Women are rarely depicted in prison for a serious drama– usually, it mostly happens in exploitation films. So when Lion’s Den was released in Cannes, it’s no wonder that it garnered attention, even to the point of being submitted as Argentina’s entry for the Oscars. It’s really mostly a realistic depiction of how an incarcerated mother raised her child, as per Argentine law, they remain together for only four years. However, it’s because of sticking to that fact that the law ends up becoming a time limit that helps drive the story forward. It’s a simple approach, but writer-director Pablo Trapero sticks to this straightforward style, and it ultimately works because of Martina Gusmán’s star-making performance. It’s tough to watch, with the assault, strip searches, and riots, but Leonera is a much more empathetic depiction that’s sadly rare to see.
"Lion's Den is an unqualified success."
— Jason Wood
"Pic's overall style and Martina Gusman's bold lead have a great deal to recommend them."
— Jay Weissberg
Julia, a 25 year-old university student, two weeks pregnant, with no criminal record, is sent to prison. Julia murdered the father of her child. This story addresses maternity, jail and Justice; confinement, guilt and solitude; but above all it deals with Julia and her son, Tomas, born inside an Argentinean prison.
After being arrested for murder, expectant mother Julia Zárate sinks into a deep depression, but the birth of her son Tomás gives her a reason to live.
Martina Gusmán.
More roles for Martina Gusmán, please!
Cannes
1 nomination
