The pulp and machismo that defined the ‘80s is very much present in Vengeance Is Mine, All Others Pay Cash, but instead of glorifying the era, Indonesian auteur Edwin smartly flips the script and puts the headstrong Iteung (Ladya Cheryl) front and center in this subversive and heady action film. As the anti-damsel-in-distress, Iteung expertly wrestles her way through love, all while retaining an endearing cheekiness and independence about her.
Excellently choreographed, impeccably detailed, and skewed with enough of a feminist bent to keep it fresh, Vengeance Is Mine fittingly won the top prize at the 74th Locarno International Film Festival.
What did you think? Who should watch it?