20 Best 2023 TV Shows on Netflix Right Now

Bollywood is the biggest film industry in the world, in terms of output. After all, the Indian film industry churns out 700-800 films per year. Because of sheer output, there are plenty of excellent hidden gems from the South Asian country, some of which we try to cover here in A Good Movie to Watch. However, for a fairly comprehensive introduction to the industry, the English-language miniseries The Romantics is a great place to start. There’s no better filmmaker to take notes from other than Yash Raj Chopra, whose media conglomerate shifted the industry for the past 50 years, so the show tackles his legacy through archival footage and interviews from India’s current roster of film stars. Footage of his films alone are already a compelling watch, but director Smriti Mundra keeps an excellent balance between these films’ personal impact, as well as the corresponding political and film history in which his works were released to. It’s an excellent introduction to the colorful and rich film history of India.

The Fall of the House of Usher isn’t an exact one-to-one television adaptation of the titular short story. Instead, the original story from Edgar Allan Poe is used as a frame to introduce a whole Succession-like miniseries, with names and subplots coming from other stories from Poe. Because of this, fans of the author might feel disappointed at the lack of old gothic flair, as the story is set a whole century and a half after, and the tone shifts as the show shifts from character to character. However, Mike Flanagan’s whole ensemble still proves to be entertaining as the Usher family deals with sci-fi mishaps, internal sabotage, and a possible supernatural element haunting the whole brood.

After years of trying to regain sobriety, it’s totally chilling to wake up the next day, with no memory of last night, only aware that you failed to stay in control, again. Feedback follows a washed-up rock star trying hard to figure out what happened last night, but not just because it was an oopsie. Instead, for Marcin Kania, it’s the night his son went missing. With angry spiraling scored by electric guitar, temptations to drink abound, and the demeaning judgment of everyone around him, it’s hard for him to convince the cops to take this case seriously, especially when he only has blurry recollections of last night. But it’s easy to root for this unreliable narrator, who’s trying hard to be his best. He just might find him, but he might also find out what happened to the son he failed to guide properly, and hopefully redemption for how much he’s failed his family.

When a comedy is centered around people with disabilities, there’s a worry that the humor would be unfunny or demeaning – there’s a misconception that disabled jokes would surely have to be one or the other. But Nothing to See Here is funny without relying on stereotypes. The humor isn’t based on forced quips or halfhearted improvisations. It’s just part and parcel of a story about chasing dreams, seeking independence, and keeping faith in one’s self despite the limitations imposed by others. And through showrunners Big Drama and Santiago Limon, as well as the well-selected cast, it’s hilarious and heartfelt enough to follow.

After being released on BBC in July 2023, Champion made it across the Atlantic and has been recently released globally through Netflix. The family rivalry might be something familiar, but the way they go about it sounds so different, pulling in various genres from Black British music, compiling a striking soundscape that hasn’t been heard from similar shows. Along with the lovely soundtrack, the show has familiar story beats, but it’s well paced, excellently written, and maintains its slick rhythm without compromising any of its tunes. Champion might have dropped on Netflix without much noise, but the show has a voice and a story worth watching.

Tour de France: Unchained is an intense sports docuseries depicting the ins and outs of the prominent cycling race. While cycling is an individual activity, Tour de France is structured to be a team sport — usually comprising around 20 teams with eight riders each. The first season depicts the 2022 run from Copenhagen to Champs-Élysées, the comeback after the pandemic, with players looking to defeat two-time defending champion Tadej Pogačar (UAE Team Emirates). If you’re up to date with cycling news, you’ll know how this one ends. However, it’s still a worthwhile watch, as the show goes behind the scenes to witness the team dynamics, the severe falls, and the steep challenges. With this in mind, Tour de France is very watchable, especially for fans of the sport.

Structured more like a network procedural than a gritty streaming miniseries, the TV adaptation of The Lincoln Lawyer feels easy, even nostalgic, to watch. The formula is simple: in every episode, Mickey handles a new case (most of them wrongful convictions against people on the fringe), all while dealing with a larger, more complicated case and his inner demons. There to help is his trusty driver Izzy (Jazz Raycole), who gets him everywhere in his Lincoln Town Car, and his two ex-wives, with whom he shares a surprisingly healthy relationship. All these elements come together to make an entertaining legal drama. It’s not the most compelling thing out there, but it’s consistently enjoyable and endlessly likable.

At first glance, Rough Diamonds seems to be a standard Netflix thriller with debts, deaths, and dirty deals. However, this Flemish-Yiddish series happens to also be a compelling family drama, centered around Antwerp’s Haredi Jewish diamond community. The series starts the season strong with the death that puts the family into chaos. It continues the series’ suspense with the return of prodigal son Noah, who, like Godfather’s Michael Corleone, initially disagrees with the family’s orthodox lifestyle, but can’t help but be drawn back to the family business. As the family scrambles to figure out their dead brother’s debt, they squabble with each other in a dynamic reminiscent of Succession, with an added organized crime twist. The resulting mix creates an intriguing thriller series that also happens to be a nuanced portrayal of a rarely portrayed community.

Narrated by Mahershala Ali, Chimp Empire is a four-part series that takes a captivating closer look at the drama, dynamics, and surprising politics that goes on in the biggest chimpanzee community in the world. Set in the deep forest of Ngogo, Uganda, the docuseries gives us rare access to the tribes’ complex lives and ties to each other.

It shouldn’t be surprising how closely their society resembles ours (The Guardian calls the series “Succession but with apes”), but director James Reed gives this well-known fact a fresh spin by highlighting humanistic narratives and intimate details. It’s enthralling through and through.

Glossy and intense, Celebrity strips away the glamour of influencer life by taking the allure of fame and weaving an entrancing mystery into it at the end of every episode. A-ri’s climb to the top is paralleled by the secret of her supposed death and return, which she reveals through a live stream. With a large cast, the intrigue never fully wanes as these influencers grate the nerves while contributing to their own demise. The promise of learning about everyone’s secrets and finally understanding how A-ri dies keeps you at the edge of your seat, even if the influencer angle feels cliche. 

In their ninth drama collaboration, director Park Chan-hong and writer Kim Ji-woo partner again to deliver a murder mystery in Miraculous Brothers. The first few episodes juggle multiple plotlines between the novelist, the amnesiac boy he crashes into, and the serial murders, and at first, it seems unclear what links all of them. However, as the series successfully maintains its suspense for the two driving mysteries, it also makes it easy to root for the main characters – the superpowered empath and the reluctant writer – as they seek justice for crimes committed long before. The series shines best when the two become closer, and when the developing dynamic pushes Yuk Dong-joo closer to admitting the truth.

Also known as Rabo de Peixe, after the real town where the series is based, Turn of the Tide follows a group of four friends, who dream of a life outside their hometown, where nothing ever happens. Except, something does finally happen, and it’s whole packs of cocaine washing up on the island’s shores. It’s a wild series, one where the show’s teen underdogs take advantage of sailing expertise and knowledge of the town in order to sell out one third of the stash from the mainland Italian mafia. And it’s one that is endlessly entertaining, as we hope for the four teenagers to succeed in their plan, and to escape for another life.

There’s a lot happening in Netflix’s first Hindi survival thriller series Kaala Paani. The main plot follows the discovery of a new disease with inky rashes that confounds scientists and policymakers, which would remind viewers of the botched response towards COVID-19, but there are multiple subplots including a love story with a traumatized former nurse, a family drama between separated parents and children, and the ecological commentary on the indigenous population that survived the disease once before. But Kaala Paani is able to balance these plots, tweaking the series’ disease to visually carry the show’s science in order to dedicate more weight to each subplot. It allows showrunner Sameer Saxena to play with more philosophical themes, and allows his compelling cast to play with more complex and dynamic roles.

Like plenty of medical dramas, Daily Dose of Sunshine portrays the day-to-day dynamics of a hospital department, this time in the department of mental health in a country that has one of the highest suicide rates in the world. Based on the webtoon from a former nurse, the series might have some laughs from the department’s dynamics, but never at the expense of their patients. In fact, the show takes great care in depicting mental illness, taking care to visualize the patient’s episodes, as well as the way Da-eun tries to fit into her new department. It’s sweet and earnest, but not too cloying, and as substantial as the mugwort rice cakes Da-eun brings for her co-workers.

You know how How to Train Your Dragon has a town terrified of dragons, but it turns out they’re actually cute? My Daemon has a similar situation, except this happens after a nuclear explosion, plenty of these monsters are still murderously terrifying, and even the cute ones are fairly creepy. But that doesn’t keep elementary schoolkid Kento Tachibana from adopting one, even as they get hunted down by bounty hunters. The bond between boy and his daemon is a heartwarming one, but the treatment between the various monsters questions the different ways we treat different animals, and whether or not we can successfully live alongside them. With its unique art style, it’s a totally stunning adventure, though with some creepy crawlies along the way.

Demons don’t seem to have the same scariness that terrified previous generations. That’s because there are more immediate, realistic horrors that can possibly happen, like other people. My Demon takes a humorous approach to this diminished reputation, as the titular demon has his powers transferred to a modern day capitalist. Without these mystical powers, Jung Gu-won falters hilariously while collecting the souls he needs to obtain, while Do Do-hee remains confused as she’s dragged along to his shenanigans. All the while, they have to deal with corporate sabotage, the risk of spontaneous combustion, murder plots, and of course, the connection Jung and Do need. After all, who’s a better match for a demon than a capitalist?

Though it may seem like it at first, Lockwood & Co. is more than just Ghostbusters by way of YA fiction. For one, it is properly terrifying. The growls and screeches, the misshapen ghosts and the heartstopping jumpscares are all proof that the showrunners know what it takes to create an authentic horror series. The worldbuilding is also impressive; the show rightly doesn’t dump all its secrets in one go and instead reveals them slowly and naturally, which adds to its credibility. 

In lesser hands, Lockwood & Co. might have ended up as cheesy child’s fare, but with a skilled cast and crew behind it, it proves to be stirring for audiences of any age. The impressive CGI and costume design give it a prestigious sheen (it’s not tacky, in other words), while the tender moments make it as relatable as any well-told teen drama.

There’s a reason why despite little marketing and only a handful of stars to its name, The Night Agent became the most-watched series on Netflix upon its release. The show is a solid political thriller that recalls the likes of 24, Jack Reacher, and the Bourne series; beneath layers of top secrets and twists is a well-known (and well-liked) formula supercharged with pure action and thrills. It even finds a surprise star in Gabriel Basso, who provides a star-making turn as the simple but rootable Peter Sutherland. 

Sure, it’s not the most complex thriller out there, but The Night Agent deserves a spot on your to-watch list for the familiar rush, bingeable suspense, and impressive performances it delivers.

See You In My 19th Life is a stunning adaptation based on the latest webcomic from Lee Hye. Unlike other South Korean reincarnation shows, this one stays more grounded in everyday life. The memory of Ban Ji-eum’s (Shin Hye-sun) previous lives is the only fantasy element (so far!). The show is centered on Ban’s relationship with rich heir Moon Seo-ha (Ahn Bo-hyun), who she met in her 18th life, and the people around him. While this show has the trappings of a standard Korean fantasy romance, director Lee Na-jung and screenwriter Choi Young-lim skillfully mixes in history in order to fill in the blanks of Ban’s previous lives. At the same time, the show shifts between timelines seamlessly, only revealing information when needed. As such, See You In My 19th Life is a unique reincarnation story with insights on growth, connection, and love.

Mike Atlas is a former police detective now living on the streets as he reopens a supposedly solved murder case with a rookie prosecutor living in her mother’s shadow. As they dig deeper, they uncover a sinister conspiracy that reaches deep into the core of the police and justice system. The series is well-acted, with Max Riemelt giving an outstanding performance of a troubled detective suffering from trauma, guilt, and regret. Now homeless, with gaps in his memories, Atlas uses his dormant detective skills to discover the truth from eight months ago and protect his now-estranged family. There’s never a dull moment as mysteries unfold from multiple angles and pieces fall into place as theories fall apart. Sleeping Dog is an addictive guessing game until the end.