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Lies Hidden in My Garden 2023

Dark secrets bloom from painful, hidden pasts

Our Take (by Kerine Wint)

A mysterious rotting smell and hard thuds heard from above start the series off on an eerie note. Moon Joo-ran (Kim Tae-hee) is a seemingly perfect housewife, but under the guise of her well-kept home are a secretive husband and a son who possibly resents her (currently unknown) condition. Meanwhile, Chu Sang-eun (Lim Ji-yeon) is trapped in an abusive marriage and dreams of escape. As Joo-ran becomes paranoid about the smell in her backyard and Sang-eun gathers evidence to leave her husband, the two women find a harrowing revelation. Leads Kim and Lim immediately offer memorable, haunting performances, while the setup described above is a captivating start to a psychological thriller that promises a web of secrets and lies.

Synopsis

An ordinary housewife's life goes in an unexpected direction after noticing a strange smell in her backyard.

More about it

What happens

A suspenseful psychological thriller about two women who are drawn together by a dark secret.

What sets it apart

Good pacing and immediate intrigue are must-haves for mysteries, and Lies Hidden in My Garden doesn't disappoint. The opening sequence of Joo-ran's discomfort in her new home and her mental state after her sister's death is entrancing. The rotting smell from the backyard sets the characters up perfectly: the placating husband, the inquisitive new neighbor, and the estranged teenage son. Their relationships and personalities are distinct, making their future actions an additional hook. All that's left is to see how Joo-ran and Sang-eun's lives collide.

TL;DR

There's no way a rotting smell in the backyard is a good sign!

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About the author

Kerine Wint

Kerine Wint

Kerine Wint is a curator at A Good Movie to Watch. When she’s not absorbed in anime and weird docu-series, she reviews speculative fiction for Fiyah Lit Magazine or designs album covers and magazines. As for her film taste, One Cut of the Dead (2017), The Lure (2015), Inu-Oh (2021), and Dear Ex (2018) sum it up pretty well.