Welcome to Chechnya (2020) | agoodmovietowatch
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Welcome to Chechnya 2020

A harrowing, uncompromising account of efforts to save LGBTQ+ Chechens from Russian authorities

Our Take (by Emil Hofileña)

Featuring real, in-the-moment footage of operations to rescue young queer individuals from the continuing anti-gay purges in the Chechen Republic, Welcome to Chechnya makes for a demanding but essential call to action. There’s a genuine sense of fear that pervades the documentary, not just for those being rescued after being forcibly outed, beaten, and trapped by the people around them, but for the filmmakers themselves, whose operations are built on meager resources and desperate, spur-of-the-moment decisions. It’s a remarkably courageous film—one that also presents new ways of keeping sensitive subjects safe through the thoughtful use of deepfake technology, keeping their identities hidden while allowing them to freely express themselves.

Notable Critics

"Welcome to Chechnya not only provides a stark reminder of the everyday reality of anti-queer oppression outside of our 'progressive' Western bubble, but also of the precarious nature of global LGBT+ rights."

— Jack King

"France sensitively draws out the personalities of his subjects, ensuring that, despite the digital disguises and pseudonyms, they emerge as distinct individuals."

— Alex Davidson

Synopsis

This searing investigative work shadows a group of activists risking unimaginable peril to confront the ongoing anti-LGBTQ program raging in the repressive and closed Russian republic. Unfettered access and a remarkable approach to protecting anonymity exposes this under-reported atrocity–and an extraordinary group of people confronting evil.

Awards

Berlin

2 wins

Won: Amnesty International Film AwardWon: Panorama Audience Award

DGA

1 nomination

Nominated: Outstanding Directorial Achievement in Documentary

Sundance

1 win

Won: U.S. Documentary Special Jury Award for Editing

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About the author

Emil Hofileña

Emil Hofileña

Emil Hofileña is a curator at A Good Movie to Watch. He also writes as a theater critic, with work published in Rogue and Out of Print, among others. He’s probably crying over a movie or an episode as we speak.