I Love You, and It Hurts | agoodmovietowatch

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I Love You, and It Hurts 4.4 2023 Show

I Love You, and It Hurts

Mexico · Spanish

A teen romance jam-packed with social issues and cringey musical numbers

Our take by Kerine Wint

At its core, this series is a socio-economic commentary wrapped in heavy discrimination of poor and queer communities with a sprinkle of Disney Channel music numbers. It tackles issues like gentrification, climate change, the refugee crisis, and homophobia, but even for a teen drama, this all feels like too much, especially since it forwards a forbidden romance above all else. It tries to save face with music; the show uses songs and musical expression to bridge the divide between the people about to lose their neighborhood and the rich kids oblivious to it all. But the talent show quality eclipses the impact. One should expect the large cast and storylines to iron themselves out after two episodes, but with the class-difference romance carrying the bulk of the story forward, the investment isn’t worth it.

What happens

The story of Juan Gris and Lola Robles, two young people from parallel universes who will find themselves on the way to give rise to a world and a new version of themselves, and who, together with their friends, will pursue their dreams while seeking to discover who they are.

More about it

What happens

A classic love story about two individuals from different social classes who fall in love despite the challenges set by their families and community.

What sets it apart

Propping up the arts as a tool for revolution is always a great message, and the show putting it front and centre is commendable. And it does aid the broader storylines (like concerts used to rally support against demolishers) even if the tracks sound one-note. Hopefully, the songs improve, serve the social justice plotline, and give the uninspiring romance a break.

TL;DR

I can imagine High School Musical's "We're all in This Together" playing at any point.

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About the author

Kerine Wint

Kerine Wint

Kerine Wint is a curator at A Good Movie to Watch. When she’s not absorbed in anime and weird docu-series, she reviews speculative fiction for Fiyah Lit Magazine or designs album covers and magazines. As for her film taste, One Cut of the Dead (2017), The Lure (2015), Inu-Oh (2021), and Dear Ex (2018) sum it up pretty well.