Buffalo ’66

When you’re an ex-convict that wants to hide his stint in jail from his parents, among other things, fake dating is a rather strange solution. It’s usually the stuff of cheesy romcoms, but Buffalo ’66 plays out differently. The pretense doesn’t stem from jealousy or money or career status, but rather from desperation, becoming another attempt to win some semblance of self-worth from dysfunctional parents, which inevitably doesn’t work… At least in the way Billy hopes it would. While Layla’s motivations aren’t fully fleshed out, Christina Ricci brings a certain doll-like sweetness that lines up with what’s expected of her by her captor, but also happens to enliven the rest of the family, allowing just a glimpse of the good people they used to be, before they slip back into their usual unkind, thoughtless selves. This, along with Billy’s background– flashbacks of neglect and abuse in frames within frames– makes their connection a bit toxic, but Buffalo ’66 has an interesting style and excellent performances to make it a memorable watch.

Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry.