Understandably, Mimmi, Rönkkö, and Emma, the teenage girls who lead this Finnish coming-of-age drama, are bursting with emotional urgency. On the cusp of adulthood, they plunge into house parties and romantic affairs in the hope that exploring love, sex, and adventure leads them closer to being self-aware adults.
Of course, that’s a lifelong process, but they don’t need to know that just yet. For now, they’re explosive and ecstatic and awkward and angry. They’re at a point in their lives where falling head over heels is still an endearingly fresh experience and not a frustratingly repeated mistake.
The film is intense in this way, but it’s leavened by a beautiful naturalism that’s seen in the young cast’s performances, the setting’s soft lighting, and the camera’s boxy ratio and grainy finish, the latter of which recall a disposable camera capturing the indiscriminate moments shared between teens. Girl Picture is an intimate and authentic portrait of girlhood—see it if you can.
"A refreshing and truthful portrait of contemporary girlhood."
— Marina Ashioti
"Haapasalo clearly understands that, when you're young, desire can feel confusing or gratifying, thrilling or overwhelming. In her snapshot of contemporary girlhood, Haapasalo contains all of the above."
— Natalia Winkelman
Best friends Mimmi and Rönkkö support each other unconditionally. They want to live adventurous lives, loaded with experiences and passion. Emma on the contrary has given her whole life to figure skating. Nothing gets between her and success. But when the girls meet, life opens whole new paths, and they all rocket in new directions. While Mimmi and Emma experience the earth moving effects of first love, Rönkkö is on a quest to find pleasure. Three Fridays is all it takes to turn their worlds upside down.
Berlin
1 nomination
Sundance
1 win
