The Wild Pear Tree is somewhat like a novel made into a movie– It’s long, it’s philosophical, and it’s mostly composed of conversations a young protagonist has in order to figure out the best way to live. At first glance, the plot can seem rather mundane. But there’s a subtle anger that drives the film, as Sinan tries to make sense of the arbitrary nature of modern society, but can’t seem to find any answers that satisfy him, due to being at a different place with everyone around him, or simply because he just doesn’t know better. Most people would likely understand one or both sides each talk presents. Depending on where you’re at in life, some or more of these conversations may resonate with you, but there’s no denying that writer-director Nuri Bilge Ceylan crafted his characters well, feeling as real and as personal as the people he grew up with in his hometown.
"You find yourself gradually engulfed, as if by rising waters..."
— Anthony Lane
Fresh out of university, a Turkish young man with literary aspirations returns to his home village and starts scraping together money to publish his book. While trying to reconnect with his old friends and environment; his uncertainty, existential struggle and his father’s gambling addiction bring him grave difficulties.
After graduating from university, aspiring writer Sinan returns to his hometown, where he finds his father Idris had squandered the family’s fortune due to his debts and gambling addiction.
The score. It adds to the novel-like feeling of the film because of the way it sounds.
Don’t watch this late at night when you’re thinking about the person that you’ve become. Or maybe do, if only to feel less alone.
"Recalling the metaphorical lyricism of Ceylan's early films, this is a rare moment where the director trusts ambience over prose."
— Yonca Talu