2023 Movie
Dir. María José Cuevas · French, Spanish
Chronicling the life of Mexico's first serial killer, this documentary disrespects the victims by favoring sensationalism over sympathy
As far as documentaries go, The Lady of Silence doesn’t deviate much from the true-crime formula. It follows a serial killer in charge of a series of attacks against elderly women from the late 1990s to 2003 in Mexico City. But the show stands out for highlighting just how unfamiliar the Mexican government was with understanding and handling serial killers at the time. There’s also an insightful exploration into the socio-political implications of the case; political parties fueled the incompetence of the police, and the case remained ignored allegedly because women were the only victims. But it’s jarring how much of the victims’ stories are sidelined to make way for sensationalism. It’s a tasteless and heartless choice made by the filmmakers.
Between 1998 and 2005, a wave of murders targeting elderly women hit Mexico City, triggering the hunt for — and capture — of a most unlikely suspect.
The Lady of Silence: The Mataviejitas Murders is a documentary that tells the story of Juana Barraza, a Mexican serial killer who targeted elderly women.
The filmmakers make the interesting choice of having staged inserts throughout the film. In one scene, there are posed shots recreating how witnesses flagged down police after spotting the killer. In another, the sex workers that were wrongfully detained (because the police chose to target trans women) take "fake" mugshots and dress up in full garb for a sweeping shot of them on the street. Distracting background music, strange transition effects, and crossing out the eyes of the victims early in the film unnecessarily undermined the severity of the crimes.
This killer caused a gruesome string of crimes and an officer has the gall to keep her signature on stockings—why?

Kerine Wint is a curator at A Good Movie to Watch. When she’s not absorbed in anime and weird docu-series, she reviews speculative fiction for Fiyah Lit Magazine or designs album covers and magazines. As for her film taste, One Cut of the Dead (2017), The Lure (2015), Inu-Oh (2021), and Dear Ex (2018) sum it up pretty well.
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