11 Movies Like A Man Called Otto (2022) On Netflix Australia

Staff & contributors

, 2022

Filled with dense conversations about classical music and cryptic suggestions of a guilty conscience, Tár makes for a challenging watch that rewards patient viewing. The film is ultimately a study of power in an industry built on preserving centuries-old traditions—which makes the character of Lydia Tár, as a queer woman and as a proud, egotistical conductor, such an anomaly in this world. Certain strange choices by the end notwithstanding, this is a movie that leaves itself wide open to interpretation to its view on karma, accountability, and cycles of power. And Cate Blanchett is as good as the awards say: fully immersed in Lydia's ways of arrogant self-preservation, and twitching at every ambient noise that reminds her how fake she truly is.

Genre: Drama, Music

Actor: Adam Gopnik, Alec Baldwin, Alexandra Montag, Allan Corduner, Alma Löhr, André Röhner, Artjom Gilz, Cate Blanchett, Christoph Tomanek, Diana Birenytė, Ed White, Frank Röth, Jessica Hansen, Johann von Bülow, Johanne Murdock, Julian Glover, Kenneth Won, Lee Sellars, Lucie Pohl, Lydia Schamschula, Marie-Anne Fliegel, Marie-Lou Sellem, Mark Strong, Mila Bogojevic, Murali Perumal, Nina Hoss, Noémie Merlant, Sam Douglas, Sarah Bauerett, Sophie Kauer, Sydney Lemmon, Tilla Kratochwil, Vincent Riotta, Vivian Full, Xenia Assenza, Zethphan Smith-Gneist

Director: Todd Field

I love when a misunderstood woman reclaims her narrative with her own words, and that’s exactly what Pamela: A Love Story is too, a tell-all documentary told by Pamela Anderson herself.

The documentary bares it all—the scandalous sex tape, Anderson’s troubled past, the disgusting misogyny that continues to tarnish her career. She even touches on the Hulu miniseries made about her demise (which Netflix must feel so smug about). But this isn’t a pity party. Just the opposite, the documentary is a testament to resilience. “My life is not a woe-is-me story,” Anderson says at one point, and truly, this is an inspiring and humanizing story about a woman taking charge of her own life. An absolute must-see.

Genre: Documentary

Actor: Barry Anderson, Brandon Thomas Lee, David Hasselhoff, David Hogan, David Letterman, Douglas Schwartz, Jimmy Kimmel, Julian Assange, Kelly Slater, Michael Berk, Pamela Anderson, Ruby Wax, Tommy Lee, Tony Curtis, Vivienne Westwood

Director: Ryan White

Rating: TV-MA

It's difficult to portray Cinderella stories nowadays without making them feel cliche and irrelevant, but Mrs. Harris Goes to Paris seems to have achieved the impossible: it tells a well-worn tale without losing any of its charms, and Lesley Manville is the person to thank for this surprising triumph. As the titular Mrs. Harris, Manville is so sweet and likable —thoroughly convincing in her rags-to-riches journey—that it's impossible to watch her without grinning from ear to ear. Sure, the beats are predictable, polished to a fault even, but Manville makes every scene worth it. This is a feel-good movie if ever there was one, made even more enjoyable for fans of earnest performances, beautiful dresses, and clean, straightforward storytelling.

Genre: Comedy, Drama, History

Actor: Alba Baptista, Anna Chancellor, Barnabás Réti, Ben Addis, Bertrand Poncet, Christian McKay, Csémy Balázs, Declan Hannigan, Delroy Atkinson, Ellen Thomas, Freddie Fox, Guilaine Londez, Harry Szovik, Igor Szász, Isabelle Huppert, Jade Lopez, Jason Isaacs, Jeremy Wheeler, Lambert Wilson, Lesley Manville, Lucas Bravo, Panka Murányi, Philippe Bertin, Rose Williams, Roxane Duran, Saruul Delgerbayar, Vincent Martin, Wayne Brett, Zsolt Páll

Director: Anthony Fabian

It’s very likely you already know about the fictional character Matilda, a clever but neglected child who discovers she has telekinesis and uses it for good. You may have even grown up watching the 1996 film multiple times, as I have, and secretly tried to move a random object with your mind to see if you somehow shared Matilda’s powers…as I have.

If so, I can assure you that you’ll enjoy the latest Matilda adaptation, aptly called Roald Dahl’s Matilda the Musical on Netflix. It’s pure energy, all bright colors and high-pitched emotions, but not overwhelmingly so. It is also funny and tender, and the techniques it uses to transition and transpose are eye-poppingly inventive. It stars Emma Thompson, once again prosthetic-ed to perfection; Lashana Lynch, a grounding and heartwarming presence; and Alisha Weir, a revelation of a child actor.

Genre: Comedy, Drama, Family, Fantasy, Music

Actor: Alisha Weir, Amanda Lawrence, Andrea Riseborough, Ann Firbank, Bebe Massey, Charlie Hodson-Prior, Emma Thompson, James Dryden, James Laurenson, Katherine Kingsley, Lashana Lynch, Leon Ung, Matt Henry, Meesha Garbett, Noah Leggott, Serrana Su-Ling Bliss, Sindhu Vee, Stephen Graham, Thomas Arnold, Tim Bentinck

Director: Matthew Warchus

Rating: PG

, 2023

War makes animals of men, and Filip is no exception. The film portrays a lone Jewish survivor who walks the streets of Frankfurt as if he doesn’t have anything to lose. He’s able to get away with it, with his work at a luxury hotel, but he’s unable to escape his trauma. He relieves this through trysts with the local women, treating them cruelly, the same way they would treat his people. It’s a uniquely stunning take on the ugly side of war, with its country club glamor and Filip’s lust for life. But it’s also a grim character study of an unlikeable, yet understandable protagonist, whose moral ambiguity comes purely from his own survival.

Genre: Drama, History, War

Actor: Caroline Hartig, Eryk Kulm, Eryk Kulm jr, Gabriel Raab, Julian Świeżewski, Jürg Plüss, Karol Biskup, Kinga Jasik, Mateusz Rzeźniczak, Nicolas Przygoda, Nicolo Pasetti, Robert Więckiewicz, Sandra Drzymalska, Victor Meutelet, Zoë Straub

Director: Michał Kwieciński

Rating: R

Middle-aged romances aren't really a popular genre. After all, it tends to be predictable, problematic, and it can sometimes feel like seeing your parents have sex. Other films try to spice it up with a great looking location, pretty cinematography, and all the romance tropes, and Croatian-German film Faraway has plenty of that in store. However, it also happens to be a film where a middle-aged woman finds solace with her Croatian mom’s culture, after years of assimilating to the countries of her dad, and later, her husband. While not perfect, Faraway feels so charming and it has the rare sincerity missing from many middle-aged romcoms.

Genre: Comedy, Romance

Actor: Adnan Maral, Adriana Altaras, Artjom Gilz, Bahar Balci, Butz Ulrich Buse, Christian Schneller, Davor Tomić, Goran Bogdan, Mladen Vasary, Naomi Krauss, Paula Schramm, Vedat Erincin

Director: Vanessa Jopp

Narrated by the familiar voice of Jack Black, Apollo 10 ½ is a throwback story told with admirable specificity and imagination. Black plays a grown-up Stan, who looks back on his younger years with a mix of fondness and wonder: how did they get away with the things they did then? American suburbia in the 1960s was both loose and conservative, caught between a generation holding on to the reins of the earlier century and one eager to launch into the next. 

Stan, as the youngest child of a big, rowdy family, gives us a charming look into the times, as well as a projection of his own fascination: Apollo 11 and the space age. He inserts himself in this monumental narrative and generously brings us along in his fantasy. Sometimes it’s hard to tell whether Stan’s recruitment by NASA is actually fact or fiction, but that’s part of the fun, especially since Stan himself doesn’t seem to mind at all.

Genre: Adventure, Animation, Comedy, Drama, Family, History, Sci-Fi & Fantasy, Science Fiction

Actor: Bill Wise, Brent A. Riggs, Brian Villalobos, Buzz Aldrin, Christian Moran, David DeLao, Glen Powell, Holt Boggs, Jack Black, Janis Joplin, Jennifer Griffin, Jessica Brynn Cohen, John F. Kennedy, John Kaler, Josh Wiggins, Keslee Blalock, Larry Jack Dotson, Lee Eddy, Milo Coy, Mona Lee Fultz, Natalie L'Amoreaux, Neil Armstrong, Nick Stevenson, Richard Nixon, Samuel Davis, Walter Cronkite, Zachary Levi

Director: Richard Linklater

Rating: PG-13

With a new, fast-paced media landscape, Call Me Chihiro might feel too slow for people new to the story. Composed of serene, slice-of-life moments, the film starts off feeling plotless, as the titular protagonist builds random interactions with the townspeople. She makes friends with people who seemingly don’t have much in common with her. Despite this, each interaction feels meaningful and genuine, thanks to the subtle acting of Kasumi Arimura. And as these scenes build up, and Chihiro’s friends begin to become friends with each other, these day-to-day moments form a character study of a lonely woman whose kindness and appreciation for life make her feel so admirable. For those wistful Sunday nights, Call Me Chihiro might be a great watch, but only if you’re in that certain mood.

Genre: Drama

Actor: Fusako Urabe, Hana Toyoshima, Itsuki Nagasawa, Jun Fubuki, Kasumi Arimura, Keiichi Suzuki, Lily Franky, Mitsuru Hirata, Miwako Ichikawa, Ryuya Wakaba, Shigeo Ôsako, Toshie Negishi, Van, Wakaba Ryuuya, Yoichiro Saito, Yui Sakuma

Director: Rikiya Imaizumi

Rating: R, TV-14

Third dates usually feel more casual than that depicted in Longest Third Date, but with 2020 shifting everyone’s plans, it’s not surprising it shifted romantic relationships too. The documentary doesn’t feel like a factual and organized documentary, cobbled up together from the couple’s vlog and filmed interviews once they got back to the States, but it’s definitely a unique story, one that’s only been saved because of Matt’s influencer aspirations. It’s certainly watchable, with a spry 75-minute runtime, and with understandable conflicts, like flight cancellations and tipped over cars. The film does feel like it glosses things over, and Khani seems to be the private type of person, uncomfortable with the camera, but Longest Third Date, even with all its reality TV style, also feels somewhat like a cultural artifact. It’s not deep, but it does feel like opening a time capsule.

Genre: Documentary

Actor: Khani Le, Matt Robertson

Director: Brent Hodge

Rating: R

With every chaotic fight scene, ridiculous stunts, and crazy scheme, All-Time High is a wild ride where two scammers lie to each other and fall in love. It’s fun to see these irresponsible people reap the consequences, and it’s fun to see the way Youssef and Stéphanie recognize that they’ve met their match, made all the more fun with the natural chemistry between Nassim Lyes and Zoé Marchal. That being said, the film’s irreverent humor depends a bit too much on stereotypes and gags, and can be a bit too specific for viewers outside of France.

Genre: Comedy, Romance

Actor: Adèle Exarchopoulos, Adrien Essamir, Alexandre Kominek, Ciryl Gane, Guillaume Canet, Gustave Kervern, Hakim Jemili, Hedi Bouchenafa, Ichem Bougheraba, Kenza Fortas, Nassim Lyes, Panayotis Pascot, Yassine Stein, Yousef Ramal, Yovel Lewkowski, Zoé Marchal

Director: Julien Royal

With uninteresting characters and an aggressively bland story right from the start, Choose Love fails to establish any stakes worth caring about, no matter what choices we make throughout. Any sense of novelty from playing this choose-your-own-romcom vanishes once you notice how certain decision points lead to the exact same idea, or are blatantly disregarded by the character you "control" anyway. Choice is a complete illusion here, and the fact that we're only asked to participate when it comes to some of the most inane dilemmas only highlights how the film's protagonist isn't acting like a rational, adult human being with any self-respect or regard for others. Sure, people are inherently flawed and it can be fun to see how disastrous this situation can get through our own manipulation, but by the end there's still no believable spark to be found. It feels like a cop-out no matter what.

Genre: Comedy, Drama, Romance

Actor: Avan Jogia, Benjamin Hoetjes, Blair Strang, Jack Bright, Jacque Drew, Jesse Griffin, Jordi Webber, Laura Marano, Lucy Wigmore, Megan Smart, Nell Fisher, Scott Michael Foster

Director: Stuart McDonald