In the West, South Korean film is largely defined by the ingenious (oft violent) bombast of directors like Park Chan-wook (Oldboy) and Bong Joon-ho (Parasite), but there is a quieter tradition championed by director Hong Sang-soo that is just as imaginative and worthy of your time. This fascinating film serves as a perfect entry point to a director whose filmography is full of similar riches.
A film director arrives in town to deliver a lecture, and having some time to kill, ends up sharing a day with a stranger. This simple set-up recalling Before Sunrise leads down a charming and quietly romantic route that would be delightful on its own, but Right Now, Wrong Then is about much more than just a chance encounter. It’s a film more concerned with how little moments here and there can change everything, and how much our lives are governed as much by chance and timing as the choices we make.
In the West, South Korean film is largely defined by the ingenious (oft violent) bombast of directors like Park Chan-wook (Oldboy) and Bong Joon-ho (Parasite), but there is a quieter tradition championed by director Hong Sang-soo that is just as imaginative and worthy of your time. This fascinating film serves as a perfect entry point to a director whose filmography is full of similar riches.
A film director arrives in town to deliver a lecture, and having some time to kill, ends up sharing a day with a stranger. This simple set-up recalling Before Sunrise leads down a charming and quietly romantic route that would be delightful on its own, but Right Now, Wrong Then is about much more than just a chance encounter. It’s a film more concerned with how little moments here and there can change everything, and how much our lives are governed as much by chance and timing as the choices we make.