TV if ever there was one, The Expanse went from the limited resources of Syfy for its first three seasons before receiving a massive boost in scale and ambition for its final three. But whether it was negotiating through political deals or engaging in dogfights in space, the series never […]