Style Wars (1983) | agoodmovietowatch

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Style Wars 8.5 1983 Movie

Style Wars

Dir. Tony Silver · United States of America · English

A brilliant, infectious portrait of the golden age of New York City’s graffiti scene

Our take by Farah Cheded

Whether graffiti is art or not is the question guiding this fascinating documentary about the spray can-wielding artists of ‘80s New York. Wherever you come down in the debate — though this presents compelling arguments that graffiti is a medium worthy of critical attention — you’ll undoubtedly come away with a reverence for the kids who went hard with the paint on NYC’s walls and subway cars. Candid interviews with these young pioneers (whose cultural contributions are now less in contention) reveal that they’re not simply rebelling for rebellion’s sake: they’re largely motivated by a desire to make their mark on their beloved city — to stand out and have their work seen by the millions riding the subway every day.

The doc largely embeds itself with the artists, but it also interviews the “other side”: then-mayor Ed Koch and police officers, who were ramping up their aggressive “war on graffiti” campaign during filming. It’s clear that these interviewees have little interest in understanding what drives the kids to create their murals — a lack of curiosity that Style Wars blessedly counters. Not just a thoughtful contribution to its period and a fascinating time capsule, but also a thought-provoking reminder that art is art, whether it’s made outside of the system or not.

What happens

Tony Silver and Henry Chalfant's PBS documentary tracks the rise and fall of subway graffiti in New York in the late 1970s and early 1980s.

More about it

What happens

A documentary exploring the vibrant graffiti subculture of 1980s New York City through interviews with its artists and detractors.

What sets it apart

Style Wars vibrates with infectious punk spirit. Hearing the artists (as well as early pioneers of break-dancing and rapping, who together with graffiti artists helped form hip-hop culture) speak so poetically and passionately about why they do what they do is invigorating enough to make you want to pick up a can and hop a fence yourself. Though the doc sadly charts the beginning of the end for this era of graffiti, it — thankfully — bottles the electric energy of the time for posterity, making it an endless source of inspiration in any period.

TL;DR

Amazing for many reasons, not least because it captures the moment the then-Mayor of New York City discusses his plan to use actual wolves to stop graffiti artists.

Awards

Sundance

1 win

Won: Documentary (Grand Jury Prize)

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About the author

Farah Cheded

Farah Cheded

Farah Cheded is a UK-based curator at A Good Movie to Watch and a Rotten Tomatoes-approved freelance critic whose work has been published at outlets including The Playlist, Paste Magazine, and Film School Rejects. She lives in fear of the day she runs out of 'Columbo' episodes to watch.