Olivia Colman stars in this crazy comedy about an unusual family of intellectuals living in the English countryside.Colman plays Deborah Flowers, the mother of the family and a music teacher. She’s struggling in her marriage to her miserable and unfaithful husband Maurice (played so well by Julian Barratt). Together they live with a Japanese butler who barely speaks English and their adult twin children who are always on the verge of killing each other.Broken families have always been a premise for jokes on TV, but if you think about it or if you watch Flowers, you’ll be reminded that broken families are also a serious and dreadful affair.
Unbelievable is one of the best Netflix productions in a while and definitely the best detective-centric show since the first season of True Detective.After a rape victim is not believed by the detectives who are assigned to her case, details of a similar incident surface elsewhere.Two detectives played masterfully by Toni Collette and Merritt Wever, embark on a relentless journey to catch the perpetrator in this thrilling and insanely bingeable true-crime show.
Co-produced by the BBC and HBO, Extras is about - you guessed it - casting extras. It follows two aspiring actors as they interact with big names in the industry like Ben Stiller, Samuel L. Jackson, and Kate Winslet.The first episode finds Ben Stiller directing a genocide movie while bragging about the success of Dodgeball. Gervais’ character tries to get a line in the movie while hilariously avoiding interactions with other extras.A funny TV show set in an original setting (film sets) and around many familiar faces, Extras is not to be missed if you’re a comedy fan.
Three kids from a poor neighborhood win scholarships to the best high-school in Spain and later find themselves at the center of a murder. There is a lot that comes to the surface from the working-class kids clashing with the wealthy. Themes of money, power, religion, and even sexuality make this show so compelling that I never felt like I needed a murder to keep watching.
Tim Robinson, who was briefly a Saturday Night Live actor, writes and stars in this series of hilarious and absurd comedy sketches. Every episode is 20 minutes or less and has about five or six skits. Robinson is supported by an array of talented actors like Andy Samberg, Cecily Strong, Will Forte, and Steven Yeun.The show starts off strong with possibly one of its best sketches - a job candidate who snaps when confronted with the small mishap of not knowing how to open a door. Then it moves to more absurd territory, like a horrific encounter caused by a “honk if you’re horny” sticker, a baby peageant that goes wrong, and so on.The brand of comedy is unique, and you will probably know if you like it or not from the first sketch alone (if you don’t, there is probably no reason to keep watching). Fans of The Eric Andre Show and Key and Peele will love this.
From the Oscar-nominated cinematographer of City of God, this is a Brazilian Netflix TV show that I can only describe as a smarter Hunger Games.In a dystopian society, the majority of the planet’s population lives in extreme poverty while a select 3% (hence the title) live in a heaven-like world called “The Offshore”. Every year, the 20-year-olds of the planet get a chance to join the 3% in a selection process that for the first time might harbor moles.With an intriguing first episode that shares just enough to keep you informed but engaged, it’s easy to want to binge-watch the whole first season of 3% in one sitting.
Rilakkuma and Kaoru is that perfect mix of cute and profound that you’d expect from a Japanese show about a woman living with teddy-bear roommates. The first episode is about cherry blossoms, but really, it’s about loneliness.Actually, the best term I can find to describe this show, and I’m not joking, is “slice-of-life.” The stories are endearing and intimate. You won’t be able to help but relate to the main character as she deals with being single while her friends are in relationships, her apartment building being demolished and she can’t find another affordable place to move into, her stressful job, etc.I have never seen a show combine this many absurd elements (the woman lives with three goddamn teddy bears), with so much realism. And all of this is done in an easy, quiet tone.
When I learned about Street Food the first time, I was reluctant to sit through yet another Netflix cooking show. They’ve made so many that when I want to bring up an episode with a friend I forget if I saw it in Ugly Delicious, Chef’s Table, Salt Fat Acid Heat or others.I can’t say that Street Food is a different format. It uses the same slow-motion takes of food, the same close-ups on chefs and the same style of interviews.Here is the thing though. Street Food might be similar to other Netflix cooking shows, but it’s also better than them in almost every way. Much better.It’s only 30 minutes long per episode, so it doesn’t indulge in egos or stray into unrelated stories. It doesn’t showcase kitchens where only the rich eat, like Chef’s Table often does, but stalls that are accessible to everyone. And in the best way, it connects the story of the food makers to the food.The show is mostly about middle-aged to senior women, and people who do not make that much money. It’s not about glamorous young chefs. It’s about food stripped away from any marketing or showbiz.Real cooking, real chefs, real diners. In its unpretentious nature, Street Food feels euphoric.