My Beautiful Laundrette (1985) | agoodmovietowatch
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My Beautiful Laundrette 1985

A refreshingly bold, ambitious look at immigrant assimilation that also announced the arrival of Daniel Day-Lewis

Our Take (by Farah Cheded)

Daniel Day-Lewis earned his breakout performance as Johnny, a reformed skinhead in this tale of  interracial gay romance in Thatcher’s Britain. Gordon Warnecke plays Johnny’s lover Omar, the aimless son of a Pakistani intellectual who is given a leg-up by a successful uncle when he’s put in charge of rescuing a failing laundrette in gritty South London. Remarkably, Omar and Johnny’s romance isn’t presented as all that transgressive; far more central are the experiences and attitudes towards “assimilation” of Omar’s British-Pakistani family, the elders of whom live double lives and indulge both their financial and sexual greed. My Beautiful Laundrette is transgressive in many ways, but mostly in the dizzying array of tensions it sets its sights on — racial, ideological, class, generational, and gender — an ambitious quality that can, admittedly, overwhelm at times. But ambition is an admirable flaw for a film to have, particularly one as sharp and groundbreaking as this.

Notable Critics

"It’s an enormous pleasure to see a movie that’s really about something, and that doesn’t lay on any syrupy coating to make the subject go down easily."

— Pauline Kael

"Apart from the masterly Roshan Seth and Saeed Jaffrey, I particularly enjoyed Shirley Anne Field as Nasser's grateful mistress and also, as Johnny, Daniel Day Lewis."

— David Denby

Synopsis

A young Pakistani Briton manages a rundown laundrette with his lover while dealing with tension in his family, the local Pakistani community, and a persistent mob of skinheads.

More about it

What happens

A young British-Pakistani drifter finds new direction in life when he reconnects with an old school friend and is tasked with reviving a dying business for his uncle.

What sets it apart

A film that combines My Beautiful Laundrette’s complex subject matter and tricky tone — at once humorous and cutting — is arguably still a rare sight today. Watching it smash taboos and break new ground in all the ways it does decades later, you can’t help but lament that movies this clever and complex and radical in their focuses aren't more commonplace now.

TL;DR

Way more interesting than its title — which sounds like a quirky Netflix reality show that’ll get canceled after a single season — suggests.

Awards

Oscars

1 nomination

Nominated: Best Writing, Screenplay Written Directly for the Screen

BAFTA

2 nominations

Nominated: Best Actor in a Supporting RoleNominated: Best Screenplay

Spirit Awards

1 nomination

Nominated: Special Distinction Award

Nat. Board of Review

1 win, 1 nomination

Won: Best Supporting ActorNominated: Top Ten Films

NYFCC

2 wins

Won: Best ScreenplayWon: Best Supporting Actor

LAFCA

1 nomination

Nominated: Best Foreign Film

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About the author

Farah Cheded

Farah Cheded

Farah Cheded is a UK-based curator at A Good Movie to Watch and a Rotten Tomatoes-approved freelance critic whose work has been published at outlets including The Playlist, Paste Magazine, and Film School Rejects. She lives in fear of the day she runs out of 'Columbo' episodes to watch.