8 Movies Like Spider-Man: Across the Spider-Verse (2023) On Fubo

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Chasing the feel of watching Spider-Man: Across the Spider-Verse ? Here are the movies we recommend you watch right after.

With cardboard houses, sugar winters, and broccoli trees, No Dogs or Italians Allowed at first seems lighthearted, playful, and not too serious. Alain Ughetto casts himself asking his grandmother Cesira about his family, but we only see his hands moving and interacting with the characters as if he was crafting clay model miniatures. However, the whimsical approach sugarcoats the very tragedies that struck his family– from the multiple wars to the discrimination they’ve faced as immigrants– with excellent animation and puppetry that feels much more lifelike than 3D CGI. In telling his family’s story, Ughetto also retells 20th century European history, reframing the worldwide events and movements through a personal perspective.

Genre: Animation, Drama

Actor: Alain Ughetto, Ariane Ascaride, Bruno Fontaine, Christophe Gatto, Diego Giuliani, Laura Devoti, Stefano Paganini

Director: Alain Ughetto

The concepts of roads not taken and domino effects have received plenty of cinematic attention in their showier forms by way of multiverse comic book movies and dimension-hopping films like Everything Everywhere All At Once. But, though there’s no hint of sci-fi in Past Lives, Celine Song’s gentle film can count itself as one of the best treatments of that universe-spawning question: “what if?”

When her family moves from Seoul to Canada, teenage Na Young bids a loaded farewell to classmate Hae Sung and changes her name to Nora. Years later, they reconnect online and discover the spark still burns between them. This is no idealistic romance, though: Past Lives is told with sober candor. Song acknowledges real obstacles standing in the way of a relationship between the two — those pragmatic (distance) and, more painfully, personal (evolving personalities, American husbands).

Those two threads — unrealized romance and the transmutation of identity that so often takes place after migrating — are expertly entwined in Past Lives to produce a sublime, aching meditation on memory and time, practical love and idealistic romance, and all the complex contradictions that exist in between. That Song communicates so much and so delicately in only her first film makes Past Lives all the more stunning.

Genre: Drama, Romance

Actor: An Min-yeong, Chang Ki-ha, Chase Sui Wonders, Choi Won-young, Emily Cass McDonnell, Federico Rodriguez, Greta Lee, Hwang Seung-eon, Isaac Powell, Jack Alberts, Jane Yubin Kim, John Magaro, Jojo T. Gibbs, Kristen Sieh, Moon Seung-a, Moon Seung-ah, Seo Yeon-woo, Teo Yoo, Yim Seung-min, Yoon Ji-hye

Director: Celine Song

Rating: PG-13

One woman’s main character syndrome reaches shocking lows in this vicious Norwegian satire of social-media-era narcissists. Signe (Kristine Kujath Thorp) and her artist boyfriend Thomas (Eirik Sæther) are a deeply toxic couple who torture everyone around them with their constant, petty one-upmanship. When he lands a flashy magazine spread, though, Signe’s usual tactics for slyly redirecting attention her way don’t cut it anymore, and so this compulsive liar takes drastic action and begins overdosing on pills banned for their serious dermatological side effects.

Signe's Munchausen-esque actions have their desired effect: the physically dramatic results instantly make her the center of attention — but not indefinitely. As she craves increasingly bigger spotlights, the film toggles between reality and scenes from her imagination, including a morbid sexual fantasy in which her funeral proves so popular the priest becomes a bouncer, turning away sobbing mourners whom Signe noticed hadn’t visited her in hospital. The rampant narcissism on display here is at turns hilarious and excruciating: Sick of Myself’s sharp social observation skills make it feel, in places, like a movie by cringe-master Ruben Östlund. That stomach-turning effect carries through to the ending, which darkly suggests that, for someone like Signe, even narcissism itself is a condition that can be weaponized for attention.

Genre: Comedy, Drama

Actor: Anders Danielsen Lie, Andrea Bræin Hovig, Fredrik Stenberg Ditlev-Simonsen, Henrik Mestad, Kristine Kujath Thorp, Kristoffer Borgli, Robert Skjærstad, Terje Strømdahl

Director: Kristoffer Borgli

There’s not much to analyze in The Wrath of Becky, which might sound like a jab, but for grindhouse thrillers such as this, it comes as a compliment. The story is lean, the action is on point, and the dialogue is whipsmart. There is little to distract from the main attraction, which is the creatively gruesome ways in which everyone tries to kill each other. 

It’s so simple, in fact, that you’d be forgiven for thinking this is a standalone film, instead of a sequel to an earlier movie, simply titled Becky. Efficiently, parts of the first installment appear as flashbacks here, but they’re hardly needed to convince us of Becky’s ferocious might. Wilson already does an excellent job with minimal but evocative gestures. Seann William Scott, too, is surprisingly terrifying as the head of the Neo-Nazi group out to get Becky. It’s easy enough to paint the incel as a villain, but to portray him with such palpable terror is a challenge that Scott steps up to.

Genre: Action, Horror, Thriller

Actor: Aaron Dalla Villa, Alison Cimmet, Courtney Gains, Denise Burse, Derek Gaines, Jill Larson, John D. Hickman, Kate Siegel, Lulu Wilson, Matt Angel, Michael Sirow, Seann William Scott, Zoie Morris

Director: Matt Angel, Suzanne Coote

Rating: R

This documentary follows eight men whose convictions were recently overturned based on exonerating evidence. Proven innocent after many years in the US prison system, they are suddenly free to return to the communities they had been expelled from, without any of the usual obligations (or resources) associated with parole or probation.

The exonerations featured in the film are largely thanks to the work of the Innocence Project, a nonprofit legal organization that works to free the wrongfully convicted through DNA testing and criminal justice system reform. While their work is central to the documentary, it's also clear that these failings of the system represent only the tip of the iceberg. What makes the movie unforgettable, though, is the exonerees' struggle to make sense of what remains possible in their lives, to embrace hope and reconcile with profound loss. All in all, it is as much a study of the deep costs of injustice as it is one of buoyant resilience.

Genre: Crime, Documentary, Drama

Director: Jessica Sanders

There isn't a single moment of unnecessarily exaggerated emotion or comedy in this French-Danish animated film, which may keep its world very small compared to its peers, but it portrays everything with arguably more depth and beauty. Long Way North moves with a stately pace, giving it more dramatic heft and allowing us to take in all of the film's painterly surfaces and soft silhouettes. But it's not just the art style that sets the film apart; it also avoids what we expect from a traditional adventure, keeping the most important character beats private and internal. This may make the movie feel a little more distant than it should be, but the feeling that it leaves you with is undeniable—a sense that everything is connected, and those who are lost will always find a way home.

Genre: Adventure, Animation, Drama, Family

Actor: Audrey Sablé, Boris Rehlinger, Bruno Magne, Christa Théret, Féodor Atkine, Juliette Degenne, Rémi Bichet, Stéphane Pouplard, Thomas Sagols

Director: Rémi Chayé

The sooner you accept that Bottoms is not, in fact, rooted in reality in any way, the easier it should become to get on its wavelength for its uniquely absurd brand of comedy. This is ostensibly a satire, though it isn't totally clear what exactly the film is trying to comment on. And its loosely defined world makes it challenging to get emotionally invested in any of the characters' failures or victories. But it does—more than any comedy we'll probably get in a while—capture this feeling of high school being its own heightened, insulated world, where the class system of strict high school stereotypes clashes with the unchecked id and ego of teenagers who think they're more grown-up than they really are.

Director and co-writer Emma Seligman gives this movie a certain sheen that you rarely find in comedies this lowbrow (care of lush cinematography by Maria Rusche, and a bumping electronic score by Leo Birenberg and pop star Charli XCX). This contrast between polished exteriors and unapologetically raunchy content makes the jokes all the more startling—which are delivered by a cast clearly having great fun. Rachel Sennott and Ayo Edebiri stick to their cringe-comedy skill set to great effect, while Ruby Cruz and Havana Rose Liu shine with deceptively tricky material, and Nicholas Galitzine gets to be a himbo for the ages.

Genre: Comedy

Actor: Alyssa Matthews, Ayo Edebiri, Bruno Rose, Cameron Stout, Dagmara Domińczyk, Havana Rose Liu, Kaia Gerber, Krystal Alayne Chambers, Liz Elkins Newcomer, Marshawn Lynch, Miles Fowler, Nicholas Galitzine, Punkie Johnson, Rachel Sennott, Ruby Cruz, Ted Ferguson, Toby Nichols, Virginia Tucker, Wayne Pére, Zamani Wilder

Director: Emma Seligman

Rating: R

, 2021

Though it only really serves as a recounting of events from 1971 rather than a much thorough analysis, Attica is a great example of that type of documentary that can be incredibly difficult to pull off well: that is, the archival documentary mainly told with already existing material. Thanks to plenty of detail (and the good instinct to know how to deploy these details), this documentary avoids feeling like a mere history lesson and begins to feel almost as dramatic as a radio play. And the film knows better than to be detached from its subject; it makes sure to characterize the inmates of Attica as an intelligent, passionate group that set aside their differences to stand up for their rights—and were summarily punished for it.

Genre: Documentary

Actor: Clarence Jones, Elizabeth Gaynes, Herman Schwartz, James Asbury, John Johnson, Richard Nixon

Director: Stanley Nelson, Traci A. Curry