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How many good movies are there on Mubi?

We have spotted 36 good movies on Mubi.

What are some good movies on Mubi?

Some of our best movies on Mubi:

There’s much to despair at in Mahamat-Saleh Haroun's drama set in Chad, where abortion is illegal, female genital mutilation isn't, and single mothers are ostracised. Amina's (Achouackh Abakar) 15-year-old daughter Maria (Rihane Khalil Alio) has just been expelled from school because she’s pregnant. Like Amina, Maria has been abandoned by the child’s father — but, having witnessed first-hand the stigma that comes with being an unmarried mother, she refuses to let history continue repeating itself, and declares she wants an abortion.

But underground abortions are expensive, and the duo are barely scraping by as it is, in spite of Amina’s backbreaking manual work. Their situation is dire — and there are more disturbing revelations to be had — but, despite the bleakness of Lingui’s plot on paper, the film isn’t miserabilist. As Amina searches desperately for a safe abortion provider, she takes us with her into a furtive underground network of solidarity, one that offers the mother and daughter all the compassion and aid that the government and their imam should be providing. This is a film in which acts of kindness are quietly delivered on the understanding that that’s what we owe each other, and one where sisterhood is alive — making this, paradoxically, a simultaneously enraging and heartening watch.

Genre: Drama

Actor: Achouackh Abakar Souleymane, Briya Gomdigue, Rihane Khalil Alio, Saleh Sambo, Youssouf Djaoro

Director: Mahamat-Saleh Haroun

With Howards End, the magic trio of producer Ismail Merchant, director James Ivory, and writer Ruth Prawer Jhabvala converted yet another turn-of-the-19th-century EM Forster novel into exquisite cinematic form. Ravishingly shot and performed to career-best heights by many of its cast, Howards End loses nothing of the elegance we expect from a period drama, and yet it also feels thoroughly modern. The film charts the tragic entwining of three families: the progressive and intellectual middle-class Schlegel sisters, the much more traditionally minded and wealthier Wilcox family, and the Basts, a down-on-their-luck working-class couple. It’s the liberally minded Schlegels who cross the class divide of 1910 London to bring these two distant social circles so close to each other, but it’s the old-world values of the Wilcoxes that make that meeting a tragic one. Simmering with rich emotion and crackling with class politics, Howards End is the crowning glory of the Merchant Ivory powerhouse and the rare perfect period drama.

Genre: Drama, Romance

Actor: Adrian Ross Magenty, Anne Lambton, Anthony Hopkins, Barbara Hicks, Crispin Bonham-Carter, Emma Thompson, Helena Bonham Carter, James Ivory, James Wilby, Jemma Redgrave, Jo Kendall, Joseph Bennett, Margery Mason, Nicola Duffett, Peter Cellier, Prunella Scales, Samuel West, Simon Callow, Susie Lindeman, Vanessa Redgrave

Director: James Ivory

Rating: PG

Named for all the connections that form a functioning society, Threads is a harrowing look at what might happen when those ties are rent apart by nuclear war. This British TV movie — released during the Cold War — so violently seized on the nuclear anxieties of the time that its premiere was dubbed “the night the country didn’t sleep.” Depressingly, it hasn’t lost that initial resonance, and so it remains a panic attack-inducing watch.

Threads begins in the kitchen-sink vein of a Ken Loach movie. In the northern industrial town of Sheffield, a young couple from different social classes (Reece Dinsdale and Karen Meagher) discover they’re about to be parents — but looming above their small-scale drama are the clouds of war, as televisions and radios blare out the details of escalating tensions between the US and the USSR. And then, it happens: the town is strategically bombed, and Threads unfurls into an unrelenting nightmare. In the documentary-like approach that follows, it spares no graphic or emotional detail, charting both the personal devastation caused by the bomb and the annihilating impact of the nuclear holocaust on all the vital infrastructure we take for granted. In short, one of the bleakest, most terrifying movies ever made.

Genre: Drama, Horror, Science Fiction, War

Actor: Ashley Barker, Brian Grellis, David Brierly, Dean Williamson, Ed Bishop, Harry Beety, Henry Moxon, Jane Hazlegrove, Joe Belcher, Karen Meagher, Lesley Judd, Maggie Ford, Michael O'Hagan, Nat Jackley, Patrick Allen, Peter Faulkner, Reece Dinsdale, Richard Albrecht, Rita May, Ruth Holden, Steve Halliwell, Ted Beyer

Director: Mick Jackson

Summer 1993 charts a formative summer in the life of young Frida (Laia Artigas), a brooding six-year-old who, having just been orphaned by AIDS, is sent from her home in Barcelona to live in the countryside with her uncle (David Verdaguer), his wife (Bruna Cusí), and their little girl (Paula Robles). Catalan director Carla Simón drew on her own childhood experiences for the film, making Summer 1993 feel intimately told. It’s shot from the perspective of its young protagonist and is guided by the unpredictable rhythms of memory: we experience Frida’s new life the way she might remember it when she’s older, via snapshots of moments that stand out to a child, like the day she spent amongst the chickens in a neighbor’s farm or the moment another kid asks her why she isn’t more visibly upset about her mother’s recent death.

That emotional enigmaticness is what makes Artigas’s naturalistic performance so absorbing: she never plays Frida in a predictable dramatic register, so much so that it’s easy to forget we’re not watching a documentary. The unexpected little ways her grief manifests itself — along with Simón’s assured, impressionistic directing — make this a profoundly heart-rending watch throughout, and especially so in its gut-punch of a final scene.

Genre: Drama

Actor: Bruna Cusí, David Verdaguer, Fermí Reixach, Isabel Rocatti, Laia Artigas, Quimet Pla

Director: Carla Simón

, 1992

Restored in 2019, Djibril Diop Mambéty's adaptation of the 1956 play, The Visit, presents a powerful allegory of societal decay through the story of Linguère Ramatou, a woman who returns to her impoverished hometown with an offer that can change everything. Mambéty's skillful direction captures the complexities of human nature and the moral choices we face in a world driven by greed and corruption in a global capitalist world. The narrative unfolds with precision, blending dark humor and piercing social commentary. With or without the context of its original influence, Hyenas is a brilliant Senegalese film.

 

Genre: Comedy, Drama

Director: Djibril Diop Mambéty

What’s great about this highly inventive film is that it doesn’t look like it was shot through three iPhone 5s. Instead of using shaky cameras and static shots, Tangerine glides us through saturated, orange-toned scenes that evoke the Los Angeles sunset. Launching director Sean Baker into prominence, Tangerine is an innovative film that, at heart, is a nuanced comedy about the trans sex worker community. Newcomers Kitana Kiki Rodriguez and Mya Taylor run the show, and their performances create a vivid, electric drive that powers the whole movie. But it’s the quieter moments, the moments after betrayal, the moments of recovery, that make this movie truly special.

Genre: Comedy, Drama

Actor: Ana Foxxx, Chris Bergoch, Clu Gulager, Graham Mackie, Ian Edwards, James Ransone, Jason Stuart, John Gulager, Josh Sussman, Karren Karagulian, Luiza Nersisyan, Mickey O'Hagen, Mya Taylor, Scott Krinsky, Shih-Ching Tsou

Director: Sean Baker

Rating: R

On one level, Alcarràs is a story about land, about how inextricable it is to livelihood, about how ownership of it has bred conflict since time immemorial. Director Carla Simón emphasizes this even more by hiring actual Catalan farmers as the leads. We’re not just watching the Solés sing and fight for their land, but Alcarràs natives who are also very much at risk of losing what’s theirs in real life. The acting comes off as natural because it is. 

But on another level, Alcarràs is also a story about family, in particular about how family ties run so deep, they’re bound to coil around each other under the ground they’re rooted in. Like a family portrait come to life, Alcarràs shows us the beauty and the peril of loving your family and the legacy they leave behind as much as the Solés do. 

Genre: Drama

Actor: Jordi Pujol Dolcet

Director: Carla Simón

Clocking in at just over four hours and shot in vivid color, Norte, the End of History stands not only as Filipino auteur Lav Diaz's best work since his earliest films, but as the easiest entry point into his unique filmography. Told on a sweeping yet intimate scale, the film has all the trademarks of Diaz's work: slow, lengthy shots; bursts of dense dialogue and philosophizing; and copious amounts of human despair and systemic corruption. As our three protagonists' souls (who rarely share the screen, if at all) are pushed to the limit after a terrible crime is committed, everything heads toward universal truths—the perseverance of love, and the inevitability of divine justice.

It can be difficult to recommend any film of this length and deliberate pace, but Norte remains a masterful example of how to use time itself to build a monumental story.

Genre: Crime, Drama

Actor: Angeli Bayani, Archie Alemania, Mailes Kanapi, Moira Lang, Perry Dizon, Sheenly Gener, Sid Lucero, Soliman Cruz

Director: Lav Diaz

All recommendations on Mubi

Introduction

Mubi is a movie-streaming service featuring a curated selection of 30 movies on a daily rotation, as well as a large library of movies from previous rotations. The subscription costs $10.99 per month or $95.88 for an annual subscription. If you just want to browse the database before paying up front, you can sign up for a free account for access. Mubi has a Now Showing section, with the newest entries to the library on a given day (the library is updated daily), and a Library section featuring a back-catalog of other highlights and previously “showing” movies. You may see a section called 'Live' for live broadcasts once in a while. Aside from the options to stream via web browser, Mubi also has mobile apps for Android and iOS, media streaming devices (Apple TV, Chromecast, Fire TV, and Roku), and you can subscribe to Mubi as a Prime Video channel. While Mubi is not available on the Xbox One, you can access the service on a PlayStation 4 console.

Who is Mubi for?

With approximately 800 feature films, documentaries, and shorts available on the Library at one time, and a very consistent refreshing of the library in the Now Showing section, Mubi is one of the go-to services for dedicated film buffs who want to be surprised.

Why get Mubi?

Hand-picked curation: The types of movies that are curated by Mubi tend to be especially niche, even more so than the Criterion Collection. Rather than by category, movies are tagged with descriptors such as Adaptations, Debuts, New Auteurs, etc. Community features: Mubi has two sections made for their subscriber community of movie buffs to interact: The Feed and the Notebook. The Feed is a list of user reviews and social media posts, while The Notebook includes reviews and commentary from Mubi staff and other contributors. You also get a profile page on which you can list all of your movie ratings. Offline downloads: You can stream the Mubi catalog 1080p and download on mobile devices at any time.

What's the best deal to subscribe to Mubi?

Great news! It looks like Mubi still offers a free trial of 30 days.

Pricing at Mubi starts at $10.99 per month.

Disclaimer: While we do our best to stay as up-to-date as possible, we cannot guarantee that the information on this page is fully accurate, as streaming services regularily change their offerings. Please refer directly to each one streaming service for their latest offerings, in-depth questions, or complaints.

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