21 Movies Like Parasite (2019) On Netflix Japan

In this powerful documentary, Brazilian filmmaker Petra Costa intertwines her own family history with the democratic journey of her home country. As she says herself, Costa and her country's democracy are of the same age. This is not the only reason why she was uniquely positioned to make a film like this: her parents were left-wing activists in the 1970s, who went to jail for their beliefs, while her grandparents were part of the ruling class have made Brazil's strong-man politics and right-wing backlash possible. Her mother was held at the same prison that ex-president Dilma Rousseff (2011-2016) was sent to. Costa tells the story of Rousseff's demise as well as that of Luiz Inácio da Silva (2003-2011) aka Lula, whose future remains up in the air. The Edge of Democracy is thus a gripping and urgent warning that democracy in the world's sixth most populous country is under attack. In content and form, Costa is obviously opinionated, but she makes a strong point.

A gritty and realistic thriller set in France’s notorious capital city of crime - Marseille. 

Zachary is released from Juvenile prison to learn that his mother has abandoned him. He finds kinship in an underage sex worker by the name of Shéhérazade. 

This seems like the set-up for a tough watch, but Shéhérazade plays like a romance when it’s slow, and a crime thriller when it’s fast (it’s mostly fast). Everything about the story and two leads’ relationship rings true. Added to the fact that it has no interest in emotionally manipulating you, the movie is more gripping and thought-provoking than sad.

A great story, fantastic acting from the cast of first-timers, and outstanding direction give the feeling that Shéhérazade is bound to become a modern classic. If you liked City of God, you will love this. 

This documentary starts with Alex Lewis, who gets into a motorcycle accident and wakes up in the hospital not knowing who he is. He doesn’t remember anything (not even what a bicycle or a TV is, or who his mother or father are), but he remembers his twin brother, Marcus. When Alex gets back into his childhood home, he’s full of questions, and Marcus is full of answers. However, slowly, Marcus realizes his power to reshape Alex’s version of their past. Marcus leaves one important detail from Alex’s life that makes this documentary (as if it wasn’t already) such an insane story. I know I said it’s a sad movie, but it’s also fascinating and, ultimately, humanizing of the brothers’ experience.

This unique romance is set during a time when a man would be sent the painting of the woman he was to marry before the wedding could take place. Héloïse, secluded with her mother and a maid on a remote island, doesn't approve of her upcoming wedding and refuses to be painted. Her mother sends for a new painter, Marianne, to try to paint her without her noticing. Marianne has to take on this near-impossible task when she starts having feelings for Héloïse. This makes for a riveting romance where Marianne has to choose between her heart and her art while keeping a huge secret from her love interest.

Paul Giamatti, man. Ever watched Win/Win? What a performance. I didn’t think he could do any better than that. But here he did. This movie is now on Netflix. It’s about a couple that is trying to have a kid but can’t. Their frustration grows, but so does their willingness to do whatever it takes to become parents. They try to adopt, go to fertility clinics and ultimately ask their niece to donate her eggs. To really work, such a plot requires well-written, multifaceted characters one can relate to. I did, and it really worked.

A zombie virus breaks out and catches up with a father as he is taking his daughter from Seoul to Busan, South Korea’s second-largest city. Watch them trying to survive to reach their destination, a purported safe zone.

The acting is spot-on; the set pieces are particularly well choreographed. You’ll care about the characters. You’ll feel for the father as he struggles to keep his humanity in the bleakest of scenarios.

It’s a refreshingly thrilling disaster movie, a perfect specimen of the genre.

This new documentary is about the exact scale to which social media is harming us, as testified to by people from the industry: ex-executives at Google, Instagram, Facebook, and even the ex-President of Pinterest. All have left their companies for (incredibly valid) ethical concerns that they share here.

It's a blend of interview footage and a fiction film that follows a family who feels more distant because of social media. This allows to see the implications of what the interviewees are saying in real life but quite frankly it also serves as a welcome break from the intensity of their words. How intense? One of them predicts civil war within 20 years.

An interior designer comes back from Sweden to her birthplace in Thailand where she tries to declutter her family home to make it a minimalist, Marie Kondo-type house. “Minimalism is like a Buddhist philosophy. It’s about letting go,” she tells her mother as she tries to convince her. “Are you nuts?” The woman replies.

Jean insists and she embarks on a journey of touching what hasn’t been touched in decades: traces of an absent father and a past lover among the old Nokias and VHS tape recorders.

Happy Old Year is a contemporary exploration of the age-old resistance to throwing things away. Decluttering is a costly act, one of rejecting and discarding memories. The film was Thailand’s official submission to the Oscars.

Us and Them follows two former lovers who reminisce and reassess their decade-long relationship over one night. They both seem to be in better places, certainly financially if anything else, but their shared wistfulness for the past threatens to prove otherwise. 

The film was an immediate hit when it was first released in China, and it’s easy to see why. With just the right balance of realism, romance, and comedy, the movie makes for a simple but deeply moving and involving watch. You can’t help but root for the exes to get back together, even though you know as well as they do how minimal the chances of that happening are.

From countries like Finland to North Korea, this amazing documentary explores the most fascinating active volcanoes on our planet. But as it unfolds you realize that Into the Inferno is a movie as much about volcanoes as it is about the people obsessed with them. And who can be called obsessive more than the film’s own director, Werner Herzog, who, with such an explosive career had to eventually make a film about volcanos (bad pun intended). Beautiful scenery, interesting interviews, and Werner’s majestic delivery all make Into the Inferno both an interesting and satisfying documentary.