Mélanie Laurent’s fifth movie that she both directs and writes, Breathe is an impressive display of deft film-making and honest, insightful storytelling. Charlie is a teenage high school student with seemingly nothing unusual about her. When Sarah comes to her school from Nigeria they quickly form a friendship that brings out many unexpected sides of Charlie. Breathe sometimes veers to darkness which adds the last element to a perfect portrayal of friendship between two teenage girls.

A Kurdish-Iraqi immigrant runs into serious immigration problems as he tries to immigrate from France to England in order to be reunited with his girlfriend. Eventually he begins to train in swimming, in an attempt to swim the channel between France and England. Welcome is a gripping tale of tolerance as well as relationships between locals and immigrants. It also gives a great look into the shortcoming of the European immigration system, and will have you crying by the end of it, no question.

Emma, a free-spirited girl with blue hair, influences Adele’s life dramatically, teaching her how to be honest with herself and discover her true desires about love. The film beautifully and realistically portrays the Adele’s evolution, from a highschool girl to a grown-up woman. The spirit Emma lights up in her never dies. Blue Is the Warmest Color or La Vie d’Adèle is an honest, intense, and charming picture, prepare not to blink and have your face glued to screen from start to finish.

A seemingly well-adjusted Scandinavian Family vacationing in the French Alps experiences a frightening avalanche scare near the beginning of Force Majeure, thereby unleashing a cacophony of mistrust and anxiety as their dynamic is shaken to the core. This pitch black comedy from Sweden charts the steady disintegration of the family unit and the father’s psyche in particular, as his reaction to impending death leaves his family deeply questioning his masculinity and prioritization of their well-being. The stages of blame and negotiation play out with painful honesty, holding back very little in a manner that leaves the viewer supremely uncomfortable, as if eavesdropping on a neighbor’s personal affairs. The effect is unsettling yet stunningly honest and often laugh-quietly-on-the-inside worthy in its depiction of human vulnerability. Unlike many narrative films, the “climax” comes at the beginning of Force Majeure, with the remainder of the film acting as an extended denouement in the form of a measured, Kubrickian character study.

An electrifying portrayal of a girl growing up in a poor Paris suburb. This coming-of-age story follows Marieme, a girl struggling in high-school who learns that she will be rerouted out of academia and onto a track where she will learn a trade. Frustrated by the news and fearful of an abusive elder brother, she finds solace in a gang of girls from her neighborhood. Initially she decides against joining them but does so at the prospect of pursuing a crush. Her new friends take her into the center of Paris and to a more violent and crime-driven lifestyle. An undeniably grim movie, Girlhood compensates with an amazing character study – themes of identity and adolescent need for belonging are at the center of a type of a story that rarely ever gets any attention.