Our take
Full Time is about the Herculean task that is getting through the day. For Julie Roy (the incredible Laure Calamy), that means keeping a job in the city as a single mother living in the suburbs. In this particular week, she has to attend to childcare, work a job below her skill set, apply for a job that actually matches her skill set, and get home before her children’s bedtime, all while a transport strike immobilizes the city.
Protests aside, Julie’s reality is an everyday feat some of us don’t even bother to question, but the film—edited and scored like a thriller—makes a vital point about the overlooked difficulties of juggling career, family, and self.
It’s unrelenting, intense, and truly gripping from start to end, kind of like Uncut Gems for the everywoman. It’s rare to see social commentary at this pace, but it’s also unexpectedly powerful, a necessary portrait of the times.
The story
Julie finally gets an interview for a job where she can raise her children better only to run into a national transit strike.
Elsewhere
"Gravel displays, with grim fascination, the strict surveillance of the modern workplace and the desperate ruses by means of which workers cope."
— Richard Brody
"An intelligent and mostly engrossing movie about a situation that will seem all too familiar to many."
— Peter Sobczynski
The details
Who picked it
Renee Cuisia is the lead curator at A Good Movie to Watch. In her spare time, she likes to watch K-dramas and analyze them to death. She's also seen You've Got Mail one too many times but is still convinced it's one of the greatest films out there.
It’s great thoroughly enjoyed it . Great direction too. Absolute joy to watch