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The Killing Vote 2023

A masked vigilante invites the nation of South Korea to enact justice in this high-stakes thriller

Our Take (by Kerine Wint)

The Killing Vote takes the “vote to kill” storyline and pairs an anonymous vigilante with an ambitious yet apathetic officer, creating an intriguing setup that questions how everyday inequalities extend to the justice system. The first episode is quite disturbing as it tackles child pornography, but with this pilot, the series is able to cement an expectation it fulfills in succeeding episodes: this is a severe show that tackles severe cases and severe criminals. Coupled with immersive performances across the board (the star-studded cast includes K-drama staples Park Hae-jin, Park Sung-woong, and Lim Ji-yeon), The Killing Vote is already off to a high-intensity start. If it keeps this up, it very well could be one of 2023’s best.

Synopsis

A drama about tracking the 'deviation' of conducting a national death penalty vote for malicious criminals and executing the death penalty.

More about it

What happens

The Killing Vote is a crime thriller about a masked vigilante who murders criminals based on the results of public opinion polls.

What sets it apart

The show’s lead, Kim Moo-chan (Park Hae-jin), serves as an intriguing nucleus for the narrative. He’s apathetic on the outside but hides a strong moral compass on the inside, so even though he’s built a reputation as a reckless cop, he still feels the need to take the fall for bad cases. This makes his pursuit of the mysterious mastermind, known only as Gaetal, a good foundation for the series. Even Gaetal, who hacks into phones and dangerously tests the public’s free will, presents an opportunity to explore the injustices that prevail due to class inequalities (as many revenge K-dramas do). The vigilante cat-and-mouse style promises a thrilling ride.

TL;DR

It's hard not to get behind a vigilante but how hard could it be to catch one?

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About the author

Kerine Wint

Kerine Wint is a curator at A Good Movie to Watch. When she’s not absorbed in anime and weird docu-series, she reviews speculative fiction for Fiyah Lit Magazine or designs album covers and magazines. As for her film taste, One Cut of the Dead (2017), The Lure (2015), Inu-Oh (2021), and Dear Ex (2018) sum it up pretty well.