The best movies and shows you haven't yet watched

agoodmovietowatch recommends highly-rated but little-known movies and shows.

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2 Best Movies to Watch by Alessandro Borghi

This Netflix production is based on a case that rocked public opinion in Italy. Stefano Cucchi was arrested for a minor drug charge and died five days later from police brutality. The movie takes its time to expose what Cucchi went through, which might lead some viewers to find On My Skin slow, and rightfully so. Thinking about the issues at hand here, it’s easy to understand why the director made that choice. In fact, Italians’ complex relationship with the Carabinieri, a division of the Italian army that carries out domestic policing, is delicate to explain and requires meticulous unveiling. Nominated to nine David di Donatello Awards (the equivalent of the Academy Awards in Italy), of which it won three.

7.7

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Two best friends chase the ultimate high in this Italian movie set in the 90s. Vittorio and Cesare are inseparable, they get in trouble together, fight together, and party together. Suddenly, they start moving at different speeds and one of them wants out, effectively abandoning the other. Don’t be Bad is director Claudio Caligari’s last movie before his death, the last installment in his catalog of well-crafted drug-centered stories.

7.4
Also see: The Very Best
The Very Best are our staff picks, they're all rated 8.0 and above. Here, we selected a few for you.

The Salt of the Earth is a 2014 biographical documentary about famed Brazilian photographer Sebastião Salgado. Directed and narrated by Wim Wenders in collaboration with Salgado’s son, Juliano, the film tells Salgado’s life story from his childhood in northern Brazil, his early career as an economist, and ultimately the shift to photography that would lead him to over 120 countries as a world-renowned photojournalist. Shot in stunning black and white by Juliano and Hugo Barbier, The Salt of the Earth is a mesmerizing exhibition of one man’s lifelong dedication to capturing humanity and nature in remarkable states of peril, compromise and elegance. From the Brazilian gold mine of Serra Pelada to the Yali Tribe of Papua New Guinea to the war-ravaged people of Rwanda (to name just a few), the film follows Salgado’s career through his photography, accompanied by his personal accounts of his many encounters and impressions. It’s Salgado’s grace, empathy and kindness that shine the brightest—remarkable for a man who has seen (and photographed) the worst of humanity over the course of his lifetime. It’s an utterly enthralling experience, upsetting at times in its frank display of war and death, but it ultimately serves as an exemplary presentation of Salgado’s work and his intimate reflections upon a career dedicated to truth, awareness and beauty.

9.0

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Phenomenal and heartbreaking, Wind River is a true masterpiece by Taylor Sheridan, the man behind Sicario and Hell or High Water. In a Native American Reservation, a local girl is found dead and a young detective (Elizabeth Olsen) tries to uncover the mystery. She is accompanied by a tracker (Jeremy Renner) with his own dark history in the community. It’s not a very rewarding movie at first, so don’t expect an incredibly fast-paced story from the get-go. However, when everything unfolds, it’s not only action-packed, its reflections on indigenous communities are deep and poignant. How this remains a relatively known movie is shocking, it has to be one of the best mysteries of the past 20 years.

9.4

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The main reason to watch Love & Mercy could be that it's about the life of Beach Boys leader Bryan Wilson, but it shouldn't. That wouldn't do the film any justice. Yes it is a great rock biopic, but its reach goes way beyond that: it's a compelling and beautiful character study performed in unparalleled perfection by Paul Dano and John Cusack. It gives an inside look into the mind of a genius in all its glory and obscurity. And so much of it rings true because, yes, it is about the life Beach Boys leader Bryan Wilson. Such a unique and beautiful film.

9.5
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