Awkward. That is how Oliver Tate can be described, and generally the whole movie. But it is professionally and scrutinizingly awkward. Submarine is a realistic teen comedy, one that makes sense and in which not everyone looks gorgeous and pretends to have a tough time. It is hilarious and sad, dark and touching. It is awesome and it's embarrassing, and it's the kind of movie that gets nearly everything about being a teen right, no matter where you grew up.
Find the best sweet movies to watch, from our mood category. Like everything on agoodmovietowatch, these sweet movies are highly-rated by both viewers and critics.
In a different change of pace, this biopic focuses on John Lennon’s reckless adolescence and family life instead of his soon-to-be iconic music. It brings an epic rockstar many of us have known our entire lives down to a more relatable level. The young Aaron Taylor-Johnston gives a very angsty performance which feels a little over the top at times. Anne-Marie Duff does comes off too flirtatious for a newly formed mother-son relationship but Kristin Scott Thomas outshines them all with her steely demeanor.
Summer Hours centers on three siblings tasked with sorting the valuable pieces their mother left behind. Frédéric (Charles Berling), the eldest, has different ideas about inheritance than his overseas siblings. Will their beloved house stay or go? Will the art? The furniture? Can they afford to keep all these for sentimental reasons or would it be wiser to sell them? They go back and forth on these questions, rarely agreeing but always keeping in mind the life these seemingly inanimate objects occupy, as well as the memories they evoke, which are beyond priceless.
Summer Hours resists melodrama, opting instead for the simple power of restraint—of unspoken words and charged glances. And the result is a quietly affecting movie that basks in the details to paint a wonderful, overall picture of home and family.
Us and Them follows two former lovers who reminisce and reassess their decade-long relationship over one night. They both seem to be in better places, certainly financially if anything else, but their shared wistfulness for the past threatens to prove otherwise.
The film was an immediate hit when it was first released in China, and it’s easy to see why. With just the right balance of realism, romance, and comedy, the movie makes for a simple but deeply moving and involving watch. You can’t help but root for the exes to get back together, even though you know as well as they do how minimal the chances of that happening are.
An intriguing, funny and rather bizarre movie which serves as a fantastic introduction to 'new-wave' German cinema. Featuring a cast of young talented actors and excellent direction, this movie takes place around the time the Berlin wall fell and East and West Berlin were still united. Christiane, a devout socialist activist in East Berlin suffers an accident which leaves her in a coma, during which time the Berlin wall comes down and Western capitalism encroaches on her beloved East Berlin. Fearing that she may relapse into a coma after waking up, her doctors warn that she must remain calm and not endure any shocks. Despite the somewhat contrived premise, the film really takes off from this point as her son Alex and his friend aim to hide this fact from her, by faking news reports on the television, coming up with excuses for a giant Coca Cola banner and a whole host of other amusing exploits to prevent her from knowing. While categorised as a comedy, it is also a moving portrayal of a loving family enduring great, historic change.
Starring Ryan Gosling, Emily Mortimer, Paul Schneider, Kelli Garner and Patricia Clarkson. Lars and the Real Girl is a funny and thought-provoking look at the psychology of loneliness and the healing power of love. I rented this a few years back because of Ryan Gosling - he had just blown me away in Fracture so I was trying to catch up on his other movies. It was an unexpected gem. One of the sweetest movies I have ever seen - it was kind of like a fairy tale. With a blow-up doll. Yes, that's right.
Miso may be living day to day on her meager earnings as a cleaner, but she is decidedly content. She insists that all she needs to get by are cigarettes, whiskey, and time with her boyfriend, so when a spike in rent and prices invites her to reassess her priorities, she doesn’t budge. Instead of forgoing these luxuries, she gives up her tiny place and couch surfs with her old bandmates. What follows is a reunion of sorts, where darkly humorous epiphanies are had on both ends about adulthood, responsibilities, and what it really means to be happy in an increasingly indifferent, profit-oriented world.
Microhabitat treads on very grave themes, and the images it conjures can be unsettling. But it is also surprisingly light on its feet, displaying sharp satire and sweet empathy for its unyielding protagonist. Miso is portrayed with a smartness and softness that evades rational judgment, and this endearment makes the story, especially the ending, all the more painfulul, poignant, and impactful.
In this romantic drama, James Ivory adapts E.M. Forster's novel Maurice. Set in the early 20th century, Maurice Hall befriends Clive Durham while studying at Cambridge. Clive is rich, handsome, endlessly charming—and in love with Maurice. The two’s relationship blossoms quietly as they steal intimate moments in lush pastures and empty hallways. Fans of Call Me By Your Name will recognize some of the most tender and tense scenes, wherein Clive and Maurice lie together in the grass, surrounded only by weeds and flowers, as if they were the only two lovers left in the world.
But their love story is stunted and complicated by notions of class and etiquette in an oppressive, conservative England. This is a coming-of-age story in which Maurice must ask himself not only who he is, but also who he wants to become, and how to live an earnest, honest life in the light.
Cloudburst is the very funny and heartwarming story of two old ladies, Stella (played by Academy Award winner Olympia Dukakis) and Dotty (played by another Academy Award winner, Brenda Fricker) who escape their nursing home and drive to Nova Scotia, Canada to get married. Along the way, they meet Prentice, a hitchhiker on his way home to Nova Scotia as well. Cloudburst is the story of their road trip. Dotty is lascivious and loving. Expect to be shocked by Stella's potty mouth. The whole film is a great love story about devotion, acceptance and living life to the fullest.
Even with a plot that wholeheartedly embraces the tropes of a fake marriage and of found families, The Wedding Banquet never falls into the trap of histrionic melodrama. There's a calmness to this film that's made all the more poignant by how none of these characters are truly right or wrong, good or bad. Everyone is just trying to stay in their lane while nurturing the little bits of happiness they can find. The Wedding Banquet is a relatively early example of a lighthearted gay romance and an American co-production that's incredibly sensitive about representing Taiwanese culture properly on screen.
The entirety of Pieces of April takes place on Thanksgiving Day, a busy holiday meant to bring loved ones together. Sure enough, April, the eldest Burns daughter, takes great pains to prepare a nice dinner for her visiting family. But we soon learn that she is motivated less by excitement than by dread: she's long been estranged, disowned even, by her uptight mother, Joy, who is only agreeing to come because she's sick with cancer. April seems to be on a reluctant mission to fix their fraught relationship, but pesky (albeit funny) mishaps, both on her and Joy's end, keep getting in the way.
Shot digitally and very closely with hand-held cameras, Pieces of April looks as intimate as it feels. It's a snapshot of an era and of a particular family dynamic, one that relatably relies on both love and scorn to keep going. It's an excellent, honest, and underrated gem of a movie.
This original comedy-drama is about a young man on the autism spectrum called Luke. Propelled by a scandalous grandpa with no filters, Luke decides that what he needs in his life is to lose his virginity.
His dysfunctional family setting, which includes a mother who left him and a neurotic step-mother, makes his search more difficult but more also pressing. Luke decides he first has to get a job, and with a world that doesn’t expect much from him, his unbreakable determination is a joy to watch.
Prior to being defined by that fateful bombing in 1945, Hiroshima was like any other city outside of Tokyo; small but full, quiet but busy, and in the midst of a slow-but-sure journey to modernization. We experience the rich and intimate details of this life through the kind-hearted Suzu, who herself is stuck between the throes of old and new. She is an ambitious artist but also a dedicated wife; a war-wearied survivor and a hopeful cheerleader.
Set before, during, and after the Second World War, the film starts off charmingly mundane at first, but it quickly gives way to inevitable grief in the second half. One stark tragedy follows another as it becomes increasingly clear how much we lose our humanity in war.
In This Corner of the World is the rare film outside of the Hayao Miyazaki canon that captures the latter's heart for detail while still being graciously its own.