My Lady Jane reimagines the titular nine-day queen, played by Bader, as a staunch feminist who has a lust for life and, well, men. She’s wise, vocal, and unapologetically sexual, and her demeanor is complemented by an irreverent script, modern pop songs, and fourth-wall-breaking meta-humor. In other words, it’s just like every other modern period drama that came before it, from Dickinson, The Great, and to some extent, Bridgerton. But unlike these shows, My Lady Jane fails to create a distinct atmosphere. If it was released five years ago, maybe it would’ve made a dent in the genre, but as proven by the aforementioned titles (and many more like them), My Lady Jane is trying to do something that’s already been achieved in better ways. That said, the show is still enjoyable, especially if you’re a fan of strong independent women™, magical creatures, raunchy humor, and revisionist history. Just don’t expect anything particularly new or inventive from it.
"A rip-roaring and hilarious adventure full of magic, romance and bold female characters who take control of their legacies."
— Aramide Tinubu
Gird your loins for the tragic tale of Lady Jane Grey, the young Tudor noblewoman who was Queen of England for nine days and then beheaded, back in good ol’ 1553. Actually... f*ck that. We’re retelling history the way it should have happened: the damsel in distress saves herself. This is an epic tale of true love and high adventure set in an alt-universe of action, history, fantasy, comedy, romance, and rompy-pompy. Buckle up.
In this period drama, fantasy meets historical revisionism as Lady Jane Green (Emily Bader) is reimagined as a monarch who rules an English empire divided by Ethians, who are shapeshifting servants, and Verities, or regular humans.
The magical lore is interesting, but not enough to distract from the trite aesthetics of the show.
I suddenly have a hankering to re-watch The Great and Dickinson.
