This teenage crime drama contains enough grit to stand on its own, but The Tribe’s real hook is in the way it’s told: entirely in Ukrainian sign language, without subtitles. Set in a boarding school for deaf students, new arrival Sergei must contend with an institution that’s run like a gang. His journey through the ranks is extremely violent and graphic, including unflinching depictions of rape and a back-alley abortion that lingers long in the mind.
Its unpleasantness will be a barrier for some, but for the curious, it’s an oddly balletic film. Among the misery, actors communicate the entire story via body language. Emphatic dialogue delivery conveys the mood of each scene (which often changes for the worse), and the characters’ actions speak loud and clear. Narratively it breaks little ground, and its darkness can’t be overstated, but there’s grace to its reliance on everything but words to tell its story. A film you won’t stop thinking about.
"So vigorous are those signs, and so unmistakably sore is the inflammation of feeling behind them, that, far from being shut out, we are pulled all too fiercely into the drama's heart."
— Anthony Lane
Deaf-mute Sergey enters a specialized boarding school for the deaf. In navigating through the school's hierarchy, he encounters a corrupt underbelly of criminality, known as The Tribe. By participating in several robberies, he gets propelled higher into the organization, when he meets one of the Chief’s concubines Anya, and unwittingly breaks all the unwritten rules of the group."
"Slaboshpytskiy's gambit is to thrust us into the domain of the deaf by eliminating the spoken word and withholding subtitled translation for the flurried sign language, making this a truly and pointedly silent movie."
— Eric Hynes